Bøker utgitt av Yoffy Press

Highly topical as we dive fully into an era of fake news, political manipulation, and engineered confusion.Jason Knoxvold, the essay writer and editorial consultant, is a highly regarded, award-winning independent publisher, and his association with this project will raise its profile.This type of highly conceptual, "big brother" technology-focused project is very cutting edge and will likely do very well in a European market.

What can be more inspiring and resilient than listening to a five-year-old girl who spent her life until then struggling with severe multiple food allergies, saying that when she couldn‿t eat strawberries, she pretended that watermelons were strawberries? Moments like this kept Sandra Bacchi strong and positive while facing the shadows that came to the surface when she became a mother. Watermelons Are Not Strawberries is a photographic memoir about the ups and downs of parenting and the surprising lessons about acceptance and healing we can learn from our children. The visual experience of moving from chaos to clarity is both vulnerable and relatable, giving the viewer a window into what it means to find peace and a little bit of hope.

The American South has become a nexus of film production in the United States. By 2016, more major features were being shot in Georgia than in California. Commissioned by the High Museum in Atlanta as part of their Picturing the South series, Alex Harris explored cinematic representations of the South by visiting and photographing the making of over 40 independent fiction films across the region. Using a documentary approach to capture scenes that unfolded on or around the set, Harris' images tell the story of a new South while also hinting at more universal aspects of life - the ways in which we are all actors in our own lives, creating our sets, practicing our lines, refining our characters, playing ourselves. These photographs also tell a story about our increasingly visual culture and explore the rapidly evolving world of independent filmmaking, one that is little known to audiences outside the film festival circuit.