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Edward VI was the son of Henry VIII and his second wife, Jane Seymour. He ruled for only six years (1547-1553) and died at the age of sixteen. But these were years of fundamental importance in the history of the English state, and in particular of the English church. This new biography reveals for the first time that, despite his youth, Edward had a significant personal impact. Jennifer Loach draws a fresh portrait of the boy king as a highly precocious, well educated, intellectually confident, and remarkably decisive youth, with clear views on the future of the English church. Loach also offers a new understanding of Edward's health, arguing that the cause of his death was a severe infection of the lungs rather than tuberculosis, the commonly accepted diagnosis. The author views Edward not as a sickly child but as a healthy and vigorous boy, devoted to hunting and tournaments like any young aristocrat of the day.This book tells the story of the monarch and of his time. It supplies the dramatic context in which the short reign of Edward VI was played out-the momentous religious changes, factional fights, and popular risings. And it offers vivid details on Edward's increasing absorption in politics, his consciousness of his role as supreme head of the English church, his determination to lay the foundation for a Protestant regime, and how his failure in this ambition brought England to the brink of civil war.

Henry I, son of William the Conqueror, ruled from 1100 to 1135, a time of fundamental change in the Anglo-Norman world. This long-awaited biography, written by one of the most distinguished medievalists of his generation, offers a major reassessment of Henry's character and reign. Challenging the dark and dated portrait of the king as brutal, greedy, and repressive, it argues instead that Henry's rule was based on reason and order.C. Warren Hollister points out that Henry laid the foundations for judicial and financial institutions usually attributed to his grandson, Henry II. Royal government was centralized and systematized, leading to firm, stable, and peaceful rule for his subjects in both England and Normandy. By mid-reign Henry I was the most powerful king in Western Europe, and with astute diplomacy, an intelligence network, and strategic marriages of his children (legitimate and illegitimate), he was able to undermine the various coalitions mounted against him. Henry strove throughout his reign to solidify the Anglo-Norman dynasty, and his marriage linked the Normans to the Old English line.Hollister vividly describes Henry's life and reign, places them against the political background of the time, and provides analytical studies of the king and his magnates, the royal administration, and relations between king and church. The resulting volume is one that will be welcomed by students and general readers alike.

Peter the Great (1672-1725), tsar of Russia for forty-three years, was a dramatic, appealing, and unconventional character. This book provides a vivid sense of the dynamics of his life-both public and private-and his reign.Drawing on his letters and papers, as well as on other contemporary accounts, the book provides new insights into Peter's complex character, giving information on his actions, deliberations, possessions, and significant fantasy world--his many disguises and pseudonyms, his interest in dwarfs, his clowning and vandalism. It also sheds fresh light on his relationships with individuals such as his second wife Catherine and his favorite, Alexander Menshikov. The book includes discussions of Peter's image in painting and sculpture, and there are two final chapters on his legacy and posthumous reputation up to the present.

As China emerges as a global powerhouse, this timely book examines its economic past and the shaping of its financial institutions.The first comparative study of foreign banking in prewar China, the book surveys the impact of British overseas bank notes on China's economy before the outbreak of the Sino-Japanese War in 1937. Focusing on the two leading British banks in the region, it assesses the favorable and unfavorable effects of the British presence in China, with particular emphasis on Shanghai, and traces instructive links between the changing political climate and banknote circulation volumes.Drawing on recently declassified archival materials, Niv Horesh revises previous assumptions about China's prewar economy, including the extent of foreign banknote circulation and the economic significance of the May Thirtieth Movement of 1925.

James II (1633-1701) lacked the charisma of his father, Charles I, but shared his tendency to dismiss the views of others when they differed from his own. Failing to understand his subjects, James was also misunderstood by them. In this highly-regarded biography, John Miller reassesses James II and his reign, drawing on a wide array of primary sources from France, Italy, and Ireland as well as England. Miller argues that the king had many laudable attributes--he was brave, loyal, honorable, and hard-working, and he was at least as benevolent toward his people as his father had been. Yet James's conversion to Catholicism fueled the distrust of his Protestant subjects who placed the worst possible construction on his actions and statements. Although James came to see the securing of religious freedom for Catholics in the wider context of freedom for all religious minorities, his people naturally doubted the sincerity of his commitment to toleration.The book explores James's relations with the state and society, focusing on the political, diplomatic, and religious issues that shaped his reign. Miller discusses the human failings, the gulf of understanding between the king and his subjects, and the sheer bad luck that led to James's downfall. He also considers the reasons for James's lack of interest in recovering his kingdom after his flight to France in 1688. This revised edition of the book includes a substantial new foreword assessing recent work on the reign."e;This is a first-class essay in historical biography. . . . It must displace all previous lives of James II."e;-J. P. Kenyon, Observer

Domesticity is generally treated as an aspect of women's history. In this fascinating study of the nineteenth-century middle class, John Tosh shows how profoundly men's lives were conditioned by the Victorian ideal and how they negotiated its many contradictions.Tosh begins by looking at the experience of boyhood, married life, sex, and fatherhood in the early decades of the nineteenth century-illustrated by case studies representing a variety of backgrounds-and then contrasts this with the lives of the late Victorian generation. He finds that the first group of men placed a new value on the home as a reaction to the disorienting experience of urbanization and as a response to the teachings of Evangelical Christianity. Domesticity still proved problematic in practice, however, because most men were likely to be absent from home for most of the day, and the role of father began to acquire its modern indeterminacy. By the 1870s, men were becoming less enchanted with the pleasures of home. Once the rights of wives were extended by law and society, marriage seemed less attractive, and the bachelor world of clubland flourished as never before.The Victorians declared that to be fully human and fully masculine, men must be active participants in domestic life. In exposing the contradictions in this ideal, they defined the climate for gender politics in the next century.

