Three sad shadows

For Anne Sexton, Sylvia Plath and Alejandra Pizarnik, in the following order, there is no doubt that poetry as a background constituted a vital and necessary form with which to escape, slowly but inexorably, from that other rendezvous, always adulterous with the after-dinner freshness of Hades. However, living under the atrocious perspective of the days would become a constant, immediate, and tedious struggle with that other "I" that was at the same time (Ego-Voice-Woman).