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Siegfried Kracauer¿s biography of the composer Jacques Offenbach is a remarkable work of social and cultural history. First published in German in 1937 and in English translation in 1938, the book uses the life and work of Offenbach as a focal point for a broad and penetrating portrayal of Second Empire Paris. Offenbach¿s immensely popular operettas have long been seen as part of the larger historical amnesia and escapism that pervaded Paris in the aftermath of 1848. But Kracauer insists that Offenbach¿s productions must be understood as more than glittering distractions. The fantasy realms of such operettas as La Belle Hélène were as one with the unreality of Napoleon III¿s imperial masquerade, but they also made a mockery of the pomp and pretense surrounding the apparatuses of power. At the same time, Offenbach¿s dreamworlds were embedded with a layer of utopian content that can be seen as an indictment of the fraudulence and corruption of the times.

If Marx¿s opus Capital provided the foundational account of the forces of production in all of their objective, machine formats, what happens when the concepts of political economy are applied not to dead labor, but to its living counterpart, the human subject? The result is Alexander Kluge and Oskar Negt¿s History and Obstinacy, a groundbreaking archaeology of the labor power that has been cultivated in the human body over the last two thousand years. First published in German 1981, and never before translated into English, this epochal collaboration between Kluge and Negt has now been edited, expanded, and updated by the authors in response to global developments of the last decade to create an entirely new analysis of ¿the capitalism within us.¿

Chantal Thomas presents the history of the mythification of one of the most infamous queens in all history, whose execution still fascinates us today.

Beginning with a definition of the pre-rational meaning of "truth" in archaic Greece, Detienne traces the lineage of the concept. Its distinct difference from the logic of the western philosophers is discussed and a movement from a religious to a secular thought about truth is identified.

In this classic meditation on the problem of style in art history, Henri Focillon describes how art forms change over time.

Essays that span the career of a prominent anthropologist and address the fundamental questions of the field.

The history of Mexico's fearless intimacy with death--the elevation of death to the center of national identity.

Exploring the thought of Mulla Sadra Shirazi, an Iranian Shi'ite of the seventeenth century: a universe of politics, morality, liberty, and order that is indispensable to our understanding of Islamic thought and spirituality.

A consideration of blandness not as the absence of defining qualities but as the harmonious union of all potential values-an infinite opening into human experience.

An exploration of the roles of metamorphosis and hybridity in the establishment of personal identity, with particular emphasis on the twelfth and thirteenth centuries.

In this groundbreaking work, Ariella Azoulay provides a compelling rethinking of the political and ethical status of photography. In her extraordinary account of the "civil contract" of photography, she thoroughly revises our understanding of the power relations that sustain and make possible photographic meanings. Photography, she insists, must be thought of and understood in its inseparability from the many catastrophes of recent history. Azoulay argues that photography is a particular set of relations between individuals to the power that governs them, and, at the same time, a form of relations among equal individuals that constrains this power. Her book shows how anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph's addressee, is or can become a citizen in the citizenry of photography. The civil contract of photography enables him or her to share with others the claim made or addressed by the photograph.

A history and theory of the powers, the failures, and even the pleasures of paperwork.

A history and theory of the drive to hide in plain sight.

A provocative study of the iconoclastic impulse in medieval and modern art.

A novel attempt to make sense of our preoccupation with copies of all kinds--from counterfeits to instant replay, from parrots to photocopies.

In this long-awaited study, Claudio Lomnitz tells an unprecedented story about the experience and ideology of American and Mexican revolutionary collaborators of the Mexican anarchist Ricardo Flores Magon. Based on extensive research in American and Mexican archives, Lomnitz explores the rich, complicated, and virtually unknown lives of Magon and his comrades devoted to the "e;Mexican Cause."e;This anthropological history of anarchy, cooperation, and betrayal seeks to capture the experience and meaning of these dedicated militants who themselves struggled to understand their role and place at the margins of the Mexican Revolution. For them, the revolution was untranslatable, a pure but deaf subversion: "e;La revolucion es la revolucion."e; For Lomnitz, their experiences reveal the meaning of this phrase.The Return of Comrade Ricardo Flores Magon tracks the lives of John Kenneth Turner, Ethel Duffy, Elizabeth Trowbridge, Ricardo Flores Magon, and Lazaro Gutierrez de Lara, among others, to illuminate the reciprocal relationship between personal and collective ideology and action. This book is an epic and tragic tale, never before told, about camaraderie and disillusionment in the first transnational grassroots political movement to span the US-Mexico border. This book will revise how we think about not only the Mexican Revolution but also revolutionary action and passion.

An exploration of the wakeful character of the dream and the dreamful character of wakefulness.