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The chilling autobiography of the notorious female serial killer who was recently the subject of a two-hour Investigation Discovery special.Between 1989 and 1990, Aileen Wuornos, a hitchhiking prostitute, shot, killed, and robbed seven men in remote Florida locations. Arrested in 1991, she was condemned to death on six separate counts and executed by lethal injection in 2002.An abused runaway who turned to prostitution to survive, Wuornos has become iconic of vengeful women who lash out at the nearest target. She has also become a touchstone for women's, prostitutes', and prisoners' rights advocates. Her story has inspired myriad books and articles, as well as the 2003 movie Monster, for which Charlize Theron won an Academy Award. But until now, Wuornos's uncensored voice has never been heard.Dear Dawn is Wuornos's autobiography, culled from her ten-year death row correspondence with beloved childhood friend Dawn Botkins. Authorized for publication by Wuornos and edited under the guidance of Botkins, the letters not only offer Wuornos's riveting reflections on the murders, legal battles, and media coverage, but go further, revealing her fears and obsessions, her rich humor and empathy, and her gradual disintegration as her execution approached. A candid life story told to a trusted friend, Dear Dawn is a compelling narrative, unwaveringly true to its source.?It is both empowering and heartbreaking, because Wuornos represents the fury of a wronged girl-gone-wild, whose rage was unleashed on men.? ?The Rumpus?Condenses ten years of obsessive correspondence into a fragmented, sometimes funny, sometimes nightmarish, often paradoxical portrait of Wuornos.? ?Muzzle Magazine

An embittered dog walker obsessed with a social media influencer inadvertently puts a curse a young man--and must adventure into mysterious dimension in order to save him--in this wildly inventive, delightfully subversive, genre-nonconforming debut novel about illusion, magic, technology, kinship, and the emergent future.The year is 20__, and Penfield R. Henderson is in a rut. When he's not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he's holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden's social media account and post a picture of Pen's aloe plant, Alice, tied to a curse:Whosoever beholds the aloe will be pushed into the Shadowlands.When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants' collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn't just the people who birthed you. Magnificently imagined, linguistically dazzling, and riotously fun, Future Feeling presents an alternate future in which advanced technology still can't replace human connection but may give the trans community new ways to care for its own.

"When Tree Abraham falls in love with her housemate who does not reciprocate the feeling, instead of breaking up, they keep going. This story begins where most end. elseship deftly and courageously recounts the starts and stops of a transitioning relationship. Having recorded the experience in real time, Abraham combines personal entries with illustrations, photos, and mind maps all organized within eight ancient Greek categories of love"--

For readers of Susannah Cahalan’s Brain on Fire and Porochista Khakpour’s Sick, this exquisitely wrought debut memoir recounts a lifelong struggle with chronic pain and endometriosis, while speaking more broadly to anyone who’s been told “it’s all in your head” In Catholic grade school, Emma Bolden has a strange experience with a teacher that unleashes a short-lived, persistent coughing spell—something the medical establishment will later use against her as she struggles through chronic pain and fainting spells that coincide with her menstrual cycle. With The Tiger and the Cage, Bolden uses her own experience as the starting point for a journey through the institutional misogyny of Western medicine—from a history of labeling women “hysterical” and parading them as curiosities to a lack of information on causes or cures for endometriosis, despite more than a century of documented cases. Recounting botched surgeries and dire side effects from pharmaceuticals affecting her and countless others, Bolden speaks to the ways people are often failed by the official narratives of institutions meant to protect them. Bolden also interrogates a narrative commonly imposed on menstruating bodies: the expected story arc of marriage and children. She interrogates her body as a painful site she must mentally escape and a countdown she hopes to beat by having a child before a hysterectomy. Only later does she find language and acceptance for her asexality and the life she needs to lead. Through all its gripping, devastating, and beautiful threads, The Tiger and the Cage says what Bolden and so many like her have needed to hear: I see you, and I believe you. 

