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Anglo-American Idealism

This book is about the self in contemporary Japan. In contrast to Euro-American cultures, in which the self is considered to be the essence of personhood, in Japanese culture the self is constantly reconstructed in relation to others. This particular self is studied by examining the ways popular culture is consumed, with a special focus on manga, the Japanese word for comics and cartoons. The first part of the book contains an ethnographic research in which the author investigates the relationship between popular media and the search for self-knowledge. In the second part a historical analysis traces the development of self-seeking in Japan since the country's modernisation period.

Am Ende des 19. Jahrhunderts setzt sich die tschechische Gesellschaft intensiv mit neuen spirituellen Strömungen wie Theosophie, Anthroposophie und Okkultismus auseinander. Durch die Übersetzungen der Werke von Huysmans, Strauss, Nietzsche, Steiner und anderen ein¿ußreichen europäischen Denkern gerät der Katholizismus immer stärker in den Kon¿ikt mit der Moderne. Die Bewegung Katolická moderna versucht in Böhmen den Katholizismus zu erneuern. Zu den Mitarbeitern der Zeitschrift Nový ¿ivot zählen wichtige tschechische Künstlerpersönlichkeiten. Auch die Autoren der Zeitschrift Moderní revue streben eine entsprechende Reform religiös ausgerichteter Kunst an. Die tschechische Musik dieser Zeit widerspiegelt die vielfältige Auseinandersetzung mit den neuen Denkrichtungen. Charakteristisch für die betreffenden Werke ist der Synkretismus in Form einer persönlichen Synthese aus verschiedenen Formen der Spiritualität. In diesem Kongressband werden neben den Beiträgen zu diesen Fragen bislang unbekannte Dokumente zur tschechischen Musik der Jahrhundertwende veröffentlicht und die Rezeptionswege von massgebenden Komponisten der Zeit (Dvöák, Janá¿ek, Hába, Schulhoff, Novák, Martin¿) untersucht. At the end of the 19 century, Czech society was preoccupied with new spiritual trends such as theosophy, anthroposophy, pantheism and occultism. The ideas of Schuré, Huysmans, Péladan, Renan, Strauss, Nietzsche, Steiner, Blavatsky and other in¿uential European thinkers were compiled and made available thanks to numerous translations. At the same time, Catholicism was coming into increasing con¿ict with modernism. One of the attempts at its revival in Bohemia was represented by the movement Catholic Modernism. The contributors to the review Nový ¿ivot (New Life) were distinct personalities of Czech cultural life. The authors of the magazine Moderní revue (Modern Review) strove for reform of religion-oriented arts too. Czech music of that period re¿ects the multifaceted encounters with the new intellectual trends. Works are characterised by syncretism, in the form of a personal synthesis of various types of spirituality. In addition, the congress proceedings comprise research into hitherto unknown documents dealing with Czech music at the turn of the 19 and 20 centuries, as well as the paths of reception of the foremost composers of the time (Dvöák, Janá¿ek, Hába, Schulhoff, Novák, Martin¿).

Anglo-Indians are the human legacy of European colonialism. These descendants of European men and Indian women regularly appear as disconsolate and degenerate figures in colonial and postcolonial literature, much to the chagrin of contemporary Anglo-Indians. Many significant writers, such as Rudyard Kipling, Maud Diver, John Masters, Salman Rushdie and Hari Kunzru, have created Anglo-Indian characters to represent the complex racial, social and political currents of India's colonial past and postcolonial present. This book is the first detailed study of Anglo-Indians in literature. Rather than simply dismissing the representation of Anglo-Indians in literary texts as offensive stereotypes, the book identifies the conditions for the emergence of these stereotypes through close readings of key novels, such as Bhowani Junction, Midnight's Children and The Impressionist. It also examines the work of contemporary Anglo-Indian writers such as Allan Sealy and Christopher Cyrill. Presenting a persuasive argument against 'image criticism', the book underscores the importance of contextualizing literary texts, and makes a timely contribution to debates about 'mixed race' identities, minoritarian literature and interculturalism.

This volume contains a selection of the papers presented at the Conference on Historical News Discourse (CHINED) that was held in Florence (Italy) on 2-3 September 2004. The aim of the Conference was to provide a forum for the presentation and discussion of recent research in the field of news discourse in early modern Britain. The first section of the volume focuses on news discourse in serial publications while the second part examines aspects of news language in non-serial works. Contributions include synchronic and diachronic analyses of reportage, polemic, propaganda, review journalism and advertisements in a wide range of texts including newsletters, pamphlets and newspapers. Each section is structured chronologically so that the reader can appreciate aspects of the general historical development of news discourse. The variety of topics and methodologies reflects some of the most interesting research being carried out in the field.

God of Rescue

With reference to Paul Ricoeur¿s conception of the interconnectedness of history and fiction, this comparative literary study examines narrative strategies that three contemporary writers of fiction ¿ Toni Morrison, V. S. Naipaul, and Ben Okri ¿ have devised to counteract the incompleteness of historical representation. In her novel Beloved Morrison redefines the slave-narrative tradition and reveals an alternative history of slavery by unveiling the interior lives of her characters. Through a hybrid prose that mixes fiction with history in the novels The Enigma of Arrival and A Way in the World, Naipaul illuminates «areas of darkness» in the diasporic world of East Indian Trinidadians and provides new ways of transforming English literary and cultural history. Focusing on West African identity and community, Okri brings a mythic and fantastic dimension to postcolonial fiction as a way of giving a voice to people who are generally without power and almost without any place in a world of inequality and injustice. Probing into historical incompleteness, this study underscores the indispensable role of fiction in representing life, rectifying history, and enlarging reality.