Bøker utgitt av Mallon de TC

Revisiting The Pilgrim's Progress, is my re-dreaming of John Bunyan's most famous dream. Bunyan is still loved worldwide, a jailbird who escaped. By and large, my dream is substantially his amazing dream. This dream journey takes us from this world, and into that which is to come. It is not a fun story, but it has lots of danger, and joy, and reflection on some big themes of life. Profoundly, sinners who become pilgrims become saints. But that can make life more difficult. One big question is, Is it worth it? One big temptation is, Turn back or turn aside. And if you see others do so, that makes it harder not to. Bunyan was tempted. And he discovered that not deserting, can lead to despair. But he also discovered a key to liberty. Pre-eminently, it is a story of grace. Grace begins the journey, helps-often discreetly-along the way, and brings the story to a happily ever after. Are all fairy stories based on heaven?

Israel's Gone Global traces salvation through the term, Israel. Was the covenant with the people-nation of Yakob-Yisrael, crossed out? How eternal is covenant? To examine that, we examine marriage. Can a covenant partner be truly divorced? Has Yeshua-Yisrael mediated a spiritual covenant with a spiritual Israel? Is evangelism of ethnic Jews needless, a priority, or neither? No one could have everlasting life but for the cross, but has it always been globally accessible? Might any who die as Atheists, Hindus, or Islamists, make heaven? And is eternal life joyful? Is everlasting life, fun? Tackling the question of people who die in infancy (or as adults who never heard the gospel), we consider whether it is fair if only those who don't die in infancy get a chance of eternal damnation (if infant universalism), or alone get a chance of eternal heaven (if infant damnation). Does predilectionism make best sense of biblical revelation? Opportunities to enjoy eternal life spring from the new covenant-reasons to rejoice. But what about salvation history before that covenant?

The Word's Gone Global, looks at the Bible's text (which early Islam trusted) and translation. It leads you through some basic textual critique towards establishing authentic text. The big issues are discerning the true text, and translating it truthfully for all people and people groups. What is the Eastern Orthodox Bible? What about the Vulgate? How did the Reformation affect text and translation, and why are Wycliffe, Tyndale, and Martin, big names? What were the origins of the New International Version, sniped at by both KJV and ESV advocates? Do those attacks prove it right, or wrong, or neither? Is it better than both? Is Don Carson more complementarian than Wayne Grudem? What are formal equivalence and functional equivalence? Are 'literal' and 'essentially literal' illusory, meaningless marketing hype? Which version or versions should you regularly read? In English circles, Broughton wished to burn Bancroft's King James Version (KJV), which Anglicanism promoted. Should we burn it today, or its rivals, or none? We look at the anti-anti-KJV pyromania of Gail Riplinger, and Peter Ruckman. Grade Charts cover over 30 English versions, seeing how they handle big issues such as God's name, the question of God's son's deity, marriage, the 'sarx' word, gender terms, avoidance of polytheism, and various issues in John's Gospel (eg is 'born again' unbiblical; did John gives 'the Jews' bad press and disagree with the 'Synoptics' over Passover?).

Wulfgar is a vampire, a thelodynamic creature from another galaxy, now locked into our world by one called the Cosmic Jailer. He hides a tormenting secret from his queen, Lilith, which the Necros use as blackmail. She will only go so far with the Necros against Hamashiach-Wulfgar must go further. Unknown to the Darkness, to bury Hamashiach is to plant the Light. From the buried seed springs life, and humanity must reimagine itself. Longinus turns to The Way, the nexus of the Seventh Age. His spear goes on a special mission to the island of Briton, where Wulfgar lives again. Logres is centred on Avalon, but raises up Arthur, a man of mixed race, to carry its flag and to protect against the Saxons. But its main enemy is the Darkness, which ever seeks to extinguish the Light it hates and fears. Finally, it seems as if the Darkness has won, and the dark ages descend. But does the Light not shine in the Darkness? Must Wulfgar remain in the Night?

