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  • - Volume One
    av E.F. Benson
    78,-

    With an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury.Lucia is one of the great comic characters in English literature. Outrageously pretentious, hypocritical and snobbish, Queen Lucia, 'as by right divine' rules over the toy kingdom of 'Riseholme' based on the Cotswold village of Broadway. Her long-suffering husband Pepino is 'her prince-consort', the outrageously camp Georgie is her 'gentleman-in-waiting', the village green is her 'parliament', and her subjects, such as Daisy Quantock, are hapless would-be 'Bolsheviks'. In Lucia in London, the prudish, manically ambitious Lucia launches herself into the louche world of London society. Her earnest determination to learn all about 'modern movements' makes her the perfect comic vehicle for Benson's free-wheeling satire of salon society, and of the dominant fads and movements of the 1920s, including vegetarianism, yoga, palmistry, Freudianism, sances, Post-Impressionist art and Christian Science.Meanwhile in Tilling, clearly modelled on Benson's home town of Rye, Miss Mapp consumed by 'chronic rage and curiosity' sits at her window, armed with her light-opera glasses keeping baleful watch on her neighbours. 'Anger and the gravest suspicions about everybody had kept her young and on the boil': and Benson transmutes her boiling into a series of small humiliations in his witty, malicious comedy.In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded fabrications and day-dreams of Lucia and the self-deluded chronic anger and jaundiced suspicions of Elisabeth. Carabine also concentrates on the novels' disturbing, bitchy, 'camp' humour whenever 'that horrid thing which Freud calls sex' is raised.

  • av Ford Madox Ford
    78,-

    With an Introduction and Notes by Sara Haslam, Department of English, The Open University.The Good Soldier is a masterpiece of twentieth-century fiction, an inspiration for many later, distinguished writers, including Graham Greene. Set before the First World War, it tells the tale of two wealthy and sophisticated couples, one English, one American, as they travel, socialise, and take the waters in the spa towns of Europe.They are 'playing the game', in style. That game has begun to unravel, however, and with compelling attention to the comic, as well as the tragic, results the American narrator reveals his growing awareness of the sexual intrigues and emotional betrayals that lie behind its faade.

  •  
    78,-

    Here is a book no Christmas stocking should be without, a book that positively distils the spirit of the season.

  • av Robert W. Chambers
    98,-

    With an Introduction by David Stuart Davies. 'I read it and reread it, and wept and laughed and trembled with horror which at all times assails me yet'. With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it? This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.

  • av Fyodor Dostoevsky
    78,-

    Alexey Ivanovitch is a young tutor in the household of a general. He is both observer and actor in the tempest which surrounds his impoverished employer. Everyone is waiting for the death of Granny, the general's rich aunt, but so far from dying, she turns up alive and well, and makes her way to the casino...

  • av John Buchan
    68,-

    Here are all five of the adventures featuring Richard Hannay, the hero of The Thirty-Nine Steps.

  • - The Condition of the Working Class in England in 1844; Socialism: Utopian and Scientific
    av Karl Marx & Friedrich Engels
    98,-

    With an introduction by Dr. Laurence Marlow.A spectre is haunting Europe (and the world). Not, in the twenty-first century, the spectre of communism, but the spectre of capitalism. Marx's prediction that the state would wither away of its own accord has proved inaccurate, and he did not foresee the tyrannies which have ruled large parts of the globe in his name. Indeed, he would have been appalled if he had witnessed them. But his analysis of the evils and dangers of raw capitalism is as correct now as when it was written, and some of his suggestions (progressive income tax, abolition of child labour, free education for all children) are now accepted with little question. In a world where capitalism is no longer held in check by fear of a communist alternative, The Communist Manifesto (with Socialism Utopian and Scientific, Engels's brief and clear exposition of Marxist thought) is essential reading.The Condition of the Working Class in England in 1844 is Engels's first, and probably best-known, book. With Henry Mayhew's London Labour and the London Poor, it was and is the outstanding study of the working class in Victorian England.

