Bøker utgitt av UWA Publishing

Joseph Brodsky, the Russian Nobel laureate, once remarked that memory and art have in common the 'ability to select, a taste for detail.' In the work of Nathanael O'Reilly, memory and art come together to bring us poems that remember what cannot-what must not-be forgotten, in rich and telling detail and with a taste for quiet but incisive irony.--Paul Kane ***Nathanael O'Reilly's poems sound the major themes of Australian poetry: landscape, displacement, yearning, and above all a critique of cultural narrowness. O'Reilly's plain-spoken diction is often laced with understated wit, but is given ballast by its principled grounding in lived experience.--Nicholas Birns ***The poems in this transnational, cosmopolitan collection traverse fourteen countries, from Australia, the poet's homeland, to the United States, his place of residence, making stops in ancestral homelands Ireland and England, and passing through continental Europe and the Middle East. O'Reilly's poetry continually crosses both visible and invisible borders, excavating landscapes and the local, belonging and unbelonging, cross-cultural exchanges, expatriation, globalisation, exile, identity, youth, loss, relationships, aging, and death. The speakers in the poems are often in motion or making preparations for departure, unwilling and unable to remain static, always eager to explore. (Series: UWAP Poetry) [Subject: Poetry]

Of course not all great art has its genesis in pain, and not all pain - not even a fraction - leads to the partial consolations of art. But if lancing an abscess is the surest way to healing, can poetry offer that same cleansing of emotional wounds? Shaping the Fractured Self showcases twenty-eight of Australia's finest poets who happen to live with chronic illness and pain. The autobiographical short essays, in conjunction with the three poems from each of the poets, capture the body in trauma in its many and varied moods. Because those who live with chronic illness and pain experience shifts in their relationship to it on a yearly, monthly or daily basis, so do the words they use to describe it. Shaping the Fractured Self gives voice to sufferers, carers, medical practitioners and researchers, building understanding in a community of caring.

Communists like us is simple love story, a little fiction told in a hundred poems, a hundred little places to live large, fragments of a story of love in a time of struggle. But then, when isn't it a time of struggle? And when is a story not about love? And when isn't love a fragmented but tender dialectic of the personal as political? This volume celebrates and explores the possibilities of political engagement in the midst of the very simple, the very human; an attempt at a confluence of dust and desire.

It is one thing to know what the law says: it is another to try to understand what it means and how it is applied. When Indigenous relationships with a country are viewed through the lens of a Western property rights regime, this complexity is seriously magnified. Crosscurrents traces the path of a native title claim in the Kimberley region of Western Australia (Sampi v. State of Western Australia) from its inception to resolution, contextualizing the claim in the web of historical events that shaped the claim's beginnings, its intersection with evolving case law, and the labyrinth of legal process, evidence and argument that ultimately shaped its end. Katie Glaskin examines native title law by tracing the development of a single claim, and, in doing so, makes this complex area of law more accessible to non-specialist readers. Also discussed is the interaction of Indigenous and Western systems of knowledge and governance. Policy-makers, native title lawyers, land councils, environmental groups, native title advocacy groups, anthropologists, historians, and scholars in the field will find this book of great interest. The author has worked as an anthropologist on native title claims since 1994, and has published widely in the area of native title. In 2015, she won the Royal Anthropological Institute of Great Britain and Ireland's prestigious Curl essay prize. [Subject: Australian Studies, Indigenous Studies, Anthropology, Social Science, History, Legal History, Law]

Zwicky is one of the world's finest poets; her sophistications of form and theme remind one of Akhmatova, Szymborska, Adrienne Rich and William Blake. With poise and control, she tracks the personal encounter with the weight of history and the obligation to declare a position. --John Kinsella **In her poetry, Zwicky, the ex-concert pianist, technically adroit, dramatic and profoundly serious, is there alongside the joker, the edgy ironist making wry asides against the world, patriarchy and herself. Her formal poems sit easily beside her mostly short-lined, tightly wrought free verse. Her cadences are a delight. --Katherine Gallagher ***Zwicky's poems deal with such over-whelming intimations of mortality-and much more than intimations-while striving for and attaining a breathtaking authority and stubborn subjectivity of voice.--Lyn McCredden [Subject: Poetry]

