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Emerging in the death throes of colonial rule, the story of Tropical Modernism is one of politics and power, decolonization and defiance. Scrutinizing the colonial narratives, and foregrounding the experience of African and Indian practitioners, this book reassesses an architectural style which has increasing relevance in today's changing climate.
More than 500 Baroque and later ivories from the V&A's outstanding collection are illustrated and discussed in this scholarly catalogue. Included here is every ivory sculpture made after 1550 from a collection comprising German, Austrian, Netherlandish, British, French, Italian, Scandinavian, Russian, and Spanish pieces, as well as examples from the Philippines, Goa, Sri Lanka, and South America. The range of objects is extensive: statuettes, reliefs, tankards, boxes, cabinets, and cutlery handles are all represented.The high quality of the V&A's holdings is readily apparent; leading ivory sculptors to be found here include Francis van Bossuit, Benjamin Cheverton, Balthasar Griessman, Joachim Henne, Johann Christoph Ludwig Lüecke, David Le Marchand, and Balthasar Permoser. In addition to detailed entries on each piece, the introduction summarizes the history and techniques of Baroque and later ivory carving, while indexes of subjects and artists, in addition to a bibliography, provide a full scholarly apparatus.
Reissued to mark 300 years since the death of Grinling Gibbons (1648 - 1721), the greatest of decorative woodcarvers, this book reviews his work through the eyes of fellow carver, the late David Esterly.
From the exquisite 1673 Nuremburg House, to the 21st century Kaleidoscope House, from lavish country mansions to cosy suburban villas, this book explores some of the most beautiful and historically significant dolls¿ houses, giving unique insights into their fascinating roles as both domestic teaching aids and records of contemporary lifestyle.
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