  • av Elizabeth Gaskell
    98,-

    Better known as the writer of pioneering social novels, Elizabeth Gaskell also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume.

  • av Matthew Lewis
    98,-

    With an Introduction by Kathryn White.Prepare to be shocked. This novel, written in 1796, is a Gothic festival of sex, magic and ghastly, ghostly violence rarely seen in literature. The Monk is remarkably modern in style and tells a breathless tale of temptation, imprisonment and betrayal. Matthew Lewis recounts the downfall of Ambrosio, the holier-than-thou monk seduced within the walls of a Madrid abbey until he heads for the utter corruption of the soul. Meanwhile, two sets of young lovers are thwarted and the reader thrills to pursuits through the woods by bandits and is chilled by the spectre of nuns imprisoned in vermin-ridden and skeleton-crowded vaults.Late Eighteenth Century audiences were polarised in opinion as to the novel's merits. Lord Byron and the Marquis de Sade were impressed by Lewis's daring, while Coleridge warned parents against The Monk's suitability for their sons or daughters, describing the novel as 'poison for youth. If you want a novel that still terrifies, over two hundred years after it was written, there is none finer than The Monk.

  • av Louisa May Alcott
    68,-

    Includes two American classics that are sequels to Little Women and its continuation, Good Wives. Little Men takes up the story of the everyday dramas and exploits of the naughty but easy-going boys at Plumfield, a boarding-school run by Professor Bhaer and his lovable madcap wife Jo, the most fiery and free-spirited of the four March sisters.

  • av J. Meade Falkner
    78,-

    When 15-year-old orphan John Trenchard is banished by his Aunt Jane, he goes to live at the local inn with the mysterious Elzevir Block, whose son has been killed by Customs Officers. Unofficially adopted by Block, John comes to learn the reasons for the noises in the graveyard at night, of 'Blackbeard' Mohune's lost treasure and Block's secret.

  • av Edith Wharton
    98,-

    Compelling, rich and strange, the ghost stories of Edith Wharton, like vintage wine, have matured and grown more potent with the passing years.

  • av Alexandre Dumas
    78,-

    D'Artaganan, Athos, Porthos and Aramis reunite to fight the forces of evil. They need to face the vengeful Mordaunt, the son of Milady, as well as countering the machinations of the sinister Cardinal Mazarin.

  • av Bram Stoker
    98,-

    Bram Stoker's chilling masterpiece, Dracula, is a truly iconic and unsettling tale of vampirism. It is accompanied by a selection of his macabre short stories.

  • av Henry James
    98,-

    With an Introduction and Notes by Martin Scofield, University of Kent at Canterbury.Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available.The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme.The volume also includes James's great novella The Turn of the Screw, perhaps the most ambiguous and disturbing ghost story ever written.

  • av Wilkie Collins
    98,-

    With an Introduction and Notes by Scott Brewster, University of Central Lancashire.Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress.The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

  • av Terry Lynch
    98,-

    Horrific, horrendous, unspeakable, The Whitechapel Murderer, Jack the Ripper, stalked the streets of East London in 1888, slaughtering prostitutes and bewildering the police who were hunting him. They never succeeded in apprehending him, and to this day the mystery of his identity remains an enigma. But he did leave clues to his identity, and numerous theories have been entertained throughout the one hundred and twenty years since he held London's East End in his grip of terror.This book looks at the evidence left by the murderer and the reports and investigative papers which recorded the atrocities that the Ripper performed. It takes time to analyse the existing information and evaluate the letters sent to the police. It is the strongest and most powerful book ever written on the murders. It dispels a lot of myths attached to the Ripper, and eliminates a lot of the previously conjectured perpetrators, leaving only those who realistically could have been...Jack the Ripper.

  • av M.R. James
    98,-

    M.R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror.