'Bruce Dawe is that rare phenomenon, a natural poet with a superlative feeling for language.' - Geoffrey Lehmann, The Bulletin

With poems ranging from the confessional to the mock-autobiographical, from imagism to a strange storytelling, from the comic and satirical to the plangent and disturbing, Star Struck startles us with the many faces of lyric poetry.

In Every Mother's Son is Guilty, Chris Owen provides a compelling account of policing in the Kimberley district from 1882, when police were established in the district, until 1905 when Dr. Walter Roth's controversial Royal Commission into the treatment of Aboriginal people was released.

"e;In 1987 Mary Gaudron became the first female justice of the High Court of Australia. In fact, this brilliant, brash and outspoken lawyer had a lot of firsts. A passionate advocate of human rights, her working-class background and the racism she observed as a child growing up in a country town were indelible influences on her career. From Moree to Mabo is the remarkable story of Mary Gaudron. With wit, astonishing intellect and the tool of the law, she exposed inequality and discrimination in the workforce and campaigned for women to be accorded equal pay and equal opportunities, and years later, went on to become one of the justices who ruled on Eddie Mabo's landmark case on Aboriginal land rights. "e;

From inside her Toorak mansion, Margaret, matriarch, widow of Edmund Rice O'Day of O'Day Funerals, secretly surveys her family in the garden. Everyone, including Margaret herself, is oblivious to the secrets that threaten to be uncovered by a visiting American relative who is determined to excavate the O'Day's family history. How far will Margaret go in order to bury the truth? Family Skeleton examines a family that has for generations been engaged in dark business. You can't dig a grave without disturbing the smooth surface of the ground. Deftly woven with elegant wit and with compassion, this dark comedy is about what you might unearth if you dig deep enough.

Dan Disney's highly original either, Orpheus remakes the villanelle. The 'sound-swarms' in this contemporary 'orphic' work riff laterally on received poetic and philosophical ideas and incorporate fascinating shreds of thinking and saying. Rainer Maria Rilke and Soren Kierkegaard are the presiding spirits in the volume, and Disney is also in discussion about divergent ways of seeing and understanding with writers from all over the globe. This inventive poetry explores culture, authenticity and translation, and quizzes the lyric modes of apostrophe and song. - Paul HetheringtonDan Disney's either, Orpheus arrives with the force of a tropical weather event to deliver a series of pulsating shocks to the languages of everyday life. Neither strictly poetic nor purely philosophical, these deliriously pedagogical poems summon Rilke, Levertov, Ashbery, Sartre, Kierkegaard, Cage and multitudinous others to reconsider what we thought we knew of authorship, form, religion, phenomenology and love. For Disney, the proper response to Bloom's anxiety of influence is 'a godless both/and' in which a series of 'elegiac anthroposcenes' transforms the labyrinth of solitude into the kinds of worlds that we 'non-residents' might want to inhabit. Hospitable, demanding, festive and fearless, either, Orpheus passes through 'where previously it was not evident that anyone could find a passage'. - Fiona Hile

The advent of the Royal Flying Doctor Service in the 1930s was a testimony to Australian innovation and ingenuity. Much has been written about the early history of the iconic organisation, adapting aircraft and pedal radios to meet the needs of people in vast remote areas. In this book, Dr Stephen Langford, the Service's longest serving medico, provides a compelling account of the Service since the late 1970s. Langford's history emphasises the technology and innovation that has enabled the RFDS to remain at the forefront of aeromedical care. [Subject: ?Military History, Biography, Aeromedical Care

We're travelling light, without excess, into our future. Gran had been rough as she uncurled my hands from their position, gripped around the open car doorframe, and shoved me into the passenger seat. A man returns from World War II and struggles to come to terms with what has happened in his absence. Almost seventy years later, his middle-aged granddaughter packs up her late grandmother's home and discovers more than she had bargained for. These two tales book-end thirteen closely linked stories of one family and the rippling of consequences across three generations, played out against the backdrop of a changing Australia. A debut collection-as powerful as it is tender-from the winner of the 2013 ABR Elizabeth Jolley Short Story Prize.

