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Set in Jakarta during the Indonesian revolution, A Road With No End asks the question, "What must we do to free ourselves from fear?" The novel's two principal characters, Isa and Hazil, are put to the test by the times they are living through.
In Arab circles in the Dutch East Indies in the 1930s, plays were staged not only to entertain but also to educate and to further the emancipation of the traditionally oriented Arab minority. Some plays were well received, others evoked protests. Fatimah was one of the plays which stirred up commotion, inciting riots throughout Java.
Avianti's sensibility as an architect is evident in her writing, with all the features and spaces of the modern urban landscape. In her landscapes, residents range from single women, housewives, children, prostitutes, to adulterers and jetsetters at a swingers' party. The city is a place of little concern for its inhabitants.
Violence, money and melodrama are the volatile ingredients of The Rape of Sukreni. Written in the 1930s by AA Pandji Tisna, the novel was not published until 1947. It is considered an Indonesian classic, portraying Balinese-Hindu notions of karma with the impact of modern commerce on Balinese society as its main theme.
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