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This volume introduces the Complete Works volumes that include Sangharakshita's commentaries on a range of traditional Buddhist texts, beginning with The Eternal Legacy, an introduction to the canonical literature of Buddhism, and concluding with Wisdom Beyond Words, Sangharakshita's much-loved commentary on several Perfection of Wisdom texts.

At the heart of Paramananda's radical vision is the art of meditation. Enlivened by his love of both the natural world and poetry, he guides us in a threefold process: grounding meditative experience in the body, turning towards experience in a kindly and intelligent way, and seeing through to another way of understanding and being in the world.

In the Sign of the Golden Wheel tells the story of the `middle period' of the fourteen years Sangharakshita was based in the Indian hill station, Kalimpong. Precious Teachers covers the last period of Sangharakshita's time in Kalimpong. Here are vivid encounters with people - a damsel in distress, a dakini, and many others.

Sangharakshita approaches communicating Buddhism in the West from two very different, but equally illuminating, angles. In the first part, he introduces the apparently exotic worlds of Tibetan Buddhism and its creative symbols, and Zen Buddhism. In the second part he examines the practice of Buddhism in the context of Western culture

Genjo Koan is the most important chapter in Dogen's principal major work, the Shobogenzo. This new commentary by Buddhist teacher and author David Brazier draws back the curtain revealing the deeper meaning of the text in language that is as transparent to the general reader as it is informative to the specialist.

The first part of this volume describes the arising of the bodhicitta and the bodhisattva's path to Enlightenment in a weaving together of the sublime and the inspiringly practical, and the second part is a commentary on Santideva's classic 8th-century text, the Bodhicaryavatara, based on a seminar given in 1973.

Vajragupta Staunton shows us that investigating our experience of time can be deeply and powerfully transformative. He explores time from a number of different angles in order to see how we can have a more healthy and human relationship with it, and offers practical ways of helping us live in a way that is relaxed and open.

A Zen monk strides empty-handed into a tiger's cage. An Indian master empties a bag of gold dust into the air. A young woman lays down the burden of her dead child and asks the Buddha to accept her as his disciple. These are some of the scenes evoked in this collection of Buddhist stories.

All of us can struggle with the tendency towards addiction, but for some it can destroy their lives. In our recovery from addiction, the Buddha's teachings offer an understanding of how the mind works, tools for helping a mind vulnerable to addiction and ways to overcome addictive behaviour, cultivating a calm mind without resentments.

This volume of Sangharakshita's Complete Works includes Facing Mount Kanchenjunga, the second in the series of his memoirs, and, in Dear Dinoo, some very personal letters.Facing Mount Kanchenjunga covers the period 1950-1953, beginning with Sangharakshita's arrival in Kalimpong as a twenty-four-year-old sramaa'era, and his response to his teacher's injunction to 'stay here and work for the good of Buddhism!' In the pages that follow we are drawn into a deeply committed Dharma life lived in unusual circumstances and among some very colourful characters. As he recalls the significant events of those years - the setting up of the Kalimpong Young Men's Buddhist Association; the creation of a new Buddhist journal, whose contributors included Conze, Guenther, Govinda and other leading Buddhist writers of the time; accompanying the Sacred Relics of the Buddha's chief disciples; advising on the making of a Buddhist film; giving lectures; discovering Dharmapala; meeting Dhardo Rimpoche; in fact, working in every way to spread the Dharma - Sangharakshita also affords the reader glimpses of his inner life, his struggles and disappointments, his aspirations and inspirations, his responses to the beauties of nature, and his feeling for friendship.The twenty-nine letters collected together in Dear Dinoo span the period 1955-1974, giving a sighting of Sangharakshita's life as he experienced it at the time, including what happened on the day of Dr Babasaheb Ambedkar's untimely death in 1956. We are also afforded a glimpse of the unusual friendship that sprung up between the young English monk and the Montessori teacher. Kalyanaprabha's Introduction highlights some of the significances of the correspondence, including reflections on Sangharakshita, Women, and Friendship. A friend who often appears in the letters, Dr Dinshaw Mehta, Servant of God, and one time naturopath to Gandhi, is the subject of the appendix.

This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of The Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.