In September 2013, just before the weather turned even more intense, a group of intrepid writers made their way to three Australian desert settings to work with groups and individuals wishing to write. Both Aboriginal people with a profound connection to country and residents of more recent arrival who had made the choice to live in remote places participated in workshops. You'll read new voices and hear perspectives on living in extreme geographical and climactic regions in today's Australia. In the variety presented here we welcome you into the vitality of remote communities, often isolated but full of commitment and hope for the future.

Australia's advertising agencies enjoyed their reputation as a glamorous and fun place to work. Not surprisingly, many of the nation's brightest and most creative people were drawn to advertising. Behind Glass Doors ventures into the offices to reveal the inner workings of the Australian advertising business during the 1960s, 1970s, and 1980s.

"How is emotional meaning found in places? How can creating new urban spaces be a vehicle for less adversarial forms of political coexistence, new customs of social innovation? Places Made After Their Stories shows how the emotional geographies we carry inside us and the ecstatic desire at the heart of democratic community-making can come together to inform contemporary landscape and urban design. Using case studies of public space design from Alice Springs to Perth and Melbourne, in which the author forged for himself the novel role of designer-dramaturg, Carter describes a new approach to place-making in which topography and choreography fuse. He counters the symbolic neglect of functionalist design with a brilliant account of poetic and graphic techniques developed to materialize ambience. Bringing together and further transforming insights from such earlier publications as Material Thinking (2004) and Meeting Place (2013), Carter describes a practice of sense-making and form-making that embodies fundamental gestures of welcome, arrangement and exchange in the built setting. This is a book of characteristic eloquence, generously gathering philosophical and poetic evidence to illuminate a new way of place-making. It will be a practical vade mecum for artists wanting to work in the public realm and a key reference for planning authorities, governments and communities keen to reconnect place making to human creativity and affect"--Provided by publisher.

Melbourne Journal: Notebooks 1998-2003 is the third instalment in Alan Loney's notebooks, covering the period in between his previous publications (Sidetracks: Notebooks 1976-1991 and Crankhandle: Notebooks June 2010-November 2013).

"Judith Wright (1915-2000) remains a giant figure within Australian art, culture and politics. Her 1946 collection of poetry, The Moving Image, revolutionised Australian poetry. She helped to establish the modern Australian environmental movement and was a key player in early campaigns for Aboriginal land rights. A friend and confidante of artists, writers, scholars, activists and policy makers - she remains an inspiration to many. And yet, as Georgina Arnott is able to show in this major new work, the biographical picture we have had of this renowned poet-activist has been very much a partial one. This book presents a more human figure than we have previously seen, and concentrates on Wright's younger years. New material allows us to hear, directly, thrillingly, the feisty voice of a young Judith Wright and forces us to reconsider the woman we thought we knew."--Back cover.

"UWA Publishing, a division of The University of Western Australia"--T.p. verso.

Paul Hetherington breathes life and feeling into the vivid images, moments, and scenes which he captures in his latest collection.

