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The Two Noble Kinsmen: The Oxford Shakespeare

Om The Two Noble Kinsmen: The Oxford Shakespeare

The Royal Shakespeare Company's choice of The Two Noble Kinsmen to open the Swan Theatre in 1986 demonstrated that this long-neglected play has at last come into its own as a stageworthy, humorous, and moving dramatization of the conflicting claims of love and friendship. It was first published in 1634 as `by the memorable worthies of their time, Mr John Fletcher, and Mr William Shakespeare, Gent' and was probably first performed soon after the wedding ofPrincess Elizabeth, daughter of the company's patron James I, to the Elector Palatine in February 1613. The exceptionally full introduction to this edition explains the relevance to the play of ideas of chivalry and of the classical idea of friendship. The edition (which is illuminatingly illustrated) also offers a discussion of the centuries-long debate about the play's authorship and a clarification of its stage action.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9780199537457
  • Bindende:
  • Paperback
  • Sider:
  • 256
  • Utgitt:
  • 11. september 2008
  • Dimensjoner:
  • 130x195x14 mm.
  • Vekt:
  • 270 g.
  • BLACK NOVEMBER
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Leveringstid: 4-7 virkedager
Forventet levering: 5. desember 2024

Beskrivelse av The Two Noble Kinsmen: The Oxford Shakespeare

The Royal Shakespeare Company's choice of The Two Noble Kinsmen to open the Swan Theatre in 1986 demonstrated that this long-neglected play has at last come into its own as a stageworthy, humorous, and moving dramatization of the conflicting claims of love and friendship. It was first published in 1634 as `by the memorable worthies of their time, Mr John Fletcher, and Mr William Shakespeare, Gent' and was probably first performed soon after the wedding ofPrincess Elizabeth, daughter of the company's patron James I, to the Elector Palatine in February 1613. The exceptionally full introduction to this edition explains the relevance to the play of ideas of chivalry and of the classical idea of friendship. The edition (which is illuminatingly illustrated) also offers a discussion of the centuries-long debate about the play's authorship and a clarification of its stage action.

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