Bøker utgitt av Wilfrid Laurier University Press

While recent manuscript finds shed new light on gnostic thought, the writings of the heresiologists are still indispensable. In this volume, Valllee analyses the arguments of each of the three heresiologists in order to discern the central concerns of each.

This multi-volume series is the first English-language translation of Der Weltkrieg, the German official history of the First World War. Originally produced between 1925 and 1944 using classified archival records that were destroyed after the Second World War, Der Weltkrieg is the inside story of Germany's experience on the Western front.

Cheri DiNovo went from living on the streets as a teenager to performing the first legal same-sex marriage registered in Canada in 2001 as a United Church minister. This is the story of one queer kid who will hopefully inspire other young people (queer and not) to resist the system and change it.

Collects the finest work of accomplished Indigenous poet Duncan Mercredi, from his first book in 1991 to recent unpublished poems. These are poems of life on the land as well as life in the city, vibrant with the rhythms of traditional Cree and Metis storytelling but also with the clamour and the music of the streets.

Presents selected poetry by Anishinaabe writer Kateri Akiwenzie-Damm that deals with a range of issues: from violence against Indigenous women and lands to Indigenous erotica and the joyous intimate encounters between bodies.

A collection of essays honouring Richard (Dick) Slobodin, one of the great anthropologists of the Canadian North. A short biography is followed by essays describing his formative thinking about human nature and human identities, his humanizing force in his example of living a moral, intellectual life, and more.

Karel Janecek's Foundations of Modern Harmony, translated into English for the first time, presents a theory of chord quality in atonal context. First published in 1965, it stands out among music theoretical publications with its balanced approach that combines systematics and empirical studies.

Timothy Findley (1930-2002) was one of Canada's foremost writers - an award-winning novelist, playwright, and short-story writer who began his career as an actor in London. This is the first full biography of this eminent Canadian writer.

The first book published by an Indigenous author in Canada was George Copway's Life, History, and Travels of Kah-ge-ga-gah-bowh (1847), in which he offers an autobiographical account of his life and experiences. The book was incredibly successful and was expanded and republished in 1850 as Recollections of a Forest Life.

Offers an introduction to the environmental and social-justice poetry of Rita Wong. Selections from her poetic oeuvre show how Wong has responded to local and global inequities with outrage, linguistic inventiveness, and sometimes humour.

Community music has emerged as a counter-narrative to the hegemonic music canon: it seeks to increase the participation of those living on the boundaries." This book explores music and music-making on those edges.

Presents a selection from the correspondence between the Canadian composer and scholar Istvan Anhalt and his American counterpart George Rochberg. This is a splendid chronicle and a penetrating analysis of the swerving socio-cultural movements of a volatile half-century as observed by two highly gifted individuals.

Explores open conversation to examine the relationship between language, identity and human connection. Driven by the desire to have an honest discussion about Indigenous identity/mixed identity, artist Nadia Myre invites viewers on an intimate journey to probe the meaning of cultural distinctiveness.

Through the making and documentation of jingle dresses, Marshall explores the deeply personal stories that have shaped her perception of the complexities of her family history in the context of Canadian history.

Since the defeat of the pro-sovereigntists in 1995, the loss of a cohesive nationalistic vision in the province has led many Quebecois to use their ancestral origins to inject meaning into their lives. This book argues that this phenomenon is observable in a pervasive sense of nostalgia in Quebec culture and especially in the province's cinema.

Explores the parallel processes of dispossession suffered by nineteenth-century Scottish crofters expelled from their ancestral lands during the Highland Clearances, and by the marginalization of coastal fishing communities in Nova Scotia. The book memorializes local ways of life that were destroyed by the forces of industrial production.

Examines the memoirs of famous Canadian women, such as L.M. Montgomery, Nellie McClung, the Dionne Quintuplets, Margaret Trudeau, and Shania Twain, to trace the rise of celebrity autobiography in Canada and the role gender has played in the rise to fame and in writing about that experience.

Presents a collection of poems by Robert Kroetsch selected by his former student David Eso. The book features Kroetsch's iconic collection, Completed Field Notes, alongside rare work gathered from different stages of Kroetsch's career. The book contains an afterword by Aritha van Herk.

Deeply informed by archival research and current scholarship, but written as a reflective and intimate memoir, What the Oceans Remember addresses current issues in migration, identity, belonging, and history through an interrogation of race, ethnicity, gender, archives and memory.

Using numerous examples of US and Nazi military heraldry, Gorgeous War compares the way the American and German militaries developed their graphic and textile design in the interwar period. The book shows how social and cultural design movements like modernism altered and were altered by both militaries.

A selection of titles from the Laurier Poetry series. Customized for each course as requested.

Explores the cultural and literary contexts of narrative texts produced in English Canada over the last forty years. The book takes as its starting point the nationalist movement of the 1960s and 70s, when the supposed absence or weakness of a national sense became the touchstone for official discourses on the cultural identity of the country.

Social Poesis introduces readers to the work of one of Canada's most exciting and challenging poets. Through selections from across Rachel Zolf's poetic oeuvre, this book foregrounds the philosophical, ethical, and political questions that inform Zolf's poetry. Selections range from early poems in which Zolf explores transhistorical trauma and queer subjectivity to more recent writings that examine militarism, settler colonialism, and other forms of state-sanctioned violence. Zolf's poetry enacts what she calls a "e;social poesis"e;; she is attuned to questions of ethical responsibility and the role, and limitations, of poetry as a tool for ethical thinking, political engagement, accountability, and bearing witness. Heather Milne's introduction examines Zolf's compositional strategies, tracing the evolution of Zolf's writing from an autobiographical poetics, in which Zolf as subject/speaker is locatable, toward a poetics that moves beyond the self to address political and ethical relations among subjects of geopolitics and settler colonialism. In her afterword, Zolf focuses on her most recent work, in which poems are composed almost entirely from archival sources and enact a kind of collective assemblage of enunciation.

In this second edition, new essays assess the extent to which children's rights have been incorporated into their respective areas of policy and law. The authors draw conclusions about what the situation reveals about the status of children in Canada. Overall, many challenges remain on the pathway to full recognition and citizenship.

Quebec author An Antane Kapesh's two books, Je suis une maudite sauvagesse and Qu'as-tu fait de mon pays?, are among the foregrounding works by Indigenous women in Canada. This English translation of these works, each page presented facing the revised Innu text, makes them available for the first time to a broader readership.