Bøker utgitt av University Press of Southern Denmark

Circling Marilyn approaches the famous star in a manner that recognizes the impossibility of ever locating the ´real´ Marilyn Monroe. It gets close to the actress by discussing the chameleonic performances of Marilyn as woman, star, and text. Like Elvis, Marilyn lives, because she has become a discourse articulating major issues in the cultures she inhabits, whether in the 1950s or in the 21st century. In circling ´Marilyn country,´ this book discusses Marilyn as text, since those who knew and did not know her—husbands, lovers, fans, writers, directors, co-stars, critics—have written about Marilyn differently, and endlessly. Circling Marilyn also scrutinizes Marilyn as Body, but it locates not just one body, but many—including a disciplined and a communicative body. Other chapters consider the performing Marilyn and Marilyn performed. Marilyn takes on roles as herself, as a white and black woman, as a cowgirl on the Last Frontier, while others play Marilyn by snatching her famous body for their own purposes, at gay parades or in cyberspace. Circling Marilyn aims at readers engaged in American Studies, Media Studies, Cultural Studies, and Literature, as well as the general public, whose appetite for Marilyn Monroe keeps her alive, if eternally elusive.

Pausanias´ Description of Greece is the only or at least the most important source to more than 60 percent of the oracular tales that it includes. This makes the work crucial to anyone wishing to study the oracular tales in the form they have been handed down to us in the antique written sources. In Oracular Tales in Pausanias a study of the collected oracular tales in Pausanias´ Description of Greece is made available for the first time. Up till now, research into the history of oracles has emphasized either the archaeology of the oracle sites or the degree of authenticity of the oracular responses. The present book provides a new approach by not only focusing on the god´s oracular response, but also by viewing the entire oracle consultation as a narrative with a certain narrative structure, which makes it possible to view oracular tales as a specific, orally transmitted literary genre.

This book takes as its point of departure diverse conventions of and perspectives on practices and discourses in dance. The anthology is strongly motivated by the fact that space continues to be explored and debated within dance practices and studies as well as the human sciences more generally. Yet, there are still only few publications offering a contemporary view on how the relation between movement and space can be tied to the descriptions and analyses of actual movement practice. Already owing to its embodied nature, dance is essentially spatial. It forms, produces, and takes place in space. It is thus no coincidence that dance studies have increasingly begun to address the complex issue of movement and space. This anthology aims to link conceptual descriptions that concern space as process and in process to the undertakings of specific movement practices in dance. The articles in the anthology address how historical and geopolitical influences impact our understanding and practice of dance art. In them, the kinds of spaces and interrelationships, which different forms of dancing generate, are considered. Aspects of embodied space that dancing relies upon are likewise discussed. Through case examples, the articles take a closer look on how recent artistic practice in dance utilises given environments and constructs space.