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Mythology vs. Modernity How Political, Social, and Ethical Ideologies impacted upon graphic design in the 20th century

- Case Studies of Germany and the Soviet Union

Om Mythology vs. Modernity How Political, Social, and Ethical Ideologies impacted upon graphic design in the 20th century

The following work will discuss whether mythology or modernity had the greatest impact upon the political, social, and ethical ideologies that were closely linked to or had an influence upon graphic design and artistic culture during the twentieth century. The main focus of this dissertation will be to describe the often-complex relationship between mythology and modernity in relation to political, social, and ethical ideologies with particular reference to Germany and, to a lesser extent the Soviet Union, essentially between 1914 and the early 1930s. Germany and the Soviet Union were chosen as the main case studies for this dissertation, due to them being the countries that had the most complex situations, and often they had a highly contradictory relationship between mythology and modernity in the political, social, and ethical ideologies that influenced graphic design. Germany is of particular interest due to the clash between mythology and modernity at the end of the imperial regime, throughout the short and turbulent Weimar Republic and most strikingly during the Third Reich.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9798651191086
  • Bindende:
  • Paperback
  • Sider:
  • 44
  • Utgitt:
  • 4. juni 2020
  • Dimensjoner:
  • 152x229x3 mm.
  • Vekt:
  • 77 g.
Leveringstid: 2-4 uker
Forventet levering: 13. april 2026

Beskrivelse av Mythology vs. Modernity How Political, Social, and Ethical Ideologies impacted upon graphic design in the 20th century

The following work will discuss whether mythology or modernity had the greatest impact upon the political, social, and ethical ideologies that were closely linked to or had an influence upon graphic design and artistic culture during the twentieth century. The main focus of this dissertation will be to describe the often-complex relationship between mythology and modernity in relation to political, social, and ethical ideologies with particular reference to Germany and, to a lesser extent the Soviet Union, essentially between 1914 and the early 1930s. Germany and the Soviet Union were chosen as the main case studies for this dissertation, due to them being the countries that had the most complex situations, and often they had a highly contradictory relationship between mythology and modernity in the political, social, and ethical ideologies that influenced graphic design. Germany is of particular interest due to the clash between mythology and modernity at the end of the imperial regime, throughout the short and turbulent Weimar Republic and most strikingly during the Third Reich.

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