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Across much of the postcolonial world, Christianity has often become inseparable from ideas and practices linking the concept of modernity to that of human emancipation. To explore these links, Webb Keane undertakes a rich ethnographic study of the century-long encounter, from the colonial Dutch East Indies to post-independence Indonesia, among Calvinist missionaries, their converts, and those who resist conversion. Keane's analysis of their struggles over such things as prayers, offerings, and the value of money challenges familiar notions about agency. Through its exploration of language, materiality, and morality, this book illuminates a wide range of debates in social and cultural theory. It demonstrates the crucial place of Christianity in semiotic ideologies of modernity and sheds new light on the importance of religion in colonial and postcolonial histories.

Every year, hundreds of gay men and lesbians join ex-gay ministries in an attempt to convert to non-homosexual Christian lives. In this fascinating study of the transnational ex-gay movement, Tanya Erzen focuses on the everyday lives of men and women at New Hope Ministry, a residential ex-gay program, over the course of several years. Straight to Jesus traces the stories of people who have renounced long-term relationships and moved from other countries out of a conviction that the conservative Christian beliefs of their upbringing and their own same-sex desires are irreconcilable. Rather than definitively changing from homosexual to heterosexual, the participants experience a conversion that is both sexual and religious as born-again evangelical Christians. At New Hope, they maintain a personal relationship with Jesus and build new forms of kinship and belonging. By becoming what they call "e;new creations,"e; these men and women testify to religious transformation rather than changes in sexual desire or behavior. Straight to Jesus exposes how the Christian Right attempts to repudiate gay identity and political rights by using the ex-gay movement as evidence that "e;change is possible."e; Instead, Erzen reveals, the realities of the lives she examines actually undermine this anti-gay strategy.

The characteristic look of California Chaparral-a soft bluish-green blanket of vegetation gently covering the hills-is known to millions who have seen it as the backdrop in movies and television productions. This complex ecological community of plants and animals is not just a feature of the hills around Hollywood, but is a quintessential part of the entire California landscape. It is a highly resilient community adapted to life with recurring fires and droughts. Written for a wide audience, this concise, engaging, and beautifully illustrated book describes an ancient and exquisitely balanced environment home to wondrous organisms: Fire Beetles that mate only on burning branches, lizards that shoot blood from their eyes when threatened, Kangaroo Rats that never drink water, and seeds that germinate only after a fire, even if that means waiting in the soil for a 100 years or more. Useful both as a field guide and an introductory overview of the ecology of chaparral, it also provides a better understanding of how we might live in harmony, safety, and appreciation of this unique ecological community.* Identifies chaparral's common plants, animals, birds, reptiles, amphibians, and insects * Features 79 color illustrations, 56 black-and-white photographs, and 3 maps* Examines the role of humans and fire in chaparral, covering the placement and design of homes, landscaping, and public policy

Written with uncommon grace and clarity, this extremely engaging ethnography analyzes female agency, gendered violence, and transactional sex in contemporary Papua New Guinea. Focusing on Huli "e;passenger women,"e; (women who accept money for sex) Wayward Women explores the socio-economic factors that push women into the practice of transactional sex, and asks how these transactions might be an expression of resistance, or even revenge. Challenging conventional understandings of "e;prostitution"e; and "e;sex work,"e; Holly Wardlow contextualizes the actions and intentions of passenger women in a rich analysis of kinship, bridewealth, marriage, and exchange, revealing the ways in which these robust social institutions are transformed by an encompassing capitalist economy. Many passenger women assert that they have been treated "e;olsem maket"e; (like market goods) by their husbands and natal kin, and they respond by fleeing home and defiantly appropriating their sexuality for their own purposes. Experiences of rape, violence, and the failure of kin to redress such wrongs figure prominently in their own stories about becoming "e;wayward."e; Drawing on village court cases, hospital records, and women's own raw, caustic , and darkly funny narratives, Wayward Women provides a riveting portrait of the way modernity engages with gender to produce new and contested subjectivities.

