Bøker utgitt av Vintage Books

Amal Allana's compelling biography of her father is the first carefully researched, full-length account of the life, work and times of Ebrahim Alkazi, one of the giants of twentieth-century theatre and a key promoter of the visual arts movement in India. Evoking the excitement of Alkazi's student years in England, the controversies that surrounded his provocative ideas to transform the theatre movement in Bombay and later in Delhi, as the director of the National School of Drama (NSD), this book charts Alkazi's meteoric rise to the top, with his modernist staging of plays and his aim of putting Hindi theatre on the map. It was at the Sangeet Natak Akademi that Alkazi first confronted resistance to his ideas on the role of tradition in the making of a new ' national' culture. By the 1970s, disillusioned with the curtailing of civil liberties and a dysfunctional bureaucracy, he ultimately resigned from the NSD, developing his own independent institutions for the promotion of the visual arts in India as well as abroad. Staging the cultural history of India between the 1940s and 2000s, and featuring a galaxy of artists and actors as the dramatis personae-- including M.F. Husain, F.N. Souza, Akbar Padamsee, Gieve Patel, Nissim Ezekiel, Alyque Padamsee, Girish Karnad, Manohar Singh, Vijaya Mehta, Kusum Haidar and Gerson da Cunha-- Allana's chronicle is charged with their fierce energy and commitment as contributors to a vibrant new India. The author's personal perspective as Alkazi's daughter brings to the narrative an added dimension of veracity and sensitivity. With objective candour, Allana shares details of her parents' relationship as they examine their marriage on entirely new terms, as a partnership of equals. Holding Time Captive shows a dynamic Alkazi in his quest to bring about an inclusive, international, intercultural and interdisciplinary thinking in artistic expressions that is transformative and liberating. This book offers unique glimpses into an enigmatic personality whose emotionally charged life closely reflected and ran parallel to the growth and evolution of his startlingly fresh ideas and vision for a modern cultural movement in India.

The renowned seismologists C.P. Rajendran and Kusala Rajendran offer a riveting story of the Indian earthquakes, their science, history and impact. Like all other natural phenomena, earthquakes are part of life-sustaining forces-- the creators of the mountains, valleys and springs or even deserts on Earth-- a theatre where the show never ends. The book takes the readers to some exciting parts of India to show how earthquakes change the topography where a sea existed not far in the past-- now a salt marsh, affecting the social life, trade and livelihood. The book discusses the likelihood of the next big earthquake in the Himalayas against the backdrop of the devastating earlier ones revealed by archaeology, history and geology. It probes the causes and aftermath of the devastating Indian Ocean tsunami of 2004 and gives a glimpse of the past. The high-impact earthquakes will happen, but they need not always end up as human catastrophes. The authors have spent much of their professional lives studying the earthquakes in India and abroad. They tell us from their vast experience how to negotiate the impacts of earthquakes and related hazards by following science-based strategies.

Heer. The perfect beauty. Ranjha. The perfect lover.Heer-Ranjha. The perfect love legend.Waris Shah. Its creator.From Waris to Heer narrates the story of Heer, Ranjha and Waris, and reimagines the story of the creation of the immortal love legend. Written in the style of a qissa, the novel, much of which is set in a tumultuous period in eighteenth-century Punjab, evokes both the spirit and the style of the original text even as it makes the story relatable to a modern audience. Lyrically narrated, it is among the most moving novels of our time about the power of love and commitment in a society that seeks to shackle its youth and censor its writers.

Weaving facts, interesting anecdotes and untold stories to make a rich tapestry, this book is an insider's account and an unparalleled portrait of the city.

Equally, Manto treated his tryst with Bollywood with disdain and unmasked the cardboard lives of tinsel town when a horse was painted to double up for a zebra or multiple fans rotate to create a deluge.

In a small village in Kerala, people begin to feel threatened by an invisible rooster that crows at odd hours. It is heard interrupting the morning and night prayers at the temple, the mass at the church, the azaan at the mosque and the Martyrs' Day ceremony. When it hoots in the middle of the national anthem being sung at the local school, it is instantly labelled as a threat to national security. It offends the sentiments of all those who are religious, political, patriarchal, exploitative, fanatical and homophobic. Naturally, there are many baying for its blood. The witch-hunt that ensues fuels suspicions that the invisible cock might even be a human, an anarchist who is trying to destabilize the nation with help from outside. Incisive and hilarious by turns, The Cock Is the Culprit does an astute job of exposing the dark underbelly of Kerala society.

SD, or Sachin Dev Burman, the man who gave Hindi film music its grammar, is perhaps the most enigmatic figure in Indian cine history. As the young scion of the Tripura royal family, SD struck out into the world of cinema and popular music. The early years were difficult, professionally and personally. His unconventional choice of profession and marriage to a 'commoner' caused his family to ostracize him, and his formal training was not enough to stave off rejections. This well-researched biography is both a tribute to a great artist, and a deep inquiry into what made his music great. Going well beyond merely listing his greatest songs, it explores hitherto unknown stories about the creation of each gem: 'Mera sundar sapna beet gaya' (Do Bhai, 1948); 'Thandi hawaein' (Naujawan, 1951); 'Yeh raat yeh chandni' (Jaal, 1952); 'Babu samjho ishaare' (Chalti Ka Naam Gaadi, 1958); 'Meet na mila re mann ka' (Abhiman, 1973), and more. The book is packed with insights into SD's life, work and his astute understanding of Hindi cinema. Despite the fact that he was an outsider who spoke little Hindi or Urdu, SD was the man who introduced Sahir Ludhianvi to the world, and the one who gave Kishore Kumar's musical brilliance its due. His readiness to adapt to modern sounds and techniques, his unwavering faith in Lata Mangeshkar's virtuosity, his closeness to Dev Anand that was seen as nepotism, charges of plagiarism-S.D. Burman: The Prince-Musician provides unmatched insight into both the genius of one of India's most significant composers and a crucial aspect of its glorious cinematic history. An essential addition to every film music aficionado's library.