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Strange Likeness

- Description and the Modernist Novel

Om Strange Likeness

"The modern novel, so the story goes, thinks poorly of mere description-what Virginia Woolf called an "ugly, clumsy, incongruous tool." As a result, critics have largely neglected description as a feature of novelistic innovation during the twentieth century. Dora Zhang argues that descriptive practices were in fact a crucial site of attention and experimentation for a number of early twentieth-century writers, centrally Woolf, Henry James, and Marcel Proust. Description is the novelistic technique charged with establishing a common world, but in the early twentieth century, there was little agreement about how a common world could be known and represented. Zhang argues that the protagonists in her study responded by shifting description away from visualizing objects to revealing relations-social, formal, and experiential- between disparate phenomena. In addition to shedding new light on some of the best-known works of modernism, Zhang opens up new ways of thinking about description more broadly. She moves us beyond the classic binary of narrate-or-describe and reinvigorates our thinking about the novel. The book will enliven conversations around affect theory, philosophy and literature, and reading practices in the academy"--

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  • Språk:
  • Engelsk
  • ISBN:
  • 9780226722528
  • Bindende:
  • Paperback
  • Sider:
  • 240
  • Utgitt:
  • 22. oktober 2020
  • Dimensjoner:
  • 227x152x18 mm.
  • Vekt:
  • 378 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 6. desember 2024

Beskrivelse av Strange Likeness

"The modern novel, so the story goes, thinks poorly of mere description-what Virginia Woolf called an "ugly, clumsy, incongruous tool." As a result, critics have largely neglected description as a feature of novelistic innovation during the twentieth century. Dora Zhang argues that descriptive practices were in fact a crucial site of attention and experimentation for a number of early twentieth-century writers, centrally Woolf, Henry James, and Marcel Proust. Description is the novelistic technique charged with establishing a common world, but in the early twentieth century, there was little agreement about how a common world could be known and represented. Zhang argues that the protagonists in her study responded by shifting description away from visualizing objects to revealing relations-social, formal, and experiential- between disparate phenomena. In addition to shedding new light on some of the best-known works of modernism, Zhang opens up new ways of thinking about description more broadly. She moves us beyond the classic binary of narrate-or-describe and reinvigorates our thinking about the novel. The book will enliven conversations around affect theory, philosophy and literature, and reading practices in the academy"--

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