Bøker utgitt av Yale University Press

An updated fourth edition of the comprehensive guide to the key dynamics and legacy events of the Croatian story, taking in the early Croat kingdom of the ninth century, communism and the increasing tourist popularity of Dubrovnik, now a World Heritage Site.

"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.

"The comprehensive guide to the architecture of the heart of Ireland, closely examining a broad range of works, from castles and churches to grand neoclassical country houses. This comprehensive guide covers the historically rich and nuanced territory of Central Leinster, from the western borderlands of the medieval English Pale to the wild expanse of the Bog of Allen and further west to Clonmacnoise, cradle of early monasticism, with its Hiberno-Romanesque ruins, sculpted crosses, and elegant round towers. The Palladian mansions of Kildare and the romantic castles of Offaly stand within ancient forests, and Neoclassicism flourished with grand houses by James Wyatt at Abbey Leix, by James Gordon at Emo, and by the Morrisons at Ballyfin. Georgian streetscape finds its best expressions in Mountmellick and Maynooth. Disestablishment spurred the re-entrenchment of Irish Protestant architecture, notably in James Franklin Fuller's fusions of Continental and Hiberno-Romanesque styles at Rathdaire, Millicent, and Carnalway, with their rich carving, decoration, and stained glass"--

This in-depth exploration of celebrated French artist François Morellet (1926-2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet's interest in kinetic and optical effects spurred work that engages viewers' perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet's practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work. Also included is an extensive selection of previously untranslated writings by the artist himself. With striking new photography of the artworks--such as Morellet's geometric paintings, neon works, and architectural interventions--this is the definitive book on a fascinating, multifaceted artist. Distributed for the Dia Art Foundation

Concise, engaging, and highly intuitive--this accessible guide equips you with an understanding of all the basic principles of forecasting

A fresh and surprising overview of N. C. Wyeth's career that considers the full range of the multifaceted artist's oeuvre

A focused investigation of Whistler's watercolors that introduces readers to a rarely seen aspect of the artist's creative output

Based on a series of papers presented at the seventh annual Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture in 2017.

A revelatory and wide-ranging exploration of Renoir's extraordinary depictions of the nude and their important artistic legacy

The first in-depth investigation of Gauguin's portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways

One of a set of four works written at Cassiciacum in November 383, along with Contra academicos, De ordine, and Soliloquiae.

A fresh, new translation of Augustine's inaugural work as a Christian convert

In this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artists - Louise Bourgeois, Minna Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryan - who bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts. She reveals how Atelier 17 operated as an uncommonly egalitarian laboratory for revolutionizing print technique, style, and scale. It facilitated women artists' engagement with modernist styles, providing a forum for extraordinary achievements that shaped postwar sculpture, fiber art, neo-Dadaism, and the Pattern and Decoration movement. Atelier 17 fostered solidarity among women pursuing modernist forms of expression, providing inspiration for feminist collective action in the 1960s and 1970s. The Women of Atelier 17 also identifies for the first time nearly 100 women, many previously unknown, who worked at the studio, and provides incisive illustrated biographies of selected artists.

This unconventional publication explores the process of making art through the work and studio practice of Sophie Whettnall (b. 1973), a contemporary Belgian artist whose works range from video art, installation, and performance to sculpture and drawing. In addition to copious illustrations of Whettnall's artwork that highlight its relationship to the studio and the artist's creative process, the book features three conversations. The first, between Whettnall and fellow artist Marina Abramovic, explores transmission, violence, and femininity. The second, between Emiliano Battista and Scott Samuelson, situates Whettnall's work and practice in the broader context of contemporary art and the theoretical framework that shapes it. In the third, Carine Fol and Whettnall share with the reader the behind-the-scenes discussions and decisions that go into the mounting of an exhibition. Distributed for Mercatorfonds Exhibition Schedule: CENTRALE for contemporary art, Brussels (04/04/19-08/04/19)

During the late 17th and early 18th centuries, Boston was both a colonial capital and the third most important port in the British empire, trailing only London and Bristol. Boston was also an independent entity that pursued its own interests and articulated its own identity while selectively appropriating British culture and fashion. This revelatory book examines period dwellings, gravestones, furniture, textiles, ceramics, and silver, revealing through material culture how the inhabitants of Boston were colonial, provincial, metropolitan, and global, all at the same time. Edward S. Cooke, Jr.'s detailed account of materials and furnishing practices demonstrates that Bostonians actively filtered ideas and goods from a variety of sources, combined them with local materials and preferences, and constructed a distinct sense of local identity, a process of hybridization that, the author argues, exhibited a conscious desire to shape a culture as a means to resist a distant, dominant power. Published in association with the Paul Mellon Centre for Studies in British Art

Fifty years after the Moon landing, a new history of the space race explores the lives of both Soviet and American engineers

A new history of post-Revolutionary Haiti, and the society that emerged in the aftermath of the world's most successful slave revolution

The extraordinary, and largely unchronicled, account of the Cuban people's struggle for survival in a post-Soviet world

A compelling and definitive account of why we need to radically rethink our approach to dealing with catastrophic events

This volume covers some of the finest landscape and architecture in southern England, much of it set within the South Downs National Park. The county's small towns and villages feature a pleasing mix of stone, timber, and brick houses of every period. Among numerous atmospheric country houses are the Tudor ruins of Cowdray, the Elizabethan mansion at Parham, and the French-inspired Petworth in its great park, famously captured in Turner's paintings. On the grandest scale is the mighty Arundel Castle, seat of the Duke of Norfolk, while Chichester, the only city in West Sussex, boasts one of the country's most important 12th-century cathedrals. Among many major ecclesiastical and educational establishments built in the 19th century, none is more impressive than Lancing College set high above the coast. New research accompanies 130 specially commissioned color photographs in this authoritative and expert guide.

When Americans fight about "religion," we are also fighting about our conflicting identities, interests, and commitments. Religion-talk has been a ready vehicle for these conflicts because it is built on enduring contradictions within our core political values. The Constitution treats religion as something to be confined behind a wall, but in public communications, the Framers treated religion as the foundation of the American republic. Ever since, Americans have translated disagreements on many other issues into an endless debate about the role of religion in our public life. Built around a set of compelling narratives-George Washington's battle with Quaker pacifists; the fight of Mormons and Catholics for equality with Protestants; Teddy Roosevelt's concept of land versus the Lakota's concept; the creation-evolution controversy; and the struggle over sexuality-this book shows how religion, throughout American history, has symbolized, but never resolved, our deepest political questions.

The first comprehensive account of Protestant and Catholic attitudes toward Jews and Judaism in the European Reformation

A provocative examination of literacy in the American South before emancipation, countering the long-standing stereotype of the South's oral tradition

Published on the occasion of an exhibition of the same name, held at The Institute of Contemporary Art/Boston March 23-May 27, 2019.