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Bears have long held a central place in our collective memory, from Greek mythology and Indigenous folklore to medieval fairytales and the modern toy shop. But as humans and bears come into ever-closer contact, our relationship nears a tipping point. Today, only eight bear species remain, some icons of the natural world (such as the panda bear and the polar bear), others obscure (such as the spectacled bear and the sloth bear). From the cloud forests of the Andes to the ice floes of the Arctic, the jungles of India to the woods of the Rocky Mountains, journalist Gloria Dickie explores each bear's story, meeting figures on the front lines of conservation efforts and explaining the unparalleled challenges bears face. Weaving together ecology, history, and mythology, Eight Bears reveals our volatile relationship with these magnificent mammals-and warns us what we risk losing if we don't learn to live alongside them.

Writing in the 1920s, Winston Churchill argued that the First World War on the Eastern Front was "incomparably the greatest war in history. In its scale, in its slaughter, in the exertions of the combatants, in its military kaleidoscope, it far surpasses by magnitude and intensity all similar human episodes." It was, he concluded, "the most frightful misfortune" to fall upon mankind "since the collapse of the Roman Empire before the Barbarians." Yet Churchill was an exception, and the war in the east has long been seen as a sideshow to the brutal combat on the Western Front. Finally, with The Eastern Front-the first major history of that arena in fifty years-the acclaimed historian Nick Lloyd corrects the record.Drawing on the latest scholarship as well as eyewitness reports, diary entries, and memoirs, Lloyd moves from the great battles of 1914 to the final collapse of the Central Powers in 1918, showing how a local struggle between Austria-Hungary and Serbia spiraled into a massive conflagration that pulled in Germany, Russia, Italy, Romania, and Bulgaria. The Eastern Front was a vast theater of war that brought about the collapse of three empires and produced almost endless suffering. As many as sixteen million soldiers and two million civilians were killed or wounded in enormous battles that took place across as much as one hundred kilometers. Unlike in the west, where stalemate ruled the day, the war in the east was fluid, with armies embarking on penetrating advances. Lloyd narrates the repeated invasions of Serbia as well as the great battles between Russian, German, and Austrian forces at Tannenberg, Komarów, Gorlice-Tarnów, and the Masurian Lakes. All along, he takes us into the strategy of the generals who decided the war's course, from the Germans Ludendorff and Hindenburg to the Austro-Hungarian chief, Conrad von Hötzendorf, to the brilliant Russian Brusilov.Perhaps the most radical aspect of the struggle in the east was that the violence was not confined to combatants. The Eastern Front witnessed calculated attacks against civilians that ripped the ethnic and religious fabric of numerous societies, paving the way for the horrors of the Holocaust. Lloyd's magisterial, definitive account of the war in the east will fundamentally alter our understanding of the cataclysmic events that reshaped Europe and the world.

As the unofficial "gratitude correspondent" for the Atlantic, James Parker has written countless odes of appreciation on subjects from the seemingly minor ("Ode to Naps") to the unexpected ("Ode to Giving People Money") to the seemingly minor, unexpected and hyper-specific ("Ode to Running in Movies"). Finally collecting Parker's beloved and much-lauded odes in one place, this volume demonstrates the profound power of the form. Each ode celebrates the permanent susceptibility of everyday humdrum life to dazzling saturations of divine light: the squirrel in the street, the crying baby, the misplaced cup of tea. Parker's odes are songs of praise but with a decent amount of complaining in there, too: a human ratio of moans. Our politics are broken; our world is melting. Parker's odes offer respite but also a glimmer of hope. They represent encounters with whatever might get us through the next five minutes of the impossible, beautiful, overwhelming thing we call living.

