Kunst og kultur

Rag-rug making is an ideal creative outlet for those aiming for a more sustainable lifestyle.

Desenvolvido especificamente para o segmento de confecções, esse livro é uma importante ferramenta para a criação de referências metodológicas em modelagem brasileira feminina. A publicação inclui a tabela atual de medidas, ensina o uso correto da fita métrica e como utilizar essa tabela para fazer as bases da modelagem de saias, blusas, mangas, golas e calças - um guia claro e prático para o profissional da área.

Julian Bream is recognised as one of the world's leading guitarists, some would say the greatest. He was certainly for many years Britain's senior ambassador as a guitarist and lutenist, touring more widely and more frequently than almost any other artist in the international arena.Bream also did incomparable work in the recording studio to establish both the guitar and the lute as concert instruments. Not content with his unique status as a performer, however, Julian Bream has always been actively concerned with new music - commissioning works from a stream of leading contemporary composers.Surprisingly for a man of his international reputation, Julian Bream was his own secretary. He planned his own concerts, made his own travel arrangements, drove himself around, checked his own lighting and carried his own baggage. At the same time, he was an avid amateur cricketer and country gardener - growing his own fruit and vegetables all year round.In 1981 this intriguingly self-contained man agreed to share some of the load. Tony Palmer travelled with him in Europe and America over several months, drawing out from the essentially private Julian Bream his views on his art and on his position in the world of music. The result is Julian Bream: a Life on the Road, where the Maestro discusses the history of his beloved guitar and its role as a solo instrument, as well as his relationships with giants of contemporary music. With self-deprecating wit, he gives a unique insight into all that he then felt about his life on the road: where he was going, what good he believed he did, why he carried on, how he 'did it' - the guitar, the lute, touring, recording, commissioning, 'the old musicke racket', his home. Daniel Meadows accompanied them, and his beautiful photographs add to this unusual and exhilarating picture of a self-made man - who built, out of nothing, his own unrivalled status as a man of music.The re-publishing of Palmer's acclaimed book - for so long out-of-print and thus a much sought-after collector's item - will be welcomed by music lovers and guitar aficionados around the world.Praise for Julian Bream: A Life on the Road:'An immensely revealing series of snapshots. I don't think I've ever heard a musician being so frank about what it means to make a life in music' - Nathalie Wheen, BBC'Immensely informative, conversational, light-hearted and intentionally deprecatory. Fascinating and extremely entertaining' - Classical Music Weekly'This book is a brilliant vindication of the craft of the interviewer. It's remarkably frank, warm and clear-headed about a man who has too few self-delusions for his comfort' - Michael Oliver, The Gramophone'There is no better account of what it is like to be a touring concert artist' - PunchTony Palmer is a British celebrated and multi-award-winning filmmaker, music journalist and author.

Official retrospective companion book to the Paramount film Arrival featuring concept art, sketches, behind-the-scenes photography and interviews with key creative and scientific team members.

A hilarious, colourful collection of straight-talking, no-nonsense advice from very sassy cats

Little Feat on track dives into the ups and downs of their 50-year career and discusses every album and song, from their idiosyncratic 1971 debut to the post-pandemic optimism of 2021's When All Boats Rise.

Featuring never-before-seen drawings by the renowned contemporary artist, a beautiful facsimile edition that reveals the working process of an extraordinary creative mind Sketchbook reproduces original working drawings and sketches by the contemporary American artist and designer Daniel Arsham, whose work freely crosses the boundaries of art, architecture, film, and design, and also speaks to fans of pop culture, including sneakerheads, car enthusiasts, and anime devotees. Spanning a decade and featuring previously unpublished drawings by this highly skilled draftsman, this beautifully produced facsimile edition provides an unprecedented, intimate look at Arsham's working process, revealing a new side of an extraordinary creative mind. Published in association with No More Rulers

Discover the history and theory of graphic design from the past 150 years, and how that comes to bear on contemporary design. Designer, writer and lecturer Theo Inglis takes readers through the core building blocks of graphic design such as composition, colour, medium and typography, and explores how each has been utilized and revolutionized by designers through history, and up to the present day.This book will expand your knowledge of the world of design and provide you with practical take-aways to inform your own creative practice.

