Bøker utgitt av University of Minnesota Press

Leading scholars historicize and theorize technology’s role in architectural design Although the question of technics pervades the contemporary discipline of architecture, there are few critical analyses on the topic. Design Technics fills this gap, arguing that the technical dimension of design has often been flattened into the broader celebratory rhetoric of innovation. Bringing together leading scholars in architectural and design history, the volume’s contributors situate these tools on a broader epistemological and chronological canvas. The essays here construct histories—some panoramic and others unfolding around a specific episode—of seven techniques regularly used by the designer in the architectural studio today: rendering, modeling, scanning, equipping, specifying, positioning, and repeating.Starting with observations about the epistemological changes that have unfolded in the discipline in recent decades but seeking to offer a more expansive meaning for technics, the volume casts new light on concepts such as form, experience, and image that have played central roles in historical architectural discourses. Among the questions addressed: How was the concept of form immanent in practices of scanning since the late nineteenth century? What was the historical relationship between rendering and experience in Enlightenment discourses? How did practices of specifying reconfigure the distinction between intellectual and manual labor? What kind of rationality is inherent in the designer’s constant clicking of the mouse in front of her screen? In addressing these and other questions, this engaging and timely collection thereby proposes technics as a site for historical and philosophical reflection not only for those engaged in architectural design but also for any scholar working in the humanities today.Contributors: Lucia Allais, Edward Eigen, Orit Halpern, John Harwood, Matthew C. Hunter, and Michael Osman.

Michael Schumacher has written four previous books on Great Lakes shipwrecks: Mighty Fitz,¿November’s Fury, Torn in Two (all from Minnesota), and Wreck of the Carl D.¿He has written narratives for twenty-five Great Lakes shipwreck and lighthouse documentary films. He lives in Wisconsin.

Matthew Schneider-Mayerson is assistant professor of environmental studies at Yale–NUS College and author of Peak Oil: Apocalyptic Environmentalism and Libertarian Political Culture.¿ Brent Ryan Bellamy studies and teaches science fiction, American literature and cultures, and energy humanities and is coeditor of Materialism and the Critique of Energy. Kim Stanley Robinson is the author of nineteen science fiction novels, including the Mars trilogy.

"Bourgeois in the Flesh examines how late 20th and early 21st century African American literary texts grapple with the dilemma of black bourgeois subjectivity"--

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

Staci Lola Drouillard, a descendant of the Grand Portage Band of Lake Superior Anishinaabe, is the development director at WTIP Community Radio in Grand Marais, Minnesota, and was for many years the producer of two original radio series, Walking the Old Road: The History of Chippewa City and the Grand Marais Chippewa and Anishinaabe Way, an exploration of contemporary Ojibwe life through interviews and storytelling.

Bitter winters are nothing new in Hatchet Inlet, hard up against the ridge of the Laurentian Divide, but the advent of spring can't thaw the community's collective grief, lingering since a senseless tragedy the previous fall. Weaving in an

The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection,┬áThis Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

Alan C. Love is professor of philosophy and director of the Minnesota Center for Philosophy of Science at the University of Minnesota.¿William C. Wimsatt is Peter B. Ritzma Professor of Philosophy Emeritus at the University of Chicago, and Winton Chair in the Liberal Arts and professor of philosophy at the University of Minnesota. He is author of Re-Engineering Philosophy for Limited Beings: Piecewise Approximations to Reality.

Rebecca Schneider is professor of theatre arts and performance studies at Brown University. She is the author of¿Theatre and History,¿Performing Remains: Art and War in Times of Theatrical Reenactment, and¿The Explicit Body in Performance. Jussi Parikka is professor of technological culture and aesthetics at University of Southampton. He is the author of¿A Slow Contemporary Violence,¿A Geology of Media¿(Minnesota, 2015),¿The Anthrobscene¿(Minnesota, 2014),¿What Is Media Archaeology?,¿Insect Media: An Archaeology of Animals and Technology¿(Minnesota, 2010), and¿Digital Contagions: A Media Archaeology of Computer Viruses. Ioana B. Jucan is an artist and researcher in theatre and performance studies at Brown University. She is the author of Cosmology of Worlds Apart.