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The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church.When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as "e;church clothing."e; These textile ornaments covered churches' altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work.The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a "e;silk standard"e; was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.

What happens to the Bible when it is used in worship? What does music, choreography, the stringing together of texts, and the architectural setting itself, do to our sense of what the Bible means-and how does that influence our reading of it outside of worship? In Liturgy and Biblical Interpretation, Sebastian Selven answers questions concerning how the Hebrew Bible is used in Jewish and Christian liturgical traditions and the impact this then has on biblical studies. This work addresses the neglect of liturgy and ritual in reception studies and makes the case that liturgy is one of the major influential forms of biblical reception. The case text is Isaiah 6:3 and its journey through the history of worship.By looking at the Qedushah liturgies in Ashkenazi Judaism and the Sanctus in three church traditions-(pre-1969) Roman Catholicism, Anglicanism (the Church of England), and Lutheranism (Martin Luther, and the Church of Sweden)-influential lines of reception are followed through history. Because the focus is on lived liturgy, not only are worship manuals and prayer books investigated but also architecture, music, and choreography. With an eye to modern-day uses, Selven traces the historical developments of liturgical traditions. To do this, he has used methodological frameworks from the realm of anthropology. Liturgy, this study argues, plays a significant role in how scholars, clergy, and lay people receive the Bible, and how we understand the way it is to be read and sometimes even edited.Liturgy and Biblical Interpretation will interest scholars of the Bible, liturgy, and church history, as well as Jewish and Christian clergy.

The Spanish conquest has long been a source of polemic, ever since the early sixteenth century when Spanish jurists began theorizing the legal merits behind native dispossession in the Americas. But in The Business of Conquest: Empire, Love, and Law in the Atlantic World, Nicole D. Legnani demonstrates how the financing and partnerships behind early expeditions betray their own praxis of imperial power as a business, even as the laws of the Indies were being written. She interrogates how and why apologists of Spanish Christian empire, such as Jose de Acosta, found themselves justifying the Spanish conquest as little more than a joint venture between crown and church that relied on violent actors in pursuit of material profits but that nonetheless served to propagate Christianity in overseas territories. Focusing on cultural and economic factors at play, and examining not only the chroniclers of the era but also laws, contracts, theological treatises, histories, and chivalric fiction, Legnani traces the relationship between capital investment, monarchical power, and imperial scalability in the Conquest. In particular, she shows how the Christian virtue of caritas (love and charity of neighbor, and thus God) became confused with cupiditas (greed and lust), because love came to be understood as a form of wealth in the partnership between the crown and the church. In this partnership, the work of the conquistador became, ultimately, that of a traveling business agent for the Spanish empire whose excess from one venture capitalized the next. This business was thus the business of conquest and featured entrepreneurial violence as its norm-not exception.The Business of Conquest offers an original examination of this period, including the perspectives of both the creators of the colonial world (monarchs, venture capitalists, conquerors, and officials), of religious figures (such as Las Casas), and finally of indigenous points of view to show how a venture capital model can be used to analyze the partnership between crown and church. It will appeal to students and scholars of the early modern period, Latin American colonial studies, capitalism, history, and indigenous studies.

The French Jesuit Henri de Lubac (1896-1991) was one of the most influential theologians of the twentieth century. The publication of his Surnaturel in 1946, addressing the issue of the interrelation of nature and the supernatural, precipitated one of the most far-reaching theological debates of the century, culminating in a new historical, methodological, and theological consensus on the topic. And yet the question continues to be debated: How should de Lubac's position be understood? Although many have suggested that de Lubac saw human nature as always-already graced, in Henri de Lubac and the Drama of Human Existence, Jordan Hillebert advances a new reading of de Lubac's theology of the supernatural that is at variance with most prevailing interpretations. Through his analysis of how a "e;hermeneutics of human existence"e; pervades de Lubac's writings, Hillebert argues that, in de Lubac's theology, the relation between the human being and humanity's supernatural finality is best considered in terms of the "e;supernatural insufficiency of human nature."e; In this way, Hillebert demonstrates that de Lubac's theology of the supernatural offers a via media between neo-scholastic "e;extrinsicism"e; on the one hand and post-conciliar "e;intrinsicism"e; on the other.Although some authors have drawn attention to the theme of human existence in de Lubac's writings, Henri de Lubac and the Drama of Human Existence is an original study that shows how a hermeneutics of human existence provides an interpretative key to his writings-especially in regard to the controversial question of the relation of nature and the supernatural. Due to the book's broad ecumenical appeal, it will interest scholars in the fields of modern theology and, more specifically, Roman Catholic theology.

