Utvidet returrett til 31. januar 2025

What We're Left With

Om What We're Left With

The poems in Ben Murray'' s debut collection, What We'' re Left With, reflect on disconnection as a feature of contemporary urban experience. Murray'' s poems tackle themes of isolation, loneliness and human separation from nature. Murray creates trademark images of surprising loneliness and suburban angst: sog-white mornings/ of caffeinated mouths/ mating Cheerios/ O to empty O. The poet longs for mall-free days of sprawling languid under a pre-cancerous sun when we hurry up/ and wait, to become men. Writing about climate change, the poet asks how long until hibernating bears/ shake November from their sleep-under fur/ and start snorting around for off-season/ bargains. Capable of many different registers, Murray writes, in assumed voices, of grief and memory beyond his own immediate experience, something he describes as tapping into some larger collective autobiography.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781897142295
  • Bindende:
  • Paperback
  • Sider:
  • 96
  • Utgitt:
  • 15. august 2007
  • Dimensjoner:
  • 143x216x8 mm.
  • Vekt:
  • 138 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 18. desember 2024

Beskrivelse av What We're Left With

The poems in Ben Murray'' s debut collection, What We'' re Left With, reflect on disconnection as a feature of contemporary urban experience. Murray'' s poems tackle themes of isolation, loneliness and human separation from nature. Murray creates trademark images of surprising loneliness and suburban angst: sog-white mornings/ of caffeinated mouths/ mating Cheerios/ O to empty O. The poet longs for mall-free days of sprawling languid under a pre-cancerous sun when we hurry up/ and wait, to become men. Writing about climate change, the poet asks how long until hibernating bears/ shake November from their sleep-under fur/ and start snorting around for off-season/ bargains. Capable of many different registers, Murray writes, in assumed voices, of grief and memory beyond his own immediate experience, something he describes as tapping into some larger collective autobiography.

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