Award-winning poet Maya C. Popa suggests that our restless desires are inseparable from our mortality in this pressing and precise collection. Rooting out profound meaning in language to wrench us from the moorings of the familiar and into the realm of the extraordinary, the volume asks, how do we articulate what's by definition inarticulable? Where does sight end and imagination begin?Lucid and musically rich, these poems sound an appeal to a dwindling natural world and summon moments from the lives of literary forbearers-John Milton's visit to Galileo, a vase broken by Marcel Proust-to unveil fresh wonder in the unlikely meetings of the past. Popa dramatizes the difficulties of loving a world that is at once rich with beauty and full of opportunities for grief, and reveals that the natural arc of wonder, from astonishment to reflection, more deeply connects us with our humanity.

In poems of graceful lyricism and penetrating observation, award-winning poet Linda Pastan sheds new light on the complexities of ordinary life and the rising tide of mortality. Drawing from Pastan's five most recent volumes and including over thirty new poems, Almost an Elegy reflects on beauty, old age, and the probability of loss.With signature precision and quiet power, selections from The Last Uncle (2002) and Queen of a Rainy Country (2006) explore childhood, love, landscape, and the many pleasures of the imagination. Poems from Insomnia (2015) and Traveling Light (2011) chime with similar themes of aging, memory, and language. The new poems offer a profound portrait of a poet contemplating her life and the endurance of art, amidst the fleeting beauty of nature and the everyday losses that accompany old age. In "The Collected Poems," Pastan writes, "For years I wrestled / with syllables, with silence." Now, after a long and celebrated career, the poet rests "in a hammock of words, waiting / for the sun to rise again / over the horizon of the page."Whether in a lush evocation of an impressionist painting or a wry and wistful ode to a car key, Pastan finds lucid meaning in the passage of time.

Western philosophers have long claimed that God, if such a being exists, is a personal force capable of reason and that the path to a good human life is also the path to a happy one. But what if these claims prove false or at least deeply misleading? The Aztecs of central Mexico had a rich philosophical tradition, recorded in Latin script by Spanish clergymen and passed down for centuries in the native Nahuatl language-one of the earliest transcripts being the Huehuetlatolli, or Discourses of the Elders, compiled by Friar Andrés de Olmos circa 1535.Novel in its form, the Discourses consists of short conversations between elders and young people on how to achieve a meaningful and morally sound life. The Aztecs had a metaphysical tradition but no concept of "being". They considered the mind an embodied force, present not just in the brain but throughout the body. Their core values relied on collective responsibility and group wisdom, not individual thought and action, orienting life around one's actions in this realm rather than an afterlife, distinctly opposed to the Christian beliefs that permeate Europe and America.Sebastian Purcell's fluency in his grandmother's native Nahuatl brings to light the Aztec ethical landscape in brilliant clarity. Never before translated into English in its entirety, and one of the earliest post-contact texts ever recorded, Discourses of the Elders reflects the wisdom communicated by oral tradition and proves that philosophy can be active, communal and grounded not in a "pursuit of happiness" but rather the pursuit of a meaningful life.

Vienna-June 1804. At the glittering debut of Beethoven's Third Symphony, a Spanish diplomat meets with Captain Thomas Grey, agent of His Majesty's Secret Service. In exchange for a gigantic bribe, the Spaniard discloses Spain's darkest secret the actual terms of the Treaty of San Ildefonso with France.Spain's neutrality in Napoleon's war on Britain is only a ruse to keep the British navy from attacking the great treasure-armada now gathering in South America. Spanish warships will depart Montevideo, Uruguay, carrying 2,000 tons of gold; when the gold is safely in Madrid, Spain will declare war on Britain and ally with France to divide the British Empire between them. Britain's only hope is to sink or capture the treasure fleet, and the responsibility of delivering that blow falls to Grey. As Jack Aubrey would have said in such a crisis, "There is not a moment to be lost!"