In "People Like Us," which became a bestseller in Holland, Joris Luyendijk tells the story of his five years as a correspondent in the Middle East. Extremely young for a correspondent but fluent in Arabic, he spoke with stone throwers and terrorists, taxi drivers and professors, victims and aggressors, and all of their families. He chronicles first-hand experiences of dictatorship, occupation, terror, and war. His stories cast light on a number of major crises, from the Iraq War to the Israeli-Palestinian conflict, along with less-reported issues such as underage orphan trash-collectors in Cairo. The more he witnessed, the less he understood, and he became increasingly aware of the yawning gap between what he saw on the ground and what was later reported in the media. As a correspondent, he was privy to a multitude of narratives with conflicting implications, and he saw over and over again that the media favored the stories that would be sure to confirm the popularly held, oversimplified beliefs of westerners. In "People Like Us," Luyendijk deploys powerful examples, leavened with humor, to demonstrate the ways in which the media gives us a filtered, altered, and manipulated image of reality in the Middle East.

"The Novelist, which follows a young man over the course of a single morning as he fails to write an autobiographical novel about his heroin addiction and recovery, finding himself drawn into the infinite spaces of Twitter, quotidian rituals, and his own mind. The Novelist is influenced by and references Nicholson Baker's The Mezzanine and Thomas Bernhard's Woodcutters, and in the end is a wholly original novel about language and consciousness, the Internet and social media, and addiction and recovery. It is a literary manifesto of optimism about deciding to live, even if the project of living includes a great deal of suffering"--

The cryptic worlds of Hanna and Stranger Things mingle with the dark humor of Dare Me in this debut novel about a teen beauty queen who discovers she’s been a sleeper agent in a deep state government programAfter waking up with a strange taste in her mouth and mysterious bruises, former child pageant star Jessica Clink unwittingly begins an investigation into a nefarious deep state underworld. Equipped with the eccentric education of her father, Dr. Clink (a professor of Boredom Studies and the founder of an elite study group known as the Devil’s Workshop), Jessica uncovers a disquieting connection between her former life as a beauty queen and an offshoot of Project MKUltra known as MONARCH.  As Jessica moves closer to the truth, she begins to suspect the involvement of everyone around her, including her own mother, Grethe (a Norwegian pageant queen turned occult American wellness guru for suburban housewives). With the help of Christine (her black-lipsticked riot grrrl babysitter and confidante), Jessica sets out to take down Project MONARCH. More importantly, she must discover if her first love, fellow teen queen Veronica Marshall, was genuine or yet another deep state plant.  Merging iconic true crime stories of the ’90s (Lorena Bobbitt, Nicole Brown Simpson, and JonBenét Ramsey) with theories of human consciousness, folklore, and a perennial cultural fixation with dead girls, MONARCH questions the shadow sides of self-concept: Who are you if you don’t know yourself?

Exploring the sudden loss of her child, the hope that precedes this crisis, and the suffering that follows, this collection of poetry renders a shattering experience with candor and immediacy.This collection is about the eviscerating loss of a child, the hope that precedes this crisis, and the suffering that follows. Spare, plain, sometimes startling in their snatches of humor, Pollari’s poems careen into the “tilted reality” of grief. This is poetry dredged from shock and rage, then dissected with pointillistic precision.Many of the pieces are closer to prose: in plain, forceful, language that will capture readers outside the poetry audience, they uncover and name sentiments outside of what is expected in books about child loss and grief: for instance, the embarrassment Niina felt for letting herself feel hope and joy, for revealing that she desired to be a mother at all, and for having to inform the world that her desire would not be granted.A shattering experience rendered with candor and immediacy, Path of Totality is a book “for anyone who ever expected anything” about a rarely told experience of motherhood.

This witty memoir traces a touching and often hilarious spiralic path to embracing a gay, Latinx identity against a culture of machismo—from a cockfighting ring in Nicaragua to cities across the U.S.—and the bath houses, night clubs, and drag queens who help redefine prideI’ve always found the definition of machismo to be ironic, considering that pride is a word almost unanimously associated with queer people, the enemy of machistas . . . In a world desperate to erase us, queer Latinx men must find ways to hold on to pride for survival, but excessive male pride is often what we are battling, both in ourselves and in others. A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Edgar Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.” With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.

