Utvidet returrett til 31. januar 2025

Building New Banjos for an Old-Time World

Om Building New Banjos for an Old-Time World

Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads "asked to meet the modern musician''s needs while retaining the nostalgic qualities so fundamental to the banjo''s sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder''s role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music''s appeal and its making.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9780252082849
  • Bindende:
  • Paperback
  • Sider:
  • 288
  • Utgitt:
  • 11. september 2017
  • Dimensjoner:
  • 228x152x22 mm.
  • Vekt:
  • 420 g.
  • BLACK NOVEMBER
Leveringstid: 2-4 uker
Forventet levering: 21. desember 2024
Utvidet returrett til 31. januar 2025

Beskrivelse av Building New Banjos for an Old-Time World

Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads "asked to meet the modern musician''s needs while retaining the nostalgic qualities so fundamental to the banjo''s sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder''s role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music''s appeal and its making.

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