Although philosophy, religion, and civic cultures used to help people prepare for aging and dying well, this is no longer the case. Today, aging is frequently seen as a problem to be solved and death as a harsh reality to be masked. In part, our cultural confusion is rooted in an inadequate conception of the human person, which is based on a notion of absolute individual autonomy that cannot but fail in the face of the dependency that comes with aging and decline at the end of life. To help correct the ethical impoverishment at the root of our contemporary social confusion, The Evening of Life provides an interdisciplinary examination of the challenges of aging and dying well. It calls for a re-envisioning of cultural concepts, practices, and virtues that embraces decline, dependency, and finitude rather than stigmatizes them. Bringing together the work of sociologists, anthropologists, philosophers, theologians, and medical practitioners, this collection of essays develops an interrelated set of conceptual tools to discuss the current challenges posed to aging and dying well, such as flourishing, temporality, narrative, and friendship. Above all, it proposes a positive understanding of thriving in old age that is rooted in our shared vulnerability as human beings. It also suggests how some of these tools and concepts can be deployed to create a medical system that better responds to our contemporary needs. The Evening of Life will interest bioethicists, medical practitioners, clinicians, and others involved in the care of the aging and dying.Contributors: Joseph E. Davis, Sharon R. Kaufman, Paul Scherz, Wilfred M. McClay, Kevin Aho, Charles Guignon, Bryan S. Turner, Janelle S. Taylor, Sarah L. Szanton, Janiece Taylor, and Justin Mutter

In Montaigne: Life without Law, originally published in French in 2014 and now translated for the first time into English by Paul Seaton, Pierre Manent provides a careful reading of Montaigne's three-volume work Essays. Although Montaigne's writings resist easy analysis, Manent finds in them a subtle unity, and demonstrates the philosophical depth of Montaigne's reflections and the distinctive, even radical, character of his central ideas. To show Montaigne's unique contribution to modern philosophy, Manent compares his work to other modern thinkers, including Machiavelli, Hobbes, Pascal, and Rousseau. What does human life look like without the imposing presence of the state? asks Manent. In raising this question about Montaigne's Essays, Manent poses a question of great relevance to our contemporary situation. He argues that Montaigne's philosophical reflections focused on what he famously called la condition humaine, the human condition. Manent tracks Montaigne's development of this fundamental concept, focusing especially on his reworking of pagan and Christian understandings of virtue and pleasure, disputation and death. Bringing new form and content together, a new form of thinking and living is presented by Montaigne's Essays, a new model of a thoughtful life from one of the unsung founders of modernity.Throughout, Manent suggests alternatives and criticisms, some by way of contrasts with other thinkers, some in his own name. This is philosophical engagement at a very high level. In showing the unity of Montaigne's work, Manent's study will appeal especially to students and scholars of political theory, the history of modern philosophy, modern literature, and the origins of modernity.

In 1837, Basile Moreau, C.S.C., founded the Congregation of Holy Cross (C.S.C.), a community of Catholic priests and brothers, to minister to and educate the people of France devastated by the French Revolution. During the centuries that followed, the Congregation expanded its mission around the globe to educate and evangelize, including the establishment in 1842 of the Congregation's first educational institution in America--the University of Notre Dame. This sweeping book, written by the skilled historian and archivist James T. Connelly, C.S.C., offers the first complete history of the Congregation, covering nearly two centuries from 1820 to 2018.Throughout this volume, Connelly focuses on the ministry of the Congregation rather than on its ministers, although some important individuals are discussed, including Jacques-François Dujarié; Sr. Mary of the Seven Dolors, M.S.C.; André Bessette, C.S.C.; and Edward Sorin, C.S.C. Within a few short years of founding the Congregation, Moreau sent the priests, brothers, and sisters from France to Algeria, the United States, Canada, Italy, and East Bengal. Connelly chronicles in great detail the suppression of all religious orders in France in 1903 and demonstrates how the Congregation shifted its subsequent expansion efforts to North America. Numerous educational institutions, parishes, and other ministries were founded in the United States and Canada during these decades. In 1943, Holy Cross again extended its work to South America. With the most recent establishment of a religious presence in the Philippines in 2008, Holy Cross today serves in sixteen different countries on five continents. The book describes the beatification of Basil Moreau, C.S.C, on September 15, 2007, and the canonization of André Bessette, C.S.C. on October 17, 2010. The book will interest C.S.C. members and historians of Catholic history. Anyone who wants to learn about the origins of the University of Notre Dame will want to read this definitive history of the Congregation.

Branching out from his earlier works providing a history and a theory of apophatic thinking, William Franke's newest book pursues applications across a variety of communicative media, historical periods, geographical regions, and academic disciplines-moving from the literary humanities and cultural theory and politics to more empirical fields such as historical anthropology, evolutionary biology, and cognitive science. On the Universality of What Is Not: The Apophatic Turn in Critical Thinking is an original philosophical reflection that shows how intransigent deadlocks debated in each of these arenas can be broken through thanks to the uncanny insights of apophatic vision. Leveraging Franke's distinctive method of philosophical, religious, and literary thinking and practice, On the Universality of What Is Not proposes a radically unsettling approach to answering (or suspending) perennial questions of philosophy and religion, as well as to dealing with some of our most pressing dilemmas at present at the university and in the socio-political sphere. In a style of exposition that is as lucid as it is poetic, deep-rooted tensions between alterity and equality in all these areas are exposed and transcended.