Poems about pop culture, mortality, and the internet, written during the Coronavirus pandemic—for readers who are more likely to double-tap Instapoems than put their phone down long enough to read The Decameron.Catalyzed by sheltering in place and by a personal challenge to give up alcohol for thirty days, Leigh Stein, the poet laureate of The Bachelor, has written a twenty-first-century Decameron to frame modern fables. What to Miss When makes mischief of reality TV and wellness influencers, juicy thoughtcrimes and love languages, and the mixed messages of contemporary feminism. “Think Starlight,” the first poem in this collection, written before any self-quarantine orders, imagined the likelihood that the United States would follow in Italy’s footsteps in terms of caseload and hospital overwhelm. By March 17, 2020, the imagined was the real: New York City had closed schools, bars, and restaurants—with the rest of the country close behind. With nihilist humor and controlled despair, What to Miss When explores fears of death and grocery shopping, stress cleaning and drinking, celebrities behaving badly, everything we took for granted, and life mediated by screens—with dissociation-via-internet, and looking for mirrors in a fourteenth-century pandemic text, a kind of survival response to living casually through catastrophe.

A startling, shape-shifting book of prose and images that draws on an unexpected pair of inspirations—the poetry of Fernando Pessoa and the history of air disasters—to investigate con men, identity politics, failures of leadership, the privilege of ineptitude, the slave trade, and the nature of consciousness.Early in 2017, on a plane from Cape Verde to Lisbon, author and visual artist James Hannaham started reading Pessoa & Co., Richard Zenith's English translation of Fernando Pessoa's selected poetry. This was two months after Trump's presidential election; like many people, ideas about unfitness for service and failures of leadership were on his mind. Imagine his consternation upon discovering the first line of the first poem in the book: "I've never kept sheep/But it's as if I did."The Portuguese, Hannaham had been musing, were responsible for jump-starting colonialism and the slave trade. Pessoa published one book in Portuguese in his lifetime, Mensagem, which consisted of paeans to European explorers. He also invented about seventy-five alter egos, each with a unique name and style, long before aliases and avatars became a feature of modern culture.Hannaham felt compelled to engage with Pessoa's work. Once in Lisbon, he began a practice of reading a poem from Zenith's anthology and responding in whatever mode seemed to click. Even before his trip, however, he had become fascinated by Air Disasters, a TV show that tells the story of different plane crashes in each of its episodes. These stories—as well as the textures and squares of the city he was visiting—began to resonate with his concerns and Pessoa’s, and make their way into the book.Through its inspirations and juxtapositions and its agile shifts of voice and form—from meme to fiction to aphorism to screenshot to lyric—the book leads us to reckon with the most universal questions. What is the self? What holds the self—multiple, fragmented, performative, increasingly algorithmically controlled, constantly under threat of death—intact and aloft?

Nick Hornby meets Patti Smith, Mean Streets meets A Visit From the Goon Squad in this quintessential New York City story about two people who knew each other in the downtown music scene in the 1980s, meet again in the present day, and fall in love.Mike knew June in New York’s downtown music scene in the eighties. Back then, he thought she was “the living night—all the glamour and potential of a New York night when you’re 25.” Now he’s twice divorced and happy to be alone—so happy he’s writing a book about it. Then he meets June again. “And here she was with a raincoat over the back of the chair talking about getting a divorce and saying she’s done with relationships. Her ice-calm eyes are the same, the same her glory of curls.”Jacket Weather is about awakening to love—dizzying, all-consuming, worldview-shaking love—when it’s least expected. It''s also about remaining alert to today''s pleasures—exploring the city, observing the seasons, listening to the guys at the gym—while time is slipping away. Told in fragments of narrative, reveries, recipes, bits of conversation and snatches of weather, the book collapses a decade in Mike and June’s life and shifts a reader to a glowing nostalgia for the present.

