Ideen zu einer Aesthetik der Tonkunst, 1839

Dieses Buch ist ein wichtiger Beitrag zur Musikästhetik des 19. Jahrhunderts. Der Autor erläutert die Grundlagen der musikalischen Form und analysiert Werke von Bach, Mozart, Beethoven und anderen Komponisten. Das Buch richtet sich an Musiktheoretiker und -praktiker gleichermaßen.
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