Evelyn Underhill (1875-1941) was one of the greatest spiritual writers of the twentieth century. Living most of her life in England, Underhill used writing as a vehicle to express her passionate search for the infinite life. Her philosophy transcends generations and her legacy as a pivotal figure in Christian mysticism endures today. In this comprehensive biography Dana Greene expertly captures Underhill's true essence. She gives us a thorough account of Underhill's development as a mystic and theologian and also explores beyond to the heart of who she was as a person. The connections Greene makes between Underhill's personal life and work create an in-depth and accurate portrait of this extraordinary woman.

Acclaimed novelist, short story writer, and poet, David Huddle captivates us with a new collection. Not: A Trio is a sequence of three related stories that, taken together, form a unified work of fiction. This faceted approach is especially suited to a work that reveals the intricate connections among Danny Marlow, Claire McClelland, and Ben McClelland.Danny, Claire and Ben are thoughtful people who know each other well¿yet hardly at all. Danny narrates the first story, introducing the reader to Claire, a therapist who has, he says ¿lived a life that would drop most men in their tracks.¿ The second story, told in the third person, explores the character of Claire¿s second husband Ben. These two men and their stories set the stage for the appearance of Claire in the third and most powerful story. Claire informs the reader at the outset that a crisis looms: ¿At any rate, I¿m not going to be able to go on with the life I have so carefully constructed for myself here in town.¿Huddle is especially concerned with the forces that separate these singular individuals from each other¿and from themselves¿as well as with the romantic and sexual energy pulling Danny and Claire together and with the wistful intimacy briefly held between Claire and Ben. In the process, the book also draws a darkly humorous picture of small-town life in contemporary Vermont.Critics have praised David Huddle for his skill in creating individual voices and selves that work together to reveal intimately connected lives. He has done so once again in Not: A Trio, leaving the reader with what feels like a secret understanding of these three people and the forces that move them.

What does death really mean? Is there life after death? This conversation covers various views on these matters, from John Lach's insistence that the notion of immortality is philosophically unintelligible, to Jurgen Moltmann's study of various arguments for what happens to us when we die.

Was God merely reprimanding Job for his presumption? Or was God also issuing an invitation to explore? The author shows how religious experience can illuminate our understanding of physics of light and how, in that light, we can see what modern physics shows us in God's creation.

Caught in the whirlwind of the postindustrial revolution, many members of today's labor force look upon the changing job landscape and feel displaced and devalued. Robert Sessions and Jack Wortman have compiled this selection of humanities readings to explore the many ways that work shapes and defines us, and to anticipate the ever-changing demands of the contemporary workplace. Although the humanities approach to studying work offers no predictions, statistics, or prognostications, it provides images and visions that aid in understanding the multiple meanings, values, and effects of work. This eclectic volume links the substance and methods of the humanities to the social, ethical, and cultural issues involved in working in America. The diversity of the readings parallels the scope of the complex, multifaceted issue of working in America.

This is the first study to survey the development of musical thought in modern Irish cultural history. It registers the function of music as a dynamic agent in the history of Irish ideas in the period 1770 - 1970. Ireland's verbally dominated culture has depended on music throughout its evolution, but the presence of music - to say nothing of its impact on the formation of Irish cultural thought - has been hitherto scarcely recognised. The Keeper's Recital attempts to redress this neglect by examining the role of music in Ireland's notably polarised cultural matrix by means of three prevailing themes: the integrity of sectarian culture, the political expression of cultural autonomy and the symbolic force of celticism. The book traces the development and cultural dislocation of music in Ireland from the late eighteenth century to the death of Sean Ó Riada and it thereby identifies the function and status of music in those cultural and political ideologies of nationalism, colonialism and revival which it helped to foster. Although The Keeper's Recital is primarily concerned with such figures as Turlough Carolan, Edward Bunting, Thomas Moore, Thomas Davis, George Petrie, Douglas Hyde, Heinrich Bewerunge, Charles Villiers Stanford, Arnold Bax and Sean Ó Riada, its scrutiny of the condition of music in Irish cultural history notably embraces Irish political and literary thought throughout the period 1770-1970. While not offered as a history of music in Ireland, it engages with the principal themes of that history in order to identify and distinguish between the symbolic power of Irish music (particularly in terms of its preservation) and its failure to generate a durable aesthetic of comparable significance to that which infused the Literary Revival.