In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin. Within their highly individual stories, Hempton finds not only clues to the development of these particular creative men and women but also myriad insights into the strengths and weaknesses of one of the fastest growing religious traditions in the modern world.Allowing his subjects to express themselves in their own voicesthrough letters, essays, speeches, novels, apologias, paintingsHempton seeks to understand the factors at work in the shaping of their religious beliefs, and how their negotiations of faith informed their public and private lives. The nine were great public communicators, but in private often felt deep uncertainties. Hemptons moving portraits highlight common themes among the experiences of these disillusioned evangelicals while also revealing fresh insights into the evangelical movement and its relations to the wider culture.Featuring portraits of: George Eliot Frances W. Newman Theodore Dwight Weld Sarah Grimk Elizabeth Cady Stanton Frances Willard Vincent van Gogh Edmund Gosse James Baldwin

In the long history of the British Army, the Battle of the Somme was its bloodiest encounter. Between July 1 and mid-November 1916, 432,000 of its soldiers became casualties--about 3,600 for every day of battle. German casualties were far fewer despite British superiority in the air and in lethal artillery.What went wrong for the British, and who was responsible? Robin Prior and Trevor Wilson have examined the entire public archive on the Battle of the Somme to reconstruct the day-by-day course of the war. The result is the most precise and authentic account of the campaign on record and a book that challenges almost every received view of the battle. The colossal rate of infantry casualties in fact resulted from inadequate fire support; responsibility for tactical mistakes actually belonged to the High Command and the civilian War Committee. Field-Marshall Haig, the records show, was repeatedly deficient in strategy, tactics, command, and organization. Hundreds of thousands of soldiers died for a cause that lacked both a coherent military plan and responsible political leadership. Prior and Wilson decisively change our understanding of the history of the Western Front.

This compelling book presents an unparalleled record of what happened after U.S. forces seized Baghdad in the spring of 2003. Army Colonel Peter R. Mansoor, the on-the-ground commander of the 1st Brigade, 1st Armored Division—the “Ready First Combat Team”—describes his brigade’s first year in Iraq, from the sweltering, chaotic summer after the Ba’athists’ defeat to the transfer of sovereignty to an interim Iraqi government a year later. Uniquely positioned to observe, record, and assess the events of that fateful year, Mansoor now explains what went right and wrong as the U.S. military confronted an insurgency of unexpected strength and tenacity. Drawing not only on his own daily combat journal but also on observations by embedded reporters, news reports, combat logs, archived e-mails, and many other sources, Mansoor offers a contemporary record of the valor, motivations, and resolve of the 1st Brigade and its attachments during Operation Iraqi Freedom. Yet this book has a deeper significance than a personal memoir or unit history. Baghdad at Sunrise provides a detailed, nuanced analysis of U.S. counterinsurgency operations in Iraq, and along with it critically important lessons for America’s military and political leaders of the twenty-first century. 

Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history.Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynskys magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynskys life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.

Includes the entire text of "e;I Have A Dream"e;I have a dreamno words are more widely recognized, or more often repeated, than those called out from the steps of the Lincoln Memorial by Martin Luther King, Jr., in 1963. Kings speech, elegantly structured and commanding in tone, has become shorthand not only for his own life but for the entire civil rights movement. In this new exploration of the I have a dream speech, Eric J. Sundquist places it in the history of American debates about racial justicedebates as old as the nation itselfand demonstrates how the speech, an exultant blend of grand poetry and powerful elocution, perfectly expressed the story of African American freedom.This book is the first to set Kings speech within the cultural and rhetorical traditions on which the civil rights leader drew in crafting his oratory, as well as its essential historical contexts, from the early days of the republic through present-day Supreme Court rulings. At a time when the meaning of the speech has been obscured by its appropriation for every conceivable cause, Sundquist clarifies the transformative power of Kings Second Emancipation Proclamation and its continuing relevance for contemporary arguments about equality.

Charles Dickens was regarded as the great proponent of hearth and home in Victorian Britain, but in 1858 this image was nearly shattered. With the breakup of his marriage that year, rumors of a scandalous relationship he may have conducted with the young actress Ellen "e;Nelly"e; Ternan flourished. For the remaining twelve years of his life, Dickens managed to contain the gossip. After his death, surviving family members did the same. But when the author's last living son died in 1934, there was no one to discourage rampant speculation. Dramatic revelations came from every corner—over Nelly's role as Dickens's mistress, their clandestine meetings, and even about his possibly fathering an illegitimate child by her.This book presents the most complete account of the scandal and ensuing cover-up ever published. Drawing on the author's letters and other archival sources not previously available, Dickens scholar Michael Slater investigates what Dickens did or may have done, then traces the way the scandal was elaborated over succeeding generations. Slater shows how various writers concocted outlandish yet plausible theories while newspapers and book publishers vied for sensational revelations. With its tale of intrigue and a cast of well-known figures from Thackeray and Shaw to Orwell and Edmund Wilson, this engaging book will delight not only Dickens fans but also readers who appreciate tales of mystery, cover-up, and clever detection.

Bernard Williams, who died in 2003, was one of the most influential moral philosophers of his generation. A lifelong opera lover, his articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following.This elegant volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including sparkling essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett.Reflecting Williamss brilliance, passion, and clarity of mind, these essays engage with, and illustrate, the enduring appeal of opera as an art form.

In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossibleand by the terms of the loan agreement, Shylock is able to demand a pound of Antonios flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).