Aiming to re-evaluate the status and usage of the photographic image in historical surrealism, this book seeks to locate the use of photography by surrealists within the cultural discourses of that historical moment.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond In the late 1990s, as a graduate from art school, the British photographer Ewen Spencer began making pictures for Sleazenation, in particular for the infamous listing pages at the rear of the magazine that were called "Savoir Vivre." The images were made in both black and white and color, and were immensely candid and full of characters that seemed to be everywhere at that time. London was at the epicenter of a cultural boom in this period. Small clubs, parties and discos were plentiful in venues from North to South, and Spencer was in a minicab and night bus taking in all the scenes-from Northern Soul, Acid House, Jungle and Garage to Nu Metal, South London blackout clubs and more. Spencer captures an era filled with love, lust and messy authenticity.

From the extreme edge of the firmament, Hildegard contemplates the wheel of creation that springs from the heart of God, a cosmological instrument in which mankind resides, described in size and proportions, and in the internal movements of the soul and the body. This is the scenario in the Book of Divine Works. It is a long sequence of ten scenes that invites human beings to climb the road of virginitas, towards the re-composition of their own selves in union with the divine Caritas. The refined miniatures in the Lucca manuscript - reproduced in the central plates of the book with a simple key illustrating their symbolic significance - were produced about twenty years after Hildegard's death, and provide a masterful illustration of the architecture of her vision. The dialogue with the images from her first work Scivias (A Journey into the Images, Skira 2019) has cast light on the unifying design that connects them, activating a process of figurative re-transcription of the work. Following the sapiential instructions on dimensions and proportions, and inserting the shapes and colours taken from the Scivias miniatures, constructed according to Hildegard's own instructions, the individual elements described have been redrawn. The use of three-dimensional design has produced vibrant visions of a spherical cosmos, a luminous heavenly vault, a precise anatomy of the human body and the plasticity of the civitas dei (city of God), revealed in the large plates at the end of each chapter. The analysis of the construction lines of the miniatures in the Lucca manuscript and the subtle constructive syllogism of the visions enable us to perceive, outlined in a few brief strokes, the eternal presence of mankind in the heart of God.

A facsimile of Graham's ultra-rare artist's book documenting early performance worksOriginally published in 1978 and produced here in facsimile form, Theatre is an artist's book documenting seven early performance works by Dan Graham (born 1942) taking place from 1969 to 1977, with notes, transcripts and photo documentation for each performance. These performances catch the artist at a unique moment, as he shifts away from his early media works and towards his hallmark video and written work around underground music and youth culture.The works in Theatre focus primarily on the psychological and social space between individuals and the roles they serve inside the arena of performance, subverting them by creating conditions by which a performer or audience simultaneously functions as both (creating a type of feedback loop through social transgression). Like most of Graham's work, these performances also serve as a critique of cultural norms, with many of the performances utilizing quotidian, social acts that are amplified over time.

