Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
A study of Yosano Akiko (1878-1942), famous post-classical woman poet of Japan. It follows Yosano from childhood to her twenties, as she freed herself from alienation and frustration and, to use her own words, ""danced out into the light"" of poetry and self-liberation.
The Emptiness of Emptiness presents the first English translation of the complete text of the Madhyamakāvatāra (Entry into the Middle Way) a sixth century Sanskrit Buddhist composition that was widely studied in Tibet and, presumably, in its native India as well. In his lengthy introduction to the translation, Huntington offers a judiciously crafted, highly original discussion of the central philosophy of Mahāyāna Buddhism. He lays out the principal ideas of emptiness and dependent origination not as abstract philosophical concepts, but rather as powerful tools for restructuring the nature of human experience at the most fundamental level. Drawing on a variety of Indian and Western sources, both ancient and modern, Huntington gradually leads the reader toward an understanding of how it is that sophisticated philosophical thinking can serve as a means for breaking down attachment to any idea, opinion or belief. All of this on the Buddhist premise that habitual, unreflective identification with ideas, opinions, or beliefs compromises our appreciation of the ungraspable miracle that lies at the heart of everyday, conventional reality. The author shows how the spiritual path of the bodhisattva works to transform the individual personality from a knot of clinging into a vehicle for the expression of profound wisdom (prajñā) and unconditional love (karuṇā).
An introduction to the grammatical features of Oceanid, Papuan and Australian languages as well as to the semantic structures of these languages. The text gives a brief introduction to descriptive linguistics for those without a formal linguistic background.
Here is a supplement to textbooks in beginning- and advanced-level Tagalog.
An examination of the political influences of temples in pre-modern Japan. It uses a range of sources to argue that religious protest was a symptom of political factionalism and capital rather than its cause. The analysis brings together the spheres of art, religion, ideas and politics.
Provides an overview of the main ideas and arguments of prominent Engaged Buddhist thinkers and activists on a variety of questions: what kind of political system should modern Asian states have? What are the pros and cons of Western ""liberalism""? Can Buddhism support the idea of human rights? Can there ever be a nonviolent nation-state?
Delves into the socio religious milieu of the authors, editors, and propagators of the ""Rastrapalapariprccha-sutra"" (Questions of Rastrapala), a Buddhist text circulating in India during the first half of the first millennium CE.
This volume explains how Koreans' concern for achieving as much formal education as possible appeared immediately before 1945 and quickly embraced every sector of society. It explores the reasons for this social demand for education and how it has shaped many aspects of South Korean society.
Offers an authoritative guide to Kabuki. The book explains everything lucidly and painstakingly - the background, the facts, the emotions, both from a Japanese and a Western point of view. If you can keep paying attention you will find at the end that you seem to have been living in Japan.
This text approaches the grammar of Tagalog through an examination of word formation, sentence construction, and sentence types. There is also a discussion of the phonology. Tagalog Structures is to be used in conjunction with Conversational Tagalog and Tagalog Dictionary.
D?gen Zenji was a Japanese Zen Buddhist teacher born in Ky?to, and the founder of the S?t? school of Zen in Japan after travelling to China and training under the Chinese Caodong lineage there. D?gen is known for his extensive writing including the Treasury of the Eye of the True Dharma or Sh?b?genz?, a collection of ninety-five fascicles concerning Buddhist practice and enlightenment. The primary concept underlying D?gen's Zen practice is "oneness of practice-enlightenment". In fact, this concept is considered so fundamental to D?gen's variety of Zen-and, consequently, to the S?t? school as a whole-that it formed the basis for the work Shush?-gi, which was compiled in 1890 by Takiya Takush? of Eihei-ji and Azegami Baisen of S?ji-ji as an introductory and prescriptive abstract of D?gen's massive work, the Sh?b?genz? ("Treasury of the Eye of the True Dharma"). Dogen is a profoundly original and difficult 13th century Buddhist thinker whose works have begun attracting increasing attention in the West. Admittedly difficult for even the most advanced and sophisticated scholar of Eastern thought, he is bound, initially, to present an almost insurmountable barrier to the Western mind. Yet the task of penetrating that barrier must be undertaken and, in fact, is being carried out by many gifted scholars toiling in the Dogen vineyard.
