Bøker utgitt av Yale University Press

As the Nazis swept across Europe during World War II, Jewish victims wrote diaries in which they grappled with the terror unfolding around them. Some wrote simply to process the contradictory bits of news they received; some wrote so that their children, already safe in another country, might one day understand what had happened to their parents; and some wrote to furnish unknown readers in the outside world with evidence against the Nazi regime.Were these diarists resisters, or did the process of writing make the ravages of the Holocaust even more difficult to bear? Drawing on an astonishing array of unpublished and published diaries from all over German-occupied Europe, historian Alexandra Garbarini explores the multiple roles that diary writing played in the lives of these ordinary women and men. A story of hope and hopelessness, Numbered Days offers a powerful examination of the complex interplay of writing and mourning. And in these heartbreaking diaries, we see the first glimpses of a question that would haunt the twentieth century: Can such unimaginable horror be represented at all?

In the 1890s, feisty Tod Sloan (18741933) abandoned the centuries-old jockey tradition of riding in a straight sitting position and instead crouched low on the neck of his horse. The result was not only a string of victories for young Sloan but also a revolution in horse racing. In this entertaining book, award-winning author John Dizikes recounts the remarkable story of the Indiana boy who rose from obscurity to become the most famous jockey in the United States and Great Britain at the turn of the century. Dizikes evokes the turbulent, colorful world of horse racing and gambling in which Tod Sloan rocketed to celebrityand from which he was just as dramatically ejected.Sloans innovative riding style helped to transform horse racing into the first nationally popular spectator sport, drawing in huge crowds and vast amounts of betting money. But Sloans career was crushingly ended by those who resented and envied him. A dandy, a big spender, a man whose company women loved, Sloan related to horses in an almost magical way, yet foundered in his dealings with people. This book is the biography of a diminutive man who lived in large style, and lives on in George M. Cohans musical Little Johnny Jones and Ernest Hemingways short story My Old Man. The book is also much morea fascinating cultural history that illuminates the history of horse racing and betting, the democratization of sport, changing conceptions of masculinity, the hypocrisy of Victorian morality, the lionizing and demonizing of celebrities, and a variety of other inviting topics.

The stories behind the acquisition of ancient antiquities are often as important as those that tell of their creation. This fascinating book provides a comprehensive account of the history and development of classical archaeology, explaining how and why artifacts have moved from foreign soil to collections around the world.As archaeologist Stephen Dyson shows, Greek and Roman archaeological study was closely intertwined with ideas about class and social structure; the rise of nationalism and later political ideologies such as fascism; and the physical and cultural development of most of the important art museums in Europe and the United States, whose prestige depended on their creation of collections of classical art. Accompanied by a discussion of the history of each of the major national traditions and their significant figures, this lively book shows how classical archaeology has influenced attitudes about areas as wide-ranging as tourism, nationalism, the role of the museum, and historicism in nineteenth- and twentieth-century art.

The acclaimed Proust biographer William C. Carter portrays Proust’s amorous adventures and misadventures from adolescence through his adult years, supplying where appropriate Proust’s own sensitive, intelligent, and often disillusioned observations about love and sexuality. Proust is revealed as a man agonizingly caught between the constant fear of public exposure as a homosexual and the need to find and express love. In telling the story of Proust in love, Carter also shows how the author’s experiences became major themes in his novel In Search of Lost Time.Carter discusses Proust’s adolescent sexual experiences, his disastrous brothel visit to cure homosexual inclinations, and his first great loves. He also addresses the duel Proust fought after the journalist Jean Lorrain alluded to his homosexuality in print, his flirtations with respectable women and high-class prostitutes, and his affairs with young men of the servant class. With new revelations about Proust’s love life and a gallery of photographs, the book provides an unprecedented glimpse of Proust’s gay Paris.

Distinguished scholar and philosopher Tom Rockmore examines one of the great lacunae of contemporary philosophical discussionidealism. Addressing the widespread confusion about the meaning and use of the term, he surveys and classifies some of its major forms, giving particular attention to Kant. He argues that Kant provides the all-important link between three main types of idealism: those associated with Plato, the new way of ideas, and German idealism. The author also makes a case for the contemporary relevance of at least one strand in the tangled idealist web, a strand most clearly identified with Kant: constructivism. In terms of the philosophical tradition, Rockmore contends, constructivism offers a lively, interesting, and important approach to knowledge after the decline of metaphysical realism.

In this book the eminent psychoanalyst Leonard Shengold looks at why some people are resistant to change, even when it seems to promise a change for the better. Drawing on a lifetime of clinical experience as well as wide readings of world literature, Shengold shows how early childhood relationships with parents can lead to a powerful conviction that change means loss.Dr. Shengold, who is well known for his work on the lasting effects of childhood trauma and child abuse in such seminal books as Soul Murder and Soul Murder Revisited, continues his exploration into the consequences of early psychological injury and loss. In the examples of his patients and in the lives and work of such figures as Edna St. Vincent Millay, William Wordsworth, and Henrik Ibsen, Shengold looks at the different ways in which unconscious impressions connected with early experiences and fantasies about parents are integrated into individual lives. He shows the difficulties hes encountered with his patients in raising these memories to the conscious level where they can be known and owned; and he also shows, in his survey of literary figures, how these memories can become part of the creative process.Haunted by Parents offers a deeply humane reflection on the values and limitations of therapy, on memory and the lingering effects of the past, and on the possibility of recognizingthe promise of the future.