The story of the spiritual journey of the famous Tibetan yogi Milarepa is often told, but less well known are the stories of his encounters with those he met and taught after his own Enlightenment, eleven of which are the catalyst for volumes 18 and 19 of The Complete Works. The first three were originally published in The Yogi's Joy, and to these have been added an intriguing fourth, 'The Shepherd's Search for Mind'.The other seven stories form a sequence tracing the relationship between Milarepa and his disciple Rechungpa, from their first meeting to their final parting, when Rechungpa is exhorted to go and teach the Dharma himself. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.Sangharakshita's commentary is based on seminars he gave to young, enthusiastic but as yet inexperienced Dharma followers, and while much can be gleaned from it about the path of practice of the Kagyu tradition, the main emphasis is simply on how to overcome the difficulties that are sure to befall the would-be spiritual practitioner, how to learn what we need to learn - in short, the art of discipleship.

The nine texts in this volume, composed over a period of more than thirty years, show Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge. It includes some of his most important communications to the Order he founded: on the ten ethical precepts, and the history of his Going for Refuge.

Drawing on his own experience, and on Buddhist teachings, Western philosophy, psychology and literature, Ratnaguna provides a practical guide to reflection in its many forms. This is a book about reflection as a spiritual practice, about its importance, and about "what we think and how we think about it."

This volume contains two works at the heart of Sangharakshita's writings. A Survey of Buddhism was first published in 1957, and Lama Anagarika Govinda wrote of that first edition, 'It would be difficult to find a single book in which the history and development of Buddhist thought has been described as vividly and clearly as in this survey.'

This volume contains two works at the heart of Sangharakshita's writings. A Survey of Buddhism was first published in 1957, and Lama Anagarika Govinda wrote of that first edition, 'It would be difficult to find a single book in which the history and development of Buddhist thought has been described as vividly and clearly as in this survey.'

What is it like to be completely alone, attempting to face your experience with only nature for company? Buddhist teacher and author, Vajragupta, has been doing just that every year for twenty-five years. Here he recounts how these `solitary retreats' have changed him, how he fell in love with the places he stayed in and the creatures there.

Analayo offers an inspiring biography of the Buddha based on the early discourses and focusing on his meditative development and practice.

In this volume, Sangharakshita introduces us to the strange and wonderful worlds of three of the best-loved Mahayana sutras, worlds from which - if we pay close attention - we can return with treasures in the form of teachings and advice.

In this first volume of memoirs Sangharakshita describes how, from a working-class childhood in the London suburb of Tooting, he came, a twenty-four-year-old Buddhist novice monk, to Kalimpong in the eastern Himalayas.

In this volume, Sangharakshita introduces us to the strange and wonderful worlds of three of the best-loved Mahayana sutras, worlds from which - if we pay close attention - we can return with treasures in the form of teachings and advice.

In this first volume of memoirs Sangharakshita describes how, from a working-class childhood in the London suburb of Tooting, he came, a twenty-four-year-old Buddhist novice monk, to Kalimpong in the eastern Himalayas.

For Buddhists everywhere, the Three Jewels - the Buddha, the Dharma and the Sangha - are at the heart of daily life and practice. But how can we engage with these precious ideals in a way that makes a difference to how we live? In this volume are gathered three much loved books, Who is the Buddha?, What is the Dharma? and What is the Sangha?

One of Sangharakshita's most far-reaching contributions to modern Buddhism was giving shape to the Buddhist conversion movement begun by the great Indian reformer, Dr B.R. Ambedkar. In 1956, along with thousands of his followers, Ambedkar renounced the Hindu caste system - according to which they were 'untouchable' - and converted to Buddhism.

Disease and death are undeniably integral parts of human life. Yet when they manifest we are easily caught unprepared. To prepare for these, we need to learn how to skilfully face illness and passing away. A source of practical wisdom can be found in the early discourses that record the teachings given by the Buddha and his disciples.

This book is all about kindness behaviour training. The authors draw on their clinical experience as well as Buddhism to develop a practical course in cultivating kindness, to complement and augment other mindfulness-based approaches. They present this training in an eight-week course book.

Maitreyabandhu here offers a challenging but profoundly useful work on how to practise Buddhism in everyday life. Drawing on examples from the life of the Buddha, as well as weaving in astute references to poetry and art, Maitreyabandhu gives an easily understood outline of the system of spiritual life as undertaken by Triratna Buddhists.

Mind in Harmony will interest anyone who is curious to know what Buddhism has to say about the mind. Readers who already know something about Buddhism in general, and fancy taking the plunge into Buddhist psychology, will find plenty here to stimulate them, and an accessible introduction to this technical subject.

Ratnaguna presents a commentary on the three Pure Land Sutras. Looking at them as a practising Buddhist inspired by the Sutras, he shows how they describe Sukhavati and Amitabha/Amitayus,and Sukhavati's relationship with faith and practice. Includes translations of the three Pure Land sutras by Buddhist scholar Sraddhapa.