Utvidet returrett til 31. januar 2025

Ancestors, Goddesses, and Heroes

Om Ancestors, Goddesses, and Heroes

Protecting, healing, or punishing-people of various eras and origins have attributed such powers to the sculptures that are being presented together here for the first time: be it the sculpture of the Mangaaka from what is today the Republic of Congo, the protective goddess Mahamayuri from China, or the Maria on the globe from Southern Germany. Forty-five objects created between the fourth and the nineteenth century from two museums in Berlin provide a vivid testimony to the ever-present need for protection and orientation when dealing with individual or social crises. They represent the existence of an invisible world of gods, spirits, or ancestors, and create a connection between this world and a "different reality." As a result of how they are presented in museums, their context of use is, however, often lost-a situation that is reflected on by the authors of this book.

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  • Språk:
  • Tysk
  • ISBN:
  • 9783422990906
  • Bindende:
  • Paperback
  • Sider:
  • 96
  • Utgitt:
  • 30. januar 2023
  • Dimensjoner:
  • 213x10x264 mm.
  • Vekt:
  • 350 g.
  • BLACK NOVEMBER
Leveringstid: Ukjent
Utvidet returrett til 31. januar 2025

Beskrivelse av Ancestors, Goddesses, and Heroes

Protecting, healing, or punishing-people of various eras and origins have attributed such powers to the sculptures that are being presented together here for the first time: be it the sculpture of the Mangaaka from what is today the Republic of Congo, the protective goddess Mahamayuri from China, or the Maria on the globe from Southern Germany. Forty-five objects created between the fourth and the nineteenth century from two museums in Berlin provide a vivid testimony to the ever-present need for protection and orientation when dealing with individual or social crises. They represent the existence of an invisible world of gods, spirits, or ancestors, and create a connection between this world and a "different reality." As a result of how they are presented in museums, their context of use is, however, often lost-a situation that is reflected on by the authors of this book.

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