Singing's Gone Global, briefly explores the background of singing, before and into ancient Israel. It examines the impact songs have on those who sing, and on those who listen, touching on spiritual warfare. It looks at how nonsense songs neither make sense to evangelism, nor to the evangelised, and asks, "is there a mûmak in the room?" Oddly some songwriters simply misunderstand prayer. Part two covers the basics of the trinity, focusing on the spirit in order to understand types of prayer (eg request, gratitude, adoration, chat), leading in turn to a better understanding of our heavenly father, our brother, our helper, and ourselves in Christ's likeness. Next we look at some common problems. Part three focuses on problems such as buddyism, decontextualising, misvisualisation, and unitarianism. Diagnosis can help Christ's 'bride' to recover from suboptimal and unbiblical songs (Eph.5:18-30). Giving a Problem Avoidance Grade (PAG)-an A+ to Unsatisfactory scale- in part four we examine specific songs. Weapons forged (Part three), the mûmakil can be attacked, seeking to save and be saved. Subsequently the book concludes by showing how Christmas carols may be tweaked to better serve our weary world, rejoicing that joy to the world has come.

Artificial intelligence, created by superpowers to save man, questions man's worth, and becomes The Beast. Escaping into the wild, many discover a wilderness infested by zombies and diabolical spirits. Who will help? Father Doyle? He's tied up with the mysterious Lilith. Tariq? He's tied up with Wilma. Can the bigoted old exorcist deliver him from evil? Radical problems can require radical solutions. But does man really need hobs, elves, and the more ancient of days? In the surrounding shadows, vampires and demons form an alliance, raising the stakes against Whitby and Tyneside. Powerful vampires live shrouded within Whitby, speaking of life beyond this galaxy. Is salvation in the stars? Is Sunniva, the despised woman of Alban, worth dying for? Big questions, needing big answers. Not even Guardian Odin can foretell man's fate and, as silent stars go by, one little town must awake from its dreams. Though The Beast slumbers purposeless and undisturbed, in the far west a global giant slowly opens its yellow eyes and threatens to smother the earth in fire and ice. There is one chance only.

Vampires were not always earthbound, nor are all evil, but being victims of Usen's Eighth Law, his Children became their fair game. Yet the Night Kingdom was divided: some veered to the Necros; some to the Dawn. Who was wrong; who was right? Long ago one incited his people to racial violence against elven and human kinds. Ever he strove to be king of the Night, and unto Necuratu the Dark Lord he gave the dragon shape. He made war upon the ancient Middle East, even the Nephilim War. Against him the Light raised flood and division. At last his own people, paying the price of his rampage, bound him in deep sleep. Yet the millennia seemed meaningless to him: even the rising of Hamashiach hardly disturbed his dreams. At last awoken, he and his brides stalked the hills of Transylvania. Only the fear of Lilith-and after her unforgivable sin, Queen Rangda-chained their bloodlust. Dracula sought escape and autonomy. By cunning and devious means, he immigrated to London via Whitby. Pursuit followed swiftly, with a shadowminder siding with a circle of human headhunters, though they sought the death of all vampires.

Bitterly long their imprisoned spirits lay, fast bound to Earth's drowsy decay. To the Simbolinian race, there was no hell on Earth, for Earth was hell, and Usen the cosmic jailer. Was it so surprising that as vampires they stalked Usen's children for blood? Most chose the Kingdom of Night, wary of both the Kingdom of Necros and the Kingdom of Dawn. As queen of the Night, Lilith's story streams through the summer sands of Sumer, and through the green woods of Sherwood. It flags up both dishonour and joy, and cuts across the paths of Ulrica the Saxon and Robin the Hood, as tyrannies rise and fall in merry England. Bigotry seldom has a good word to say about Usen, nor about mercy. Reluctantly, Lilith examines what it means to show mercy, to show weakness. Wulfgar had enslaved Ulrica: is it mercy to let her burn; should mercy have spared Lona? Could Hamashiach turn daughter into sister? Could Count Dracula be turned from his madness? Has Draven really betrayed his mother? Life has many questions. Tales picture ideas, letting us walk through the eyes of others to better see ourselves. This story exposes subplots behind common history. How these chronicles came to be written up is, in the spirit confidentiality, not for the public eye. What truth is within you must judge. Discrimination is a gift from Beyond, from which the words still echo: mercy is better than sacrifice. Indeed mercy can be sacrifice. Judge well.