Bøker utgitt av University of Iowa Press

A lively retrospective appraisal of Dennis Cooper's fifty-year career, Wrong tracks the emergence of Cooper's singular style alongside his participation in a number of American subcultural movements like New York School poetry, punk rock, and radical queercore music and zines.

Based on Jeanne Reesman's nearly thirty-five years of archival research, this book offers surprising perspectives on Jack London's many sides by family, friends, fellow struggling young writers, business associates, high school and college classmates, interviewers, editors, coauthors, visitors to his Sonoma Valley Beauty Ranch, and more.

Experimental poetry responded to historical change in the decades after World War II, with an attitude of such casual and reckless originality that its insights have often been overlooked. However, as Benjamin Lee argues, to ignore them is to overlook a rich resource for our own complicated transition into the twenty-first century.

Tom Rastrelli is a survivor of clergy-perpetrated sexual abuse who then became a priest in the early days of the Catholic Church's ongoing scandals. This bok divulges the inner workings of the seminary, providing an unapologetic look into the psychosexual and spiritual dynamics of celibacy and lays bare system that perpetuates abuse and cover-up.

In his debut collection, William Fargason inspects the pain of memory alongside the pain of the physical body. Fargason takes language to its limits to demonstrate how grief is given a voice. His speaker confronts illness, grapples with grief, and heals after loss in its most crushing forms.

Offers a perceptive, tenacious investigation of gender, authority, and art. Jennifer Habel draws a contrast between the archetype of the lone male genius and the circumscribed, relational lives of women.

Illustrates the beauty and diversity of prairie through an impressive series of photographs, all taken within the same square meter of prairie. During a year-long project, Chris Helzer photographed 113 plant and animal species within a tiny plot, and captured numerous other images that document the splendor of diverse grasslands.

Shows how almost anyone can get involved in conservation and do something for wildlife beyond giving money to conservation organisations. In this fascinating and practical read, Greg Hoch blends historical literature with modern science, and shows how our views of conservation have changed over the last century.

Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? Michael Leong reveals that much of the power of contemporary poetry rests in its potential to select, adapt and extend public documentation.

Tracing the parallel lives of two women artists, Angel De Cora and Karen Thronson, at the turn of the twentieth century, art historian Elizabeth Sutton reveals how their stories intersected and diverged in the American Midwest.

At the most prestigious preparatory schools in the United States, the children of educators are referred to as "faculty brats". Dominic Bucca's art teacher mother married his music teacher stepfather twice, and the young boy wondered if the union might be twice as strong. Instead, he quickly discovered that the marriage was twice as flawed.

The characters in Happy Like This are smart girls and professional women who search for happiness in roles and relationships that are often unscripted or unconventional. The ten shimmering stories in this collection offer deeply felt, often humorous meditations on the complexity of choice and the ambiguity of happiness.

From a lightning death on an isolated peak to the intrigues of a small town orchestra, the glimmering stories in this debut collection explore how nature - damaged, fierce, and unpredictable - worms its way into our lives.

In 2010, Don Waters set out to write a magazine story about a surfing icon who had known his absentee father. It was an attempt to find a way of connecting to a man he never knew. He didn't imagine that the story would become a quest to understand a man who left behind almost nothing for his abandoned son.

In the transition to a postcommunist world in Eastern Europe, "alternative theatre" found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries.

Offers a new way to view contemporary art novels, asking the key question: How do contemporary writers imagine aesthetic experience? Examining the works of some of the most popular names in contemporary fiction and art criticism, Alexandra Kingston-Reese reveals how contemporary writers refract and problematize aesthetic experience.

In this first-ever comprehensive examination of queerbaiting, fan studies scholar Joseph Brennan and his contributors examine cases that shed light on the sometimes exploitative industry practice of teasing homoerotic possibilities that, while hinted at, never materialize in the program narratives.

Looking at the fan magazines of Hollywood's "classic era" with fresh regarding eyes and treating them as primary sources, the contributors of this collection provide unique insights into contemporary assumptions about the relationship between fan and star, performer and viewer.

A travelogue of writer Robert Clark's attempt to work a five-year-long obsession focused on Victorian novelists, artists, architecture, and critics. He wends his way through England and Scotland, meticulously tracking down the haunts of Charles Dickens, George Gissing, and others, and documenting everything in ghostly photographs as he goes.

The first book devoted to the Civil War writings of Walt Whitman and Herman Melville, arguably the most important poets of the war. These essays add to recent critical appreciation of the skill and sophistication of these poets; growing recognition of the complexity of their views; and appreciation for their anxieties in the war's aftermath.

Argues that careful attention to a particular strain of twentieth-century lyric poetry yields a counter-history of American global power. The period that Phillis covers - from Ezra Pound's A Draft of XXX Cantos in 1930 to Cathy Park Hong's Engine Empire in 2012 - roughly matches the ascent and decline of the American empire.

Tells the story of one woman's struggle to reclaim wholeness while mothering a son addicted to opioids. Paula Becker's son Hunter was raised in a safe, nurturing home by his writer/historian mom and his physician father. He was a bright, curious child. And yet, addiction found him.

Examining the deep philosophical topics addressed in superhero comics, authors Gavaler and Goldberg read plot lines for the complex thought experiments they contain and analyse their implications as if the comic authors were philosophers.

University of Iowa legend Willard L. ""Sandy"" Boyd is a proud middle westerner. His decades of service to the university began in 1954, when he arrived as a law professor. This memoir, interspersed with personal wisdom gleaned over more than six decades of leadership, encapsulates his optimistic view of the public university as an institution.

The American Progressive Era is generally regarded as a dynamic period of political reform and social activism. In this volume, editors bring together scholars in nineteenth- and twentieth-century theatre studies to examine the burst of diverse performance venues and styles of the time, revealing how they shaped national narratives surrounding immigration and urban life.

What does it mean, this book asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what is lost? Bethany Wood examines three well-known stories that debuted as women's magazine serials and traces how each of these narratives traveled across publishing, theatre, and film through adaptation.

Covering the period from Disney's purchase through the release of The Force Awakens, the book reveals how fans anticipated, interpreted, and responded to the steady stream of production stories, gossip, marketing materials, merchandise, and other sources in the build-up to the movie's release.

With calm abandon, Rob Schlegel stands among the genderless trees to shake notions of masculinity and fatherhood. Schlegel incorporates the visionary into everyday life, inhabiting patterns of relation that do not rely on easy categories.

Between the world wars, several labour colleges sprouted up across the US. These schools, funded by unions, sought to provide members with adult education while also indoctrinating them into the cause. As Mary McAvoy reveals, a big part of that learning experience centered on the schools' drama programs.

Explores online fan spaces in search of ""Janeites"" all over the world to discover what fans are making, how fans are sharing their work, and why it matters that so many women and non-binary individuals find a haven not only in Jane Austen, but also in Jane Austen fandom.