A "must read" debut collection of poetic, linked essays investigating the past and present state of California, its conflicting histories and their impact on a writer's family and life (Los Angeles Times).California has been advertised as a destiny manifested for those ready to pull up their bootstraps and head west across to find wealth on the other side of the Sierra Nevada since the 19th century. Across the seven essays in the debut collection by José Vadi, we hear from the descendants of those not promised that prize. Inter State explores California through many lenses: an aging obsessed skateboarder; a self-appointed dive bar DJ; a laid-off San Francisco tech worker turned rehired contractor; a grandson of Mexican farmworkers pursuing the crops they tilled. Amidst wildfires, high speed rail, housing crises, unprecedented wealth and its underlying decay, Inter State excavates and roots itself inside those necessary stories and places lost in the ever-changing definitions of a selectively golden state.

An energetic, witty collection of stories where the supernatural meets the anomalies of everyday life--deception, infidelity, lost cats, cute memes, amateur pornography, and more.A woman walks onto a tennis court. A woman has a conversation with a friend's husband in a supermarket. A woman sees a painting at the home of an art collector. A woman goes on a run. A woman takes videos of a cat in a bodega. A woman answers a Craigslist ad to write erotic diaries for money. Cosmogony takes accounts of so-called normal life and mines them for inconsistencies, cruelties, deceptions, and delights. Incorporating a virtuosic range of styles and genres (Wikipedia entry, phone call, math equation, encounters with the supernatural, philosophies of time travel), these stories reveal how the narratives we tell ourselves and believe are inevitably constructed, offering a glimpse of the structures that underlie and apparently determine human existence--and which we ignore at our own peril.

Set in 1972 Scotland, this novel takes readers on a ride through Martin's angsty and fumbling youth, when Led Zeppelin comes to Glasgow and rocks Martin's world, and through his angst-ridden and fumbling adult years.

A new edition of a "dazzlingly seductive” fever dream written in "brilliant poetic vernacular” (Bookforum) by a beloved poet and cultural critic, now with an introduction by Rachel Kushner.For five years, concert pianist Theo Mangrove has been living at his family's home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern France, he becomes obsessed with the idea that the Italian circus star Moira Orfei must join him there to perform alongside him.Extravagantly (and tragicomically) describing his hallucinatory plans in a series of twenty-five notebooks, he assembles an incantatory meditation on performance, failure, fame, decay, and delusion."If Debussy and Robert Walser had collaborated on an opera, it would sound like this. --John Ashbery

"Chuck had ambitions. He doesn't know how he ended up as the creepy 43 year old guy with the drugs, or the guy who's too old to be at the party doing everyone else's drugs, but if it ain't broke ... Well, he manages to make it to work at the dwarf whale distributor every day. He may hate that his dearly seedy San Francisco has become overrun with Starbucks, startups, and Lululemon moms, but he makes due every month for the rent-controlled apartment he shares with roommates he never sees. It's not perfect, but it's livable. In the end, though, every addict has that one special vice that can tip them from relatively functional to completely unhinged. For Chuck, it's a new drug that doesn't even have a name yet; it's just a smokable, everlasting gobstopper of mellow high. But when chunks of time begin to disappear and rearrange themselves altogether, he wonders if this really is just another life-ruining drug, or if it's something straight out of a Philip K. Dick universe. Word on the street is that this little black marble is actually altering users' timelines, but that's impossible, right? That's just something the schizophrenic homeless guy on Guerrero screamed at customers outside Tartine, isn't it? Isn't it?!"--

“I love the pulse of Sam Pink’s sentences, the way they can hold the gorgeous and the grisly and the hilarious all at the same time. The Garbage Times/White Ibis thrilled me and messed me up, left me feeling a little dazed and a lot changed.” —Laura van den Berg, author of The Third Hotel and Find MeFrom the freezing alleys of Chicago to the dew-blanketed bayou of Florida. From bouncing drunks and cleaning up puke to biking through the swamp laughing at peacocks. Freeze to thaw. Filth and broken glass and black water backed up in showers; lizards and Girl Scouts and themed birthday parties. A baby rat freed from the bottom of a dumpster becomes a white ibis wandering the wet driveway after a storm. Goodbye, hello, goodbye. It was the garbage times; it was time for something else. A tale of two tales, connected by a mysterious sunlit portal.The edition is designed with tête-bêche binding as a single volume.