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By the way; Being a Collection of Short Essays on Music and art in General, Taken From the Program-books of the Boston Symphony Orchestra

Om By the way; Being a Collection of Short Essays on Music and art in General, Taken From the Program-books of the Boston Symphony Orchestra

A collection of essays on music and art by William Foster Apthorp, a prominent music critic who wrote for the Boston Symphony Orchestra's program books in the late nineteenth and early twentieth centuries. The essays cover a range of topics, from classical composers to contemporary music. This book is an engaging and informative look at music and art from one of America's most respected critics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Språk:
  • Engelsk
  • ISBN:
  • 9781019992128
  • Bindende:
  • Hardback
  • Utgitt:
  • 18. juli 2023
  • Dimensjoner:
  • 156x234x13 mm.
  • Vekt:
  • 463 g.
  Gratis frakt
Leveringstid: 2-4 uker
Forventet levering: 20. januar 2025

Beskrivelse av By the way; Being a Collection of Short Essays on Music and art in General, Taken From the Program-books of the Boston Symphony Orchestra

A collection of essays on music and art by William Foster Apthorp, a prominent music critic who wrote for the Boston Symphony Orchestra's program books in the late nineteenth and early twentieth centuries. The essays cover a range of topics, from classical composers to contemporary music. This book is an engaging and informative look at music and art from one of America's most respected critics.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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