Utvidet returrett til 31. januar 2025

Double Dutching in My Own Skin

- A Soulful Narrative on Colorism

Om Double Dutching in My Own Skin

Restrictively more than most, the collective image of Black women's identities are created by others. The glamorized life of Black women with light skin and the presumed likeness to whiteness has caused division within the Black community for years. Most often written and spoken of is the victimization of darker-hued women due to their skin tone. This thoughtful book explores colorism, which is a form of internalized racism, from the perspective of a light-skinned Black woman. By examining the social construction of race through the lens of Black Feminist Thought and Critical Race Theory the author uncovers a different narrative of colorism. Intimate accounts of skin tone stratification from Dr. Simpkins' own lived experience are shared as she engages in self-awareness throughout the entire book. A critical perspective of popular culture in movies offers insight into the origination of inscribed identifies of Black women. The traditional roles of Mammy, Sapphire and Jezebel are examined to further illustrate the perpetuation of colorism. The context of this work should be understood as groundbreaking to the field of colorism.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781636673097
  • Bindende:
  • Paperback
  • Utgitt:
  • 28. februar 2024
  • Dimensjoner:
  • 152x229x6 mm.
  • Vekt:
  • 172 g.
  • BLACK NOVEMBER
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 20. desember 2024
Utvidet returrett til 31. januar 2025

Beskrivelse av Double Dutching in My Own Skin

Restrictively more than most, the collective image of Black women's identities are created by others. The glamorized life of Black women with light skin and the presumed likeness to whiteness has caused division within the Black community for years. Most often written and spoken of is the victimization of darker-hued women due to their skin tone. This thoughtful book explores colorism, which is a form of internalized racism, from the perspective of a light-skinned Black woman. By examining the social construction of race through the lens of Black Feminist Thought and Critical Race Theory the author uncovers a different narrative of colorism.

Intimate accounts of skin tone stratification from Dr. Simpkins' own lived experience are shared as she engages in self-awareness throughout the entire book. A critical perspective of popular culture in movies offers insight into the origination of inscribed identifies of Black women. The traditional roles of Mammy, Sapphire and Jezebel are examined to further illustrate the perpetuation of colorism. The context of this work should be understood as groundbreaking to the field of colorism.

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