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For 30 years the US government has funded education programmes to help disadvantaged children in school. This text evaluates three existing programmes, "Head Start", "Follow Through" and "Chapter 1", describes the Head Start Transition Project and proposes a plan to consolidate the programmes

Winner of the 1992 National Jewish Book Award, this provides insights into Freud's feelings toward his own Judaism. Yerushalmi analyzes Freud's intentions in writing "Moses and Monotheism", presenting the work as Freud's psychoanalytic history of the Jews, Jewdaism and the Jewish psyche.

An analysis of the origins and development of Central High School, the first public high school in Philadelphia. Using Central as a case study, Labaree argues that the public high school is the product of the struggle between egalitarianism and meritocracy that is endemic to a democratic society.

Intended to be both practical and informative, this book shows parents and professionals alike how they can work with schools to help children receive the best possible education. The authors define a set of schooling basics for guiding children and making schools work.

Describes the daily lives, occupations and history of the Subei people, immigrants from the Jiangsu Province, who have become the most despised people in China's largest city, Shanghai. Honig uses archival research and interviews conducted in Shanghai.

In this second part of "No Man's Land", Gilbert and Gubar focus on texts from the early part of the 20th century to expand on the claim made in the first volume that, for literary men and women, sexual battles were associated with "sexchanges" - or radically conceived gender roles.

A study of the relations between men and women in early modern England. Michael Fletcher seeks to demonstrate that by grasping the production of gender categories, the inner logic of society as a whole will be revealed.

Mel Bochner (b. 1940) is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. He pioneered the introduction of the use of language in the visual, probing the way they relate to one another to make us more attentive to the unspoken codes that underpin our visual engagement with the world. Featuring color plates of more than thirty new, previously unpublished paintings, and accompanied by an essay by Jeremy Sigler, this handsome publication offers a new perspective on Mel Bochner's career-long engagement with language and painting. Sigler points to how Bochner's newest images poignantly signal a return to visceral materiality, revealing the unexpected painterly roots of his body of work.

A political, social, and cultural battle is currently raging in the Middle East. On one side are the Islamists, those who believe Islam should be the region's primary identity. In opposition are nationalists, secularists, royal families, military establishments, and others who view Islamism as a serious threat to national security, historical identity, and a cohesive society.This provocative, vitally important work explores the development of the largest, most influential Islamic groups in the Middle East over the past century. Tarek Osman examines why political Islam managed to win successive elections and how Islamist groups in various nations have responded after ascending to power. He dissects the alliances that have formed among Islamist factions and against them, addressing the important issues of Islamism's compatibility with modernity, with the region's experiences in the twentieth century, and its impact on social contracts and minorities. He explains what Salafism means, its evolution, and connections to jihadist groups in the Middle East. Osman speculates on what the Islamists' prospects for the future will mean for the region and the rest of the world.

"To have the preeminent graphic designer in America-the leading proponent of the Modern-intelligently and forcefully speak out makes this a document for today and the ages. Rand's book is a classic." -Stephen Heller (1993)

"Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck'slife and work, examining, among other things, the artist'snumerous personal relationships and contemporary notions of gender and social history. Gluck'spaintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artistis known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. "--