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The first comprehensive overview of Jasper Johns's work in an innovative medium that the artist has singlehandedly redefined over the course of four decades
"My work is largely concerned with relations between seeing and knowing, seeing and saying, seeing and believing."-Jasper Johns, 1965
"Published in conjunction with the exhibition 'The condition of being here: drawings by Jasper Johns', organized by the Menil Collection, Houston ... November 3, 2018-January 27, 2019"--Title page verso.
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography
A beautiful celebration of six decades of work by Edgar Degas, published in the centennial year of the artist's death
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature
An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new
A beautiful overview of fascinating paintings of the classical world and the Holy Land by a beloved American artist
Taking an interdisciplinary approach that looks at film, television, and commercial advertisements as well as more traditional media such as painting, The Tiger in the Smoke provides an unprecedented analysis of the art and culture of post-war Britain. Art historian Lynda Nead presents fascinating insights into how the Great Fogs of the 1950s influenced the newfound fashion for atmospheric cinematic effects. She also discusses how the widespread use of color in advertisements was part of an increased ideological awareness of racial differences. Tracing the parallel ways that different media developed new methods of creating images that variously harkened back to Victorian ideals, agitated for modern innovations, or redefined domesticity, this book's broad purview gives a complete picture of how the visual culture of post-war Britain expressed the concerns of a society that was struggling to forge a new identity. Published in association with the Paul Mellon Centre for Studies in British Art
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
By taking simple ways of looking at sculpture, this book uncovers unexpected affinities between works of very different periods and types. From sundials to mirrors, from graves to way-markers, from fountains to contemporary art, a wide range of illustrated examples expands the definitions of sculpture and proposes that we understand this art as something more fundamental to the way we experience and construct our rites of passage. Penelope Curtis argues that there are some basic functions shared by many kinds of three-dimensional objects, be they more or less obviously sculptural. Even contemporary sculpture, with no apparent purpose, makes use of this deeply embedded vocabulary. Together, the qualities of vertical, horizontal, closed and open are consolidated in the ensemble, which places the viewer at its heart, on the threshold of sculpture and on the threshold of change. This book elides the usual notions of figurative and abstract to think instead about how sculpture works. >Published in association with the Paul Mellon Centre for Studies in British Art
An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists
This authoritative guide, the companion to Yorkshire West Riding: Leeds, Bradford and the North, covers a vast area marked by tremendous diversity of both landscape and buildings. The territory is rich in medieval churches and castles, 17th-century houses and 18th-century mansions, yet it is also deservedly famous for its outstanding 19th- and 20th-century ecclesiastical, civic, commercial and industrial buildings. Major examples of every period of English architecture are represented, from Selby Abbey to the palatial country house of the Earls Fitzwilliam at Wentworth Woodhouse, and from Halifax Town Hall to Sheffield's Park Hill flats and the Yorkshire Sculpture Park near Wakefield. In the fine Pevsner tradition, this book situates the region's full array of buildings within geological, local, national, and international contexts.
An illuminating record of dialogues between the Dalai Lama and some of today's most prominent scientists, philosophers, and contemplatives
"Haroon Ullah investigates the unprecedented impact of social media across the Middle East, North Africa, and South and Southeast Asia and demonstrates how it has profoundly changed relationships between regimes and peoples, and within populations-mostly, but not always, for the better. He considers its apparent inherently "democratic," anti-establishment revolutionary impact, as well as how religious conservatives and extremists have co-opted various platforms. He goes on to show how political parties, corporations, and governments have learned to exploit digital tools to target and mobilize audiences, to ultimately achieve power and status. Identifying key trends across the Muslim world, Ullah outlines what a proper understanding of social media can teach us about regional and international politics and diplomacy."
A comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work
Thomas Cranmer, the architect of the Anglican Book of Common Prayer, was the archbishop of Canterbury who guided England through the early Reformation--and Henry VIII through the minefields of divorce. This is the first major biography of him for more than three decades, and the first for a century to exploit rich new manuscript sources in Britain and elsewhere.Diarmaid MacCulloch, one of the foremost scholars of the English Reformation, traces Cranmer from his east-Midland roots through his twenty-year career as a conventionally conservative Cambridge don. He shows how Cranmer was recruited to the coterie around Henry VIII that was trying to annul the royal marriage to Catherine, and how new connections led him to embrace the evangelical faith of the European Reformation and, ultimately, to become archbishop of Canterbury. By then a major English statesman, living the life of a medieval prince-bishop, Cranmer guided the church through the king's vacillations and finalized two successive versions of the English prayer book.MacCulloch skillfully reconstructs the crises Cranmer negotiated, from his compromising association with three of Henry's divorces, the plot by religious conservatives to oust him, and his role in the attempt to establish Lady Jane Grey as queen to the vengeance of the Catholic Mary Tudor. In jail after Mary's accession, Cranmer nearly repudiated his achievements, but he found the courage to turn the day of his death into a dramatic demonstration of his Protestant faith.From this vivid account Cranmer emerges a more sharply focused figure than before, more conservative early in his career than admirers have allowed, more evangelical than Anglicanism would later find comfortable. A hesitant hero with a tangled life story, his imperishable legacy is his contribution in the prayer book to the shape and structure of English speech and through this to the molding of an international language and the theology it expressed.
A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York
Presents an exploration of both Shakespeare's works and his age. Focusing on six recurring prejudices in Shakespeare's plays - such as misogyny, elitism, distrust of effeminacy, and racism, this title examines how Shakespeare and his contemporaries treated them. It reveals a playwright constantly exploiting and exploring his own personal stances.
The essential five-volume resource on the painting and sculpture of one of the world's foremost contemporary artists
Catalog of an exhibition held at Portland Museum of Art, Portland, Maine, May 26-September 8, 2017; Memphis Brooks Museum of Art, Memphis, Tennessee, October 14, 2017-January 7, 2018; and at Amon Carter Museum of American Art, Fort Worth, Texas, February 17-May 13, 2018.
The captivating tale of the plans and personalities behind one of New York City's most radical and recognizable buildings
"Zhang Peili: Record. Repeat. was produced in conjunction with an exhibition of the same title organized by the Art Institute of Chicago, March 31/July 9, 2017"--Title page verso.
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