Utvidet returrett til 31. januar 2025

Doggerel

Doggerelav Reginald Dwayne Betts
Om Doggerel

Reginald Dwayne Betts is our foremost chronicler of the ways prison shapes and transforms American masculinity. In Doggerel, Betts examines this subject through a more prosaic-but equally rich-lens: dogs. He reminds us that, as our lives are broken and put back together, the only witness often barks instead of talks. In these poems, which touch on companionship in its many forms, Betts seamlessly and skillfully deploys the pantoum, ghazal, and canzone, in conversation with artists such as Freddie Gibbs and Lil Wayne. Simultaneously philosophical and playful, Doggerel is a revelatory and faithful meditation on Blackness, masculinity, and those who accompany us on our walk through life. Balancing political critique with personal experience, Betts once again shows us "how poems can be enlisted to radically disrupt narrative" (Dan Chiasson, New Yorker)-and, in doing so, reveals the world anew.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781324089254
  • Bindende:
  • Hardback
  • Sider:
  • 96
  • Utgitt:
  • 4. mars 2025
  • Dimensjoner:
  • 140x211x0 mm.
  • BLACK NOVEMBER
Leveringstid: Kan forhåndsbestilles
  • Boken er tilgjengelig for forhåndsbestilling 3 måneder før publiseringsdatoen

Beskrivelse av Doggerel

Reginald Dwayne Betts is our foremost chronicler of the ways prison shapes and transforms American masculinity. In Doggerel, Betts examines this subject through a more prosaic-but equally rich-lens: dogs. He reminds us that, as our lives are broken and put back together, the only witness often barks instead of talks. In these poems, which touch on companionship in its many forms, Betts seamlessly and skillfully deploys the pantoum, ghazal, and canzone, in conversation with artists such as Freddie Gibbs and Lil Wayne.
Simultaneously philosophical and playful, Doggerel is a revelatory and faithful meditation on Blackness, masculinity, and those who accompany us on our walk through life. Balancing political critique with personal experience, Betts once again shows us "how poems can be enlisted to radically disrupt narrative" (Dan Chiasson, New Yorker)-and, in doing so, reveals the world anew.

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