  • av Rex Collings
    98,-

    This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

  • av Friedrich Nietzsche
    98,-

    Translated by Antony M. Ludovici. With an Introduction by Ray Furness.The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the bermensch) are forsaken, as wit, exuberance and dazzling insights predominate, forcing the reader to face unpalatable insights and to rethink every commonly accepted 'truth'. Thinking with Nietzsche, in Jaspers' words, means holding one's own against him, and we are indeed refreshed and challenged by the vortex of his thoughts, by concepts which test and probe.In The Twilight of the Idols, The Antichrist, and Ecce Homo Nietzsche writes at breakneck speed of his provenance, his adversaries and his hopes for mankind; the books are largely epigrammatic and aphoristic, allowing this poet-philosopher to bewilder and fascinate us with their strangeness and their daring. He who fights with monsters, Nietzsche once told us, should look to it that he himself does not become one, and when you gaze long into an abyss, the abyss also gazes into you. Reader, beware.

  • av Henry Mayhew
    98,-

    An account of life below the margins in the greatest Metropolis in the world and a portrait of the habits, tastes, amusements, appearance, speech, humour, earnings and opinions of the labouring poor at the time of the Great Exhibition.

  • av Edgar Allan Poe
    98,-

    With an Introduction by John S. Whitley, University of Sussex.This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included.These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

  • av Sheridan Le Fanu
    98,-

    With an Introduction by David Stuart Davies.Joseph Sheridan Le Fanu (1814-1873) was one of the great masters of Victorian of mystery and horror fiction, and can be regarded as the father of the modern ghost story. In a Glass Darkly (1872), one of his most celebrated volumes, purports to be the casebook of Dr Hesselius, a pioneer psychologist.These five tales represent some of Le Fanu's most accomplished work, which rises above the staid conventions of the age. Although drawing on Gothic conventions - the book features both ghosts and vampires - Le Fanu redefined the parameters of supernatural fiction. He had little interest in the crude depiction of other worldly phenomena in order to provide the reader with a pleasurable frisson of fear. Le Fanu concern rather lay in the examination of the results of supernatural experience on the psyche of his protagonist, in this he paved the way for the work of Henry James and M. R. James.This volume is an indispensable cornerstone of modern horror and remains one of the finest collections of unsettling fiction in the language.

  • av Katherine Mansfield
    78,-

    This collection allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years.

  • av Joseph Jacobs
    78,-

    The Celtic roots of Irish folklore are enriched with Nordic legend and colour. Here gathered in this collection are tales of giants and warriors, of old hags and fair maidens, and of the boyhood of the great hero Fionn Mac Uail (Finn MacCool).

  • av Henry James
    78,-

    Dr Sloper is disappointed in his dull daughter, Catherine, a mediocre replacement for his beautiful and intelligent wife who died soon after childbirth. Yet, as Sloper threatens, beguiles and dictates to his daughter, he discovers in Catherine a pale reflection of his own obdurate character.

  • av David Blair
    98,-

    Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury.Late in the eighteenth century authors began to write 'Gothic' stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the 'Age of Reason'.This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting 'The Lame Priest' are 'lost masterpieces' and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling - tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind - insanity, sexuality, death and the often terrible power of the past to catch up with the present.In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories' place in the complex traditions of Gothic writing in British and American literature.

  • av William Shakespeare
    78,-

    As You Like It is one of Shakespeare's finest romantic comedies, variously lyrical, melancholy, satiric, comic and absurd.

  • av Oscar Wilde
    78,-

    Contains De Profundis, The Ballad of Reading Gaol, The Soul of Man under Socialism, The Decay of Lying and The Critic as Artist.

  • av Giovanni Boccaccio
    98,-

    Boccaccio's Decameron recasts the storytelling heritage of the ancient and medieval worlds into perennial forms that inspired writers from Chaucer and Shakespeare down to our own day.

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