Discover plants like you've never seen them before in this beautifully-designed introduction to the plant kingdom.Discover the extraordinary diversity of the plant world and how plants work with this photographic celebration of the plants, trees and flowers that share our planet and breathe life into our lungs. The Science of Plants invites you on a breathtaking journey to explore the plant kingdom from the ground up, from root to leaf tip!Published in association with Kew, and illustrated with inspiring photography, this beautiful compilation takes you on a visual journey of some of the world's most peculiar plants and fascinating flora in exquisite detail.Throughout the pages of this plant book, you can expect to find: -Inner workings of wide range of plants explained easily with graphic detail-Galleries showcase diversity in the plant world and visually define botanical terms-Feature spreads on key plants combine dramatic photography with rounded descriptions of our most significant,unusual, and sought-after speciesThis beautiful book of plants showcases every part of each plant in detail, starting with a section on roots, stems and branches, leaves, flowers, followed by seeds. From tiny mosses and delicate ferns to vibrant blooms and stately palms, DK's elegant introduction to botany is packed with striking photos and crystal-clear artworks that explain the mechanics of photosynthesis, why leaves change colour, how cacti store water, and how seeds know when to grow. Filled with fascinating stories of how plants protect themselves from predators, and how flowers use colour and scent to interact with creatures around them, The Science of Plants is a fresh and engaging introduction to the mysterious inner workings of the plant world.A must-have volume for all plant lovers, including naturalists, budding botanists, ecologists as well as gardeners. Doubling up as the ideal gift for the plant-lover in your life, The Science of Plants is a nature book that is sure to delight.At DK, we believe in the power of discovery. So why not explore other terrific titles in our Science Of series? Reveal the secrets of the seas with The Science of The Ocean and explore the animal kingdom like never before with The Science of Animals.

Discover the thrilling story behind the making of Escape from New York and celebrate its legacy in this visually stunning, exclusive retrospective.

This books analyses Porcupine Tree's ten studio albums and two EPs in forensic detail, illuminating them for existing and potential new fans alike.Porcupine Tree folded in 2010, but band leader Steve Wilson has gone on to massive chart success as a solo artist.

An essential exploration of Nordic composers and musicians, and the distinctive culture that continues to shape them

The life and legacy of brilliant but elusive potter Lucie Rie is investigated through interviews, letters and the analysis of her elegant, modernist vessels

The only complete volume of Lucian Freud's prints, reproducing each work alongside much new material which has come to light since the artist's death.

THE SUNDAY TIMES BESTSELLER 'A burst of springtime joy' Daily Telegraph 'A springboard for ideas about art, space, time and light' The Times 'Lavishly illustrated' Guardian David Hockney reflects upon life and art as he experiences lockdown in rural Normandy On turning eighty, David Hockney sought out rustic tranquility for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.

The first comprehensive go-to-book about this 5,000 year-old form of opaque glassmaking!

An unparalleled reassessment of Pierre Bonnard, exploring his paintings, drawings, photography, and prints

It was in 1978, during my first summer of making portraits while using an 8x10 inch large format camera, that I found myself drawn to photographing redheads. I have often been asked; 'why redheads,' and I've often felt it was because in summer redheads seem to bloom in the sun more gloriously than the rest of us. But it also might have been my living far out on the tip of Cape Cod, surrounded by all the blue light of sea and sky, which made me pay more attention to the flamboyant qualities of redheads. Their hair and the exotic markings of their skin in sunlight became even rosier and more astonishing in that blue atmosphere. Redheads, like film itself, are transformed by sunlight. It seems natural to me now that I would have paid attention to this new phenomenon as it appeared within the larger subject of the Cape itself. After making more than 50 portraits that first month, in which at least 30 were of redheads, I understood that this was an impulse to be taken seriously. I ran an ad in the local paper, the Provincetown Advocate: "REMARKABLE PEOPLE! If you are a redhead or know someone who is, I'd like to make your portrait, call...." They began coming to my deck, bringing with them their courage and their shyness, their curiosity and their dreams, and they shared their stories of what it was like to be a redhead. They spoke of the painful remembrances of childhood, the violations of privacy and name calling-"Hey, red," "freckle face," "carrot head." They also shared with me their sense of personal victory at having overcome this early, unwanted celebrity, and how like giants or dwarfs or athletes they had finally grown into their specialness and by surviving had been ennobled by it. You could say that they had been baptized by their own fire, and that their shared experience had formed a "blood knot" among them. I had begun making portraits with the intention of photographing ordinary people. But redheads are both ordinary and special. Their slender slice of the genetic pie accounts for only 2 or 3 percent of the world's population. As different as redheads are in terms of nationality and religion, they often give the appearance of a strong familial connection. My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity, but simply standing eye to eye with anyone has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through. This new edition of 'Redheads' will have a number of new and previously unseen portraits.