Bøker utgitt av University of Texas Press

An arresting memoir of love and unbending religion, toxicity and disease, and one family's desperate wait for a miracle that never came.

Smitten by the modernity of Cervantes and Borges at an early age, Carlos Fuentes has written extensively on the cultures of the Americas and elsewhere. His work includes over a dozen novels, among them The Death of Artemio Cruz, Christopher Unborn, The Old Gringo, and Terra Nostra, several volumes of short stories, numerous essays on literary, cultural, and political topics, and some theater. In this book, Raymond Leslie Williams traces the themes of history, culture, and identity in Fuentes' work, particularly in his complex, major novel Terra Nostra. He opens with a biography of Fuentes that links his works to his intellectual life. The heart of the study is Williams' extensive reading of the novel Terra Nostra, in which Fuentes explores the presence of Spanish culture and history in Latin America. Williams concludes with a look at how Fuentes' other fiction relates to Terra Nostra, including Fuentes' own division of his work into fourteen cycles that he calls "La Edad del Tiempo," and with an interview in which Fuentes discusses his concept of this cyclical division.

The role of the religious specialist in Andean cultures of the sixteenth, seventeenth, and eighteenth centuries was a complicated one, balanced between local traditions and the culture of the Spanish. In "The Power of" Huacas, Claudia Brosseder reconstructs the dynamic interaction between religious specialists and the colonial world that unfolded around them, considering how the discourse about religion shifted on both sides of the Spanish and Andean relationship in complex and unexpected ways. In "The Power of" Huacas, Brosseder examines evidence of transcultural exchange through religious history, anthropology, and cultural studies. Taking Andean religious specialists--or "hechizeros" (sorcerers) in colonial Spanish terminology--as a starting point, she considers the different ways in which Andeans and Spaniards thought about key cultural and religious concepts. Unlike previous studies, this important book fully outlines both sides of the colonial relationship; Brosseder uses extensive archival research in Bolivia, Chile, Ecuador, Peru, Spain, Italy, and the United States, as well as careful analysis of archaeological and art historical objects, to present the Andean religious worldview of the period on equal footing with that of the Spanish. Throughout the colonial period, she argues, Andean religious specialists retained their own unique logic, which encompassed specific ideas about holiness, nature, sickness, and social harmony. "The Power of" Huacas deepens our understanding of the complexities of assimilation, showing that, within the maelstrom of transcultural exchange in the Spanish Americas, European paradigms ultimately changed more than Andean ones.

Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of "Midcentury Modern Art in Texas."Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions.The first full-length treatment of abstract art in Texas during this vital and canon-defining period, "Midcentury Modern Art in Texas" gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.

A multiracial history of civil rights coalitions beyond the farm worker movement in twentieth-century Bakersfield, California.

A history of film distribution in the United States from the 1910s to the 1930s, concentrating on booking, circuiting, and packaging marketing practices.

The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.

Demonstrates the role of Beirut's postwar graffiti and street art in transforming the cityscape and animating resistance.

Winner of seven Molieres, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France's leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg's Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg's plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe.This volume offers the first English translation of three of Grumberg's prize-winning plays: "The Workplace" ("L'Atelier," 1979), "On the Way to the Promised Land" ("Vers toi Terre promise," 2006) and "Mama's Coming Back, Poor Orphan "("Maman revient, pauvre orphelin," 1994). Presented in the order of the history they record and steeped in Grumberg's personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays' themes, structures, characters, and settings, along with an introduction that discusses Grumberg's place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.

As contemporary Native and non-Native Americans explore various forms of "gender bending" and gay and lesbian identities, interest has grown in "berdaches," the womanly men and manly women who existed in many Native American tribal cultures. Yet attempts to find current role models in these historical figures sometimes distort and oversimplify the historical realities.This book provides an objective, comprehensive study of Native American women-men and men-women across many tribal cultures and an extended time span. Sabine Lang explores such topics as their religious and secular roles; the relation of the roles of women-men and men-women to the roles of women and men in their respective societies; the ways in which gender-role change was carried out, legitimized, and explained in Native American cultures; the widely differing attitudes toward women-men and men-women in tribal cultures; and the role of these figures in Native mythology. Lang's findings challenge the apparent gender equality of the "berdache" institution, as well as the supposed universality of concepts such as homosexuality.

This catalogue explores the innovative work of ten artists who blur the line between art and activism, contributing to conversations about the state of democracy and racial injustice in Brazil.

The story of Texas's impact on American sports culture during the civil rights and second-wave feminist movements, this book offers a new understanding of sports and society in the state and the nation as a whole.

A significant and deeply researched examination of the free nineteenth-century Black developers who transformed the cultural and architectural legacy of New Orleans.

A history of San Francisco that studies change in the postwar urban landscape in relation to the city's queer culture.

Documentation, through photographs and interviews, of those who survived the unique Nazi ghetto/camp located at Terezín, Czech Republic.

An interdisciplinary group of borderlands scholars provide the first expansive comparative history of the way North American borders have been policed—and transgressed—over the past two centuries.

An examination of the complicated history between France and Algeria since the latter’s independence.

An exploration of the unexpected role that llamas and other Andean camelids played in transoceanic relationships and knowledge exchange.

An examination of director Todd Haynes and his Bob Dylan biopic.