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Working with Actors

Om Working with Actors

Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers: > a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters; > a prioritisation of the key skills for coming alive in the moment - listening and putting one's attention wholly on the other character/actor; > a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting; > for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781350295285
  • Bindende:
  • Paperback
  • Sider:
  • 240
  • Utgitt:
  • 28. desember 2023
  • Dimensjoner:
  • 234x156x16 mm.
  • Vekt:
  • 376 g.
  På lager
Leveringstid: 4-8 virkedager
Forventet levering: 4. mai 2026

Beskrivelse av Working with Actors

Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context.

Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives.

Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance.

Beyond that, the books uniquely offers:

> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;

> a prioritisation of the key skills for coming alive in the moment - listening and putting one's attention wholly on the other character/actor;

> a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting;

> for directors, a format for analysis of the complete work based on Stanislavskian principles;

> for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'

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