In the summer of 2020, with a heat wave bearing down and a brood of periodical cicadas climbing into the trees, Husha mourns the recent death of her mother while quarantining with her ailing grandfather, Arthur, at his lakeside cabin in remote Ontario. They're soon joined by Husha's ex-lover, Nellie, who arrives without explanation to complete their trio.Also among them is a strange book, discovered by Husha while cleaning out her mother's house. When she, Arthur and Nellie begin to read it together, they learn that her mother's last missive was a short story collection, crawling with unsettling imagery and terrifying transformations. As the stories bleed into their cloistered life in the cabin, they must each reckon with loss, longing and what it means to truly know another person. Incantatory and atmospheric, Cicada Summer is a dazzlingly original novel about how we grieve and care for one another.

In her third book, Jana Prikryl probes the notion of midlife, when past and future blur in the equidistance. Balancing formal innovation with deeply personal reflection, Midwood subtly but impiously explores love and sex and marriage and motherhood in plain, urgent language. Written for the most part early every morning over the course of a year, in all its changing seasons, Midwood includes a series of poems looking at and talking to trees; Prikryl's careful attention to the ordinary world outside the window forms an alternative measure of time that leafs and ramifies. With their rapid shifts of scale and unusual directness, these poems find a new language for confronting our moment.

Seventeen-year-old Bucky Yi knows nothing about his birth country of South Korea or his bio-dad's disappearance; he can't even pronounce his Korean name correctly. Running through the woods of rural Washington State with a tire tied to his waist, his sights are set on one all-American goal: to become a college football player.So when a misadventure with his adoptive family leads the U.S. government to deport him to South Korea, he's forced to navigate an entirely foreign version of his life. One mishap leads to another, and as an outsider, Bucky has to fall back on not just his raw physical strength, but resources of character and attitude he didn't know he had. In an expat bar in Seoul, in the bleak barracks of his Korean military, on a remote island where an erratic sergeant fights a shadow-war with North Korean spies, and in the remote town where he seeks out his drunken, indebted biological father, Bucky has to assemble the building blocks of a new language and stubbornly rebuild himself from scratch. That means managing his ego, insecurities, sexual desires, family legacies, and allegiances in order to make it back home-wherever that might be-and determine who he is to himself, who he is to others, and what kind of man he wants to become.

"I was living in a high-maintenance loneliness", Alice Fulton writes of a devastating accident, and her poems express both reverence and impatience as they search for a brightness palpable as the dark. The result is a brilliant coloratura on the senses. Fulton evokes phantom aromas of vanished perfumes, flowers fragrant only at night, and the ozone scent of snow; marvels at velvet paintings and chimerical colours outside the spectrum; and riffs on a mixtape of ambient sounds: applause, clinking glasses, spectral voices on the radio and the whispers of a mother to her children.Coloratura On A Silence Found In Many Expressive Systems extends these tactile mysteries to existential questions of invisible miracles, connection, and faith in the face of silence: "By praying you, I create you", the poet informs an elusive God. Revelling in the stunning possibilities of language, Fulton seeks joy to counteract trauma and grief, empathises with the silent pathos of animals, and finds solace in art, friendship and the mysterious power of gifts. Without denying suffering, this enthralling volume extends a fervent prayer for gratitude and healing.

Hailed as "indispensable" (David Wojahn), poet Stephen Dunn masterfully shifts between the metaphysical and the ironic, never wavering in his essential honesty. His graceful poems confront our contradictions with tenderness and wit, enliven the ordinary with penetrating observation and alert us to the haunting wonders and relationships that surround us.The Not Yet Fallen World draws from all nineteen of Stephen Dunn's crystalline volumes, including his most recent, Pagan Virtues (2019); the National Book Critics Circle Award Finalist Loosestrife (1996); and the Pulitzer Prize-winning Different Hours (2000). By turns sardonic and profound, Dunn examines the disguises we don to hide from ourselves and reveals sublime beauty hidden within seemingly mundane interactions. Nine new poems extend the poet's inquiry into the paradoxes of contemporary life; as he writes in "Love Poem Near the End of the World", "Something keeps me holding on / to a future I didn't think possible".Arranged to further Dunn's signature themes-mortality, morality and the roles we play in the essential human comedy of getting through each day-this final collection captures the breadth of an acclaimed poet's achievement. His legacy is a poetic expanse suffused with fearless generosity and perceptive wisdom.

