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Lettres À David

- Sur Le Salon De 1819

Om Lettres À David

Dans ces lettres, Louis François L'Héritier, critique d'art et poète français, commente le Salon de 1819, l'une des expositions les plus importantes de l'art français de l'époque. Il analyse les oeuvres exposées, leurs styles et leurs thèmes, et offre des réflexions sur l'état de l'art et la société de son temps. Une source précieuse pour tout amateur d'histoire de l'art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Språk:
  • Fransk
  • ISBN:
  • 9781020044304
  • Bindende:
  • Hardback
  • Utgitt:
  • 18. juli 2023
  • Dimensjoner:
  • 156x234x18 mm.
  • Vekt:
  • 590 g.
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 3. april 2026

Beskrivelse av Lettres À David

Dans ces lettres, Louis François L'Héritier, critique d'art et poète français, commente le Salon de 1819, l'une des expositions les plus importantes de l'art français de l'époque. Il analyse les oeuvres exposées, leurs styles et leurs thèmes, et offre des réflexions sur l'état de l'art et la société de son temps. Une source précieuse pour tout amateur d'histoire de l'art.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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