Brings together Xuan Zang's alayavijnana and Freud's and Jung's unconscious to focus on what the differences are in the thematic concerns of the three theories, why such differences exist in terms of their objectives, and how their methods of theorization contribute to these differences.
Examining the rise in Japanese indigenous Christian movements, this book explores their leaders and followers. Focusing on the ""native"" response, it examines interpretations of Christian tradition, raising the question of Christianity as a world religion.
An articulate, exceptionally researched study of Chinese theater."" - Choice
This text addresses the need for an analysis of the political scene in Japan. It seeks to provide both the information and framework needed to unravel the tangle of coalition politics in the 1990s and anticipate the composition and policies of future Japanese governments.
"Never have I wanted to be understood so much as in this poem. It is probably the most serious piece of work I have ever done." Written in 1924, Vladimir Ilyich Lenin crowned a long period of preparatory work on this theme. The poet was fortunate to see and hear Lenin on a number of occasions. During the October days of 1917 he saw Lenin in Smolny, the headquarters of the uprising. Later he heard several speeches by the founder of the Soviet state. Mayakovsky not only strove with the utmost fidelity to depict Lenin as an historic figure in his own words, he "wrote the poem remaining a poet." In Lenin's life and activity he sought solutions to issues that engaged him all his life: man, his destination, his place in the world, his happiness, his struggle and triumph over the tragic in life. He was human - as human as anyone... Mayakovsky gave numerous recitals of his poem both at home and abroad. "The workers' response was heartening, reassuring me in the belief that this poem was needed.""The splendid powerful poem on Lenin's death made an enormous impression on listeners." - Daily Worker, London, 1925
In an attempt to reconstruct an elusive aspect of the medieval Chinese imagination, The Eminent Monk examines biographies of Chinese Buddhist monks, from the uncompromising ascetic to the unfathomable wonder-worker. While analyzing images of the monk in medieval China, the author addresses some questions encountered along the way: What are we to make of accounts in "eminent monk" collections of deviant monks who violate monastic precepts? Who wrote biographies of monks and who read them? How did different segments of Chinese society contend for the image of the monk and which image prevailed? By placing biographies of monks in the context of Chinese political and religious rhetoric, The Eminent Monk explores both the role of Buddhist literature in Chinese history and the monastic imagination that inspired this literature.
An examination of writing by Japanese women, this text aims to advance the debate over the literary category of ""women's literature"" in modern Japan and show its complex and contradictory consequences in the life and work of Hayashi Fumiko (1903-1951). The novels ""Horoki"" and ""Suisen"" are analyzed.
Traces the story of India's expansion that is woven into the culture of Southeast Asia.
Making Sense of Japanese Grammar explains in a lively and highly informative manner basic principles that underlie a wide range of phenomena in Japanese. Students--irrespective of proficiency level and linguistic training--will find clarification on matters of grammar that often seem idiosyncratic and Japanese-specific, such as avoiding the use of certain pronouns, employing the same word order for questions, hidden subjects, polite and direct forms. Organized for easy access and readability, Making Sense of Japanese Grammar consists of short units, each focused on explaining a distinct problem and illustrated with a wealth of examples. To further enhance their usefulness, the units are cross-referenced and contain brief comprehension exercises to test and apply newly acquired knowledge. A glossary and keys to the exercises are at the back of the book. This volume may be used as a supplementary classroom reading or a helpful reference for students of all levels. Both students and instructors, even those trained in linguistics, will find its accessible explanations of grammatical concepts helpful. Grounded in sound scholarship and extensive teaching experience, Making Sense of Japanese Grammar brings a fresh and liberating perspective to the study of Japanese.
The global age of migration is becoming a permanent feature of Japanese life, impacting the country's economic, social and political landscape. The 12 essays collected here bring together research on foreign workers and households from a variety of perspectives, all addressing three key questions.
One of the basic classics of Taoist spiritual alchemy as practiced in the Complete Reality (Ch'uan-chen) school of Taoism.
Jim Rizzuto writes a weekly fishing column in the Kona newspaper, West Hawaii Today, and has contributed many articles about Hawaii fishing to magazines such as Field & Stream, Fishing World, and Salt Water Sportsman. He has fished in Hawaii waters for fifteen years and operates his own fishing boat on the Big Island. As a member of the Board of Governors of Hawaii International Billfish Association, Rizzuto is well known to game fishermen from around the world.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.