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual and rebellion. Through meticulous research in diaries, letters, archives and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean and the colonies that became US states, including Louisiana, South Carolina, Maryland and New YorkAfrican Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass and country, its deepest history forgotten.

With deadpan humor and a keen eye for the strangeness of our days, Negative Space follows a week in the life of an English teacher at a New York private school. At home, her two children, increasingly restless, ask constant questions about mortality and find hidden wisdom in the cartoons they watch on television. Her husband tends to his plants and offers occasional counsel between Zoom calls to Hong Kong and Australia. And at school, as she navigates the currents between wealthy, increasingly disconnected students and bewildered faculty, she accidentally witnesses an ambiguous, possibly inappropriate interaction between a teacher and a student.... She feels compelled to say something, but how can she be sure of what she saw?Precisely rendered and filled with sly observations about our off-kilter days, Negative Space is a witty and resonant portrait of a woman caught between the pressures of home and work, parenting and teaching, what's normal and what isn't. Writing with an acute sense of dread and delight, Gillian Linden has crafted a stunning debut that examines what we owe the people who depend on us in a fractured and indifferent world.

Servants of the Map sweeps through two centuries, from the Western Himalayas to the Adirondacks, conjuring characters that travel through the territories of yearning and awakening, of loss and unexpected discovery. A mapper of the highest mountain peaks realizes his true obsession. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. As we move through these richly layered tales, Andrea Barrett weaves subtle connections among the stories within this collection and characters in her earlier works.

It has become conventional wisdom that America and China are running a "superpower marathon" that may last a century. Yet Hal Brands and Michael Beckley pose a counterintuitive question: What if the sharpest phase of that competition is more like a decade-long sprint?The Sino-American contest is driven by clashing geopolitical interests and a stark ideological dispute over whether authoritarianism or democracy will dominate the 21st century. But both history and China's current trajectory suggest that this rivalry will reach its moment of maximum danger in the 2020s.China is at a perilous moment: strong enough to violently challenge the existing order, yet losing confidence that time is on its side. Numerous examples from antiquity to the present show that rising powers become most aggressive when their fortunes fade, their difficulties multiply, and they realise they must achieve their ambitions now or miss the chance to do so forever. China has already started down this path. Witness its aggression toward Taiwan, its record-breaking military buildup and its efforts to dominate the critical technologies that will shape the world's future.Over the long run, the Chinese challenge will most likely prove more manageable than many pessimists currently believe-but during the 2020s, the pace of Sino-American conflict will accelerate, and the prospect of war will be frighteningly real. America, Brands and Beckley argue, will still need a sustainable approach to winning a protracted global competition. But first, it needs a near-term strategy for navigating the danger zone ahead.