Aileen Palmer - poet, translator, political activist, adventurer - was the daughter of two writers prominent in Australian literature in the first half of the twentieth century. Vance and Nettie Palmer were well known as novelists, poets, critics and journalists, and Nettie suspected that their eldest would grow up with 'ink in her veins'. Aileen certainly inherited her parents' talents, publishing poetry, translating the work of Ho Chi Minh, and recording what she referred to as 'semi fictional bits of egocentric writing'. She also absorbed their interest in leftist politics, joining the Communist Party at university. This, combined with her bravery, led to participation in the Spanish Civil War and the ambulance service in London during World War II. The return to Australia was not easy, and Aileen never successfully reintegrated into civilian life. In Ink in Her Veins Sylvia Martin paints an honest and moving portrait in which we see a talented woman slowly brought down by war, family expectations, and psychiatric illness and the sometimes cruel 'treatments' common in the twentieth century.

Skin Deep looks at the preoccupations of European-Australians in their encounters with Aboriginal women and the tropes, types and perceptions that seeped into everyday settler-colonial thinking. Early erroneous and uninformed accounts of Aboriginal women and culture were repeated throughout various print forms and imagery, both in Australia and in Europe, with names, dates and locations erased so that individual women came to be as anonymised as 'gins' and 'lubras'. Liz Conor identifies and traces the various tropes used to typecast Aboriginal women, contributing to their lasting hold on the colonial imagination, even after conflicting records emerged. The colonial archive itself, consisting largely of accounts by white men, is critiqued. Construction of Aboriginal women's gender and sexuality was a form of colonial control, and Conor shows how the industrialisation of print was critical to this control, emerging as it did alongside colonial expansion. For nearly all settlers, typecasting Aboriginal women through name-calling and repetition of tropes sufficed to evoke an understanding that was surface-based and half-knowing: only skin deep.

Even in the Dark (2013), Lucas's earlier work, won the 2014 Mary Gilmore Award for Poetry (Association for the Study of Australian Literature).

"Memoryscopes is a companion volume to Changescapes"--Page [4] of cover.

"Changescapes is a companion volume to Memoryscopes"--Back cover.

This substantial volume, Poems 1957-2013, contains all of the poetry written by Geoffrey Lehmann considered by the poet to be worthy of inclusion. He has taken the prerogative of the mature artist looking back to revise poems, sometimes substantially, and to restore lines and passages he had removed from earlier versions. Displaying the breadth and depth of his poetry, Lehmann explores human nature in settings as diverse as ancient Rome and rural New South Wales, from searing satire to the domestic life of a family. This is Geoffrey Lehmann's second volume of collected poems: in this book the span is dazzling; the poetry a major literary vessel from a highly awarded writer.

Why is allergic disease increasing so rapidly, especially in young infants? What are the environmental factors contributing to this? What is going wrong with the immune system and can we prevent it? When is it safe to give children peanut products? What are the current treatment options for allergies? What is epigenetics? Where is the research headed? These are some of the many questions challenging not only parents and allergy sufferers, but whole societies now facing the global rise in immune diseases. Dr Susan Prescott, an internationally renowned specialist in childhood allergy and immunology, takes us on a journey into the world and science behind the allergy epidemic. Drawing on the latest research, The Allergy Epidemic provides clear, no-nonsense descriptions in the very personable style Susan's patients have come to expect.

When Mary Bennett died in 1961, Australia lost one of its leading Aboriginal rights activists. Mary's crusade is still, sadly, a current one, and this book serves to historicize the ongoing struggle for Aboriginal rights through the lens of Mary's campaign. By tracing Mary's advocacy - from the 1920s, when the possibility of Aboriginal human rights was first mooted, to the 1960s, when an attempt was made to have the Aboriginal question raised before the United Nations - Just Relations charts a large portion of human rights history. However, the book also tracks a discourse of needs, moral codes, and sentiments, as well as the urgent goal of keeping people alive. In this sense, then, Mary Bennett's story demonstrates the close connection between the rise of humanitarianism as a political project and the rise of human rights. ***Just Relations was shortlisted for the 2016 NSW Premier's Australian History Prize. *** Librarians: ebook available on ProQuest and EBSCO [Subject: Biography, Aboriginal Studies, Human Rights, Australian Studies, History]

1