For half a century Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock.Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director’s important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions.  Covering the whole of the director’s career, from the early British works up to Family Plot, this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch—and listen—to his movies.

In 1764-65 the irrepressible playwright Beaumarchais traveled to Madrid, where he immersed himself in the life and society of the day. Inspired by the places he had seen and the people he had met, Beaumarchais returned home to create The Barber of Seville and The Marriage of Figaro, plays that became the basis for the operas by Rossini and Mozart that continue to delight audiences today. This book is a lively and original account of Beaumarchaiss visit to Madrid (he never went to Seville) and a re-creation of the society that fired his imagination.Drawing on Beaumarchaiss letters and commentaries, translated into English for the first time, Hugh Thomas investigates the full range of the playwrights activities in Madrid. He focuses particular attention on short playsthat Beaumarchais attended and by which he was probably influenced, and he probes the inspirations for such widely recognized characters as the barber-valet Figaro, the lordly Count Almaviva, and the beautiful but deceived Rosine. Not neglecting Beaumarchaiss many other pursuits (ranging from an endeavor to gain a contract for selling African slaves to an attempt to place his mistress as a spy in the bed of King Charles III), Lord Thomas provides a highly entertaining view of a vital moment in Madrids history and in the creative life of the energetic Beaumarchais.

Toward the end of the eighteenth century, a radical change occurred in notions of self and personal identity. This was a sudden transformation, says Dror Wahrman, and nothing short of a revolution in the understanding of selfhood and of identity categories including race, gender, and class. In this pathbreaking book, he offers a fundamentally new interpretation of this critical turning point in Western history.Wahrman demonstrates this transformation with a fascinating variety of cultural evidence from eighteenth-century England, from theater to beekeeping, fashion to philosophy, art to travel and translations of the classics. He discusses notions of self in the earlier 1700swhat he terms the ancien regime of identitythat seem bizarre, even incomprehensible, to present-day readers. He then examines how this peculiar world came to an abrupt end, and the far-reaching consequences of that change. This unrecognized cultural revolution, the author argues, set the scene for the array of new departures that signaled the onset of Western modernity.

In the decades since the mid-1970s, the Jet Propulsion Laboratory in Pasadena, California, has led the quest to explore the farthest reaches of the solar system. JPL spacecraft—Voyager, Magellan, Galileo, the Mars rovers, and others—have brought the planets into close view. JPL satellites and instruments also shed new light on the structure and dynamics of earth itself, while their orbiting observatories opened new vistas on the cosmos. This comprehensive book recounts the extraordinary story of the lab's accomplishments, failures, and evolution from 1976 to the present day.This history of JPL encompasses far more than the story of the events and individuals that have shaped the institution. It also engages wider questions about relations between civilian and military space programs, the place of science and technology in American politics, and the impact of the work at JPL on the way we imagine the place of humankind in the universe.

This book describes the ever-escalating dangers to which Jewish refugees and recent immigrants were subjected in France and Italy as the Holocaust marched forward. Susan Zuccotti uncovers a grueling yet complex history of suffering and resilience through historical documents and personal testimonies from members of nine central and eastern European Jewish families, displaced to France in the opening years of the Second World War. The chronicle of their lives reveals clearly that these Jewish families experienced persecution of far greater intensity than citizen Jews or long-time resident immigrants.The odyssey of the nine families took them from hostile Vichy France to the Alpine village of Saint-Martin-Vsubie and on to Italy, where German soldiers rather than hoped-for Allied troops awaited. Those who crossed over to Italy were either deported to Auschwitz or forced to scatter in desperate flight. Zuccotti brings to light the agonies of the refugees unstable lives, the evolution of French policies toward Jews, the reasons behind the flight from the relative idyll ofSaint-Martin-Vsubie, and the choices that confronted those who arrived in Italy. Powerful archival evidence frames this history, while firsthand reports underscore the human cost of the nightmarish years of persecution.

Twelfth-century French poet Chrétien de Troyes was one of the most influential figures in Western literature, for his romantic poems on the legend of King Arthur gave rise to a tradition of storytelling that continues to this day. This important and fascinating book is a study of all of Chrétien’s work.Joseph J. Duggan begins with an introduction that sets Chrétien within the social and intellectual currents of his time. He then organizes the book in chapters that focus on major issues in Chrétien’s romances rather than on individual works, topics that range from the importance of kinship and genealogy to standards of secular moral responsibility and from Chrétien’s art of narration to his representation of knighthood. Duggan offers new perspectives on many of these themes: in a chapter on the influence of Celtic mythology, for example, he gives special attention to the ways Chrétien integrated portrayals of motivation with mythic themes and characters, and in discussing the Grail romance, he explores the parallels between Perceval’s and Gauvain’s adventures.