Confucian Image Politics

During the Ming-Qing transition (roughly from the 1570s to the 1680s), literati-officials in China employed public forms of writing, art, and social spectacle to present positive moral images of themselves and negative images of their rivals. The rise of print culture, the dynastic change, and the proliferating approaches to Confucian moral cultivation together gave shape to this new political culture. Confucian Image Politics considers the moral images of officialsΓÇöas fathers, sons, husbands, and friendsΓÇöcirculated in a variety of media inside and outside the court. It shows how power negotiations took place through participantsΓÇÖ invocations of Confucian ethical ideals in political attacks, self-expression, self-defense, discussion of politically sensitive issues, and literati community rebuilding after the dynastic change. This first book-length study of early modern Chinese politics from the perspective of critical menΓÇÖs history shows how imagesΓÇöthe Donglin official, the Fushe scholar, the turncoat figureΓÇöwere created, circulated, and contested to serve political purposes.