The story of Roman Catholicism has never followed a singular path. In no time period has this been more true than over the last two centuries. Beginning with the French Revolution, extending to the Second Vatican Council in the 1960s, and concluding with present-day crises, John T. McGreevy chronicles the dramatic upheavals and internal divisions shaping the most multicultural, multilingual, and global institution in the world.Through powerful individual stories and sweeping birds-eye views, Catholicism provides a mesmerising assessment of the Church's complex role in modern history: both shaper and follower of the politics of nation states, both conservator of hierarchies and evangeliser of egalitarianism. McGreevy documents the hopes and ambitions of European missionaries building churches and schools in all corners of the world, African Catholics fighting for political (and religious) independence, Latin American Catholics attracted to a theology of liberation, and Polish and South Korean Catholics demanding democratic governments. He includes a vast cast of riveting characters, known and unknown, including the Mexican revolutionary Fr. Servando Teresa de Mier; Daniel O'Connell, hero of Irish emancipation; Sr. Josephine Bakhita, a formerly enslaved Sudanese nun; Chinese statesman Ma Xiaobang; French philosopher and reformer Jacques Maritain; German Jewish philosopher and convert, Edith Stein; John Paul II, Polish pope and opponent of communism; Gustavo Gutiérrez, Peruvian founder of liberation theology; and French American patron of modern art, Dominique de Menil.Throughout this essential volume, McGreevy details currents of reform within the Church as well as movements protective of traditional customs and beliefs. Conflicts with political leaders and a devotional revival in the nineteenth century, the experiences of decolonisation after World War II and the Second Vatican Council in the twentieth century and the trauma of clerical sexual abuse in the twenty-first all demonstrate how religion shapes our modern world. Finally, McGreevy addresses the challenges faced by Pope Francis as he struggles to unite the over one billion members of the world's largest religious community.

A young boy comes of age amid an explosion of homespun investigations. A widowed science writer tries to reconcile the influence of emotion on scientific theory. A famous biologist finds himself outpaced by his students, even as he seeks to teach them. As the characters in this "elegant, thought-provoking" (Connie Ogle, Miami Herald) collection witness the world transform around them through groundbreaking discoveries-the flight of an early aeroplane, Darwin's theory of evolution, developments in genetics and X-ray technology-they grapple with the thrill and loss that accompanies scientific progress, and the personal passions and impersonal politics that shape all human knowledge. Throughout these deftly plotted stories, Andrea Barrett weaves subtle connections among the tales within this collection and characters in her earlier works.

In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir-featuring an introduction by Ernest Hemingway-made front-page news in France and was immediately banned in America. All before she turned thirty.Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy endured while Kiki has become a footnote?Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray's reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d'Ingres and Noire et blanche, now set records at auction.Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki's seminal influence not only on Man Ray's art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses-and the lines separating the two.

Little known in America but venerated as a martyr in Iran, Howard Baskerville was a twenty-two-year-old Christian missionary from South Dakota who travelled to Persia (modern-day Iran) in 1907 for a two-year stint teaching English and preaching the gospel. He arrived in the midst of a democratic revolution-the first of its kind in the Middle East-led by a group of brilliant young firebrands committed to transforming their country into a fully self-determining, constitutional monarchy, one with free elections and an independent parliament.The Persian students Baskerville educated in English in turn educated him about their struggle for democracy, ultimately inspiring him to leave his teaching post and join them in their fight against a tyrannical shah and his British and Russian backers. "The only difference between me and these people is the place of my birth," Baskerville declared, "and that is not a big difference."In 1909, Baskerville was killed in battle alongside his students, but his martyrdom spurred on the revolutionaries who succeeded in removing the shah from power, signing a new constitution and rebuilding parliament in Tehran. To this day, Baskerville's tomb in the city of Tabriz remains a place of pilgrimage. Every year, thousands of Iranians visit his grave to honour the American who gave his life for Iran.In this rip-roaring tale of his life and death, Aslan gives us a powerful parable about the universal ideals of democracy-and to what degree Americans are willing to support those ideals in a foreign land. Woven throughout is an essential history of the nation we now know as Iran-frequently demonised and misunderstood in the West. Indeed, Baskerville's life and death represent a "road not taken" in Iran. Baskerville's story, like his life, is at the centre of a whirlwind in which Americans must ask themselves: How seriously do we take our ideals of constitutional democracy and whose freedom do we support?

Our universe has multiple origin stories, from religious creation myths to the Big Bang of scientists. But if we leave those behind and start from nothing-no matter, no cosmos, not even empty space-could we create a universe using only math? Irreverent, richly illustrated, and boundlessly creative, The Big Bang of Numbers invites us to try.In this new mathematical origin story, mathematician and novelist Manil Suri creates a natural progression of ideas needed to design our world, starting with numbers and continuing through geometry, algebra, and beyond. He reveals the secret lives of real and imaginary numbers, teaches them to play abstract games with real-world applications, discovers unexpected patterns that connect humble lifeforms to enormous galaxies, and explores mathematical underpinnings for randomness and beauty. With evocative examples ranging from multidimensional crochet to the Mona Lisa's asymmetrical smile, as well as ingenious storytelling that helps illuminate complex concepts like infinity and relativity, The Big Bang of Numbers charts a playful, inventive course to existence. Mathematics, Suri shows, might best be understood not as something we invent to explain Nature, but as the source of all creation, whose directives Nature tries to obey as best she can.Offering both striking new perspectives for math aficionados and an accessible introduction for anyone daunted by calculation, The Big Bang of Numbers proves that we can all fall in love with math.

Every day, our lungs circulate 11,000 litres of air, provide us with life-sustaining oxygen and allow us to speak, sing and smell. It's no secret that our lungs are one of our most vital organs, and yet most of us pay them little attention. The COVID-19 pandemic, however, has reminded us of the importance of our lungs, and sparked interest in their function and the risks they face.In Breathing Lessons, leading pulmonologist and national spokesperson for the American Lung Association Dr. MeiLan K. Han takes readers on a fascinating tour of this neglected yet crucial organ. Han explains the wonder of breathing and reveals how the lungs serve as the body's first line of defence. She provides a timely overview of the latest scientific thinking about the leading respiratory risks-including indoor and outdoor pollution, smoking and vaping, wildfire smoke and viruses like SARS-CoV-2-and offers practical advice on how to protect the lungs at each stage of our lives, beginning in the womb. She outlines the major categories of chronic lung disease and demystifies the process lung doctors go through in making a diagnosis and recommending treatments. With authority as both practitioner and medical researcher, Han argues powerfully for social policies that make preserving lung health a national priority.Breathing Lessons is a rallying cry for lung health and an urgent call to start giving our lungs the attention they deserve.

In the endless days of the pandemic, a woman spends her time sorting fact from fiction in the life and work of Herman Melville. As she delves into Melville's impulsive purchase of a Massachusetts farmhouse, his fevered revision of Moby-Dick there, his intense friendship with neighbor Nathaniel Hawthorne, and his troubled and troubling marriage to Elizabeth Shaw, she becomes increasingly obsessed by what his devotion to his art reveals about cost, worth, and debt. Her preoccupation both deepens and expands, and her days' work extends outward to an orbiting cast of Melvillean questers and fanatics, as well as to biographers and writers-among them Elizabeth Hardwick and Robert Lowell-whose lives resonate with Melville's. As she pulls these distant figures close, her quarantine quest ultimately becomes a midlife reckoning with her own marriage and ambition.Absorbing, charming, and intimate, Dayswork considers the blurry lines between life and literature, the slippage between what happens and what gets recorded, and the ways we locate ourselves in the lives of others. In wry, epigrammatic prose, Chris Bachelder and Jennifer Habel have crafted an exquisite and daring novel.

Reeling in the face of collapsing systems, of politics, identity, and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. These poems transport us from a clifftop in Ireland's County Cork to a bench in New York's Washington Square, from a face-off between Freud and Michelangelo's Moses to one between the poet and a squirrel in a London garden.At the book's heart lies the Forward Prize-winning title sequence, a profound meditation on a father's dying at the height of the Covid-19 pandemic. The reverberations of this knockout poem echo through the volume in its interrogations of inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retained. Amid rage, grief, and the conflagration of reality, Laird finds tenderness in the moments of connection that grow between the cracks and offers glimpses into the unadulterated world of childhood, where everything is still at stake and infinite.Astonishing in its emotional range and intellect, Up Late is a powerful volume from an "exceptionally gifted poet" (Paul Muldoon, Times Literary Supplement).