This highly original historical and political analysis of the Arab-Israeli conflict combines the unique perspectives of two prominent segments of the Middle Eastern puzzle: Israeli Jews and the Palestinian citizens of Israel. Written jointly by an Israeli anthropologist and a Palestinian family therapist born weeks apart to two families from Haifa, Coffins on Our Shoulders merges the personal and the political as it explores the various stages of the conflict, from the 1920s to the present. The authors weave vivid accounts and vignettes of family history into a sophisticated multidisciplinary analysis of the political drama that continues to unfold in the Middle East. Offering an authoritative inquiry into the traumatic events of October 2000, when thirteen Palestinian citizens of Israel were killed by Israeli police during political demonstrations, the book culminates in a radical and thought-provoking blueprint for reform that few in Israel, in the Arab world, and in the West can afford to ignore.

From sushi and karaoke to martial arts and technoware, the currency of made-in-Japan cultural goods has skyrocketed in the global marketplace during the past decade. The globalization of Japanese ';cool' is led by youth products: video games, manga (comic books), anime (animation), and cute characters that have fostered kid crazes from Hong Kong to Canada. Examining the crossover traffic between Japan and the United States, Millennial Monstersexplores the global popularity of Japanese youth goods today while it questions the make-up of the fantasies and the capitalistic conditions of the play involved. Arguing that part of the appeal of such dream worlds is the polymorphous perversity with which they scramble identity and character, the author traces the postindustrial milieux from which such fantasies have arisen in postwar Japan and been popularly received in the United States.

This highly original book brings into focus the sexual discourses manifest in a wealth of little-studied source material-medical texts, legal documents, religious literature, dream interpretation manuals, shadow theater, and travelogues-in a nuanced, wide-ranging, and powerfully analytic exploration of Ottoman sexual thought and practices from the heyday of the Ottoman Empire in the sixteenth century to the beginning of the twentieth. Following on the work of Foucault, Gagnon, Laqueur, and others, the premise of the book is that people shape their ideas of what is permissible, define boundaries of right and wrong, and imagine their sexual worlds through the set of discourses available to them. Dror Ze'evi finds that while some of these discourses were restrictive and others more permissive, all treated sex in its many manifestations as a natural human pursuit. And, he further argues that all these discourses were transformed and finally silenced in the last century, leaving very little to inform Middle Eastern societies in sexual matters. With its innovative approach toward the history of sexuality in the Middle East, Producing Desire sheds new light on the history of the Ottoman Empire, on the history of sexuality and gender, and on the Islamic Middle East today.

This engaging introduction to Japan's burgeoning beauty culture investigates a wide range of phenomenon-aesthetic salons, dieting products, male beauty activities, and beauty language-to find out why Japanese women and men are paying so much attention to their bodies. Laura Miller uses social science and popular culture sources to connect breast enhancements, eyelid surgery, body hair removal, nipple bleaching, and other beauty work to larger issues of gender ideology, the culturally-constructed nature of beauty ideals, and the globalization of beauty technologies and standards. Her sophisticated treatment of this timely topic suggests that new body aesthetics are not forms of "e;deracializiation"e; but rather innovative experimentation with identity management. While recognizing that these beauty activities are potentially a form of resistance, Miller also considers the commodification of beauty, exploring how new ideals and technologies are tying consumers even more firmly to an ever-expanding beauty industry. By considering beauty in a Japanese context, Miller challenges widespread assumptions about the universality and naturalness of beauty standards.

Enemy Lines captures the extraordinary story of boys and girls coming of age during a civil war. Margaret Trawick lived and worked in Batticaloa in eastern Sri Lanka, where thousands of youths have been recruited into the Sri Lankan armed resistance movement known as the Tamil Tigers. This compelling account of her experiences is a powerful exploration of how children respond to the presence of war and how adults have responded to the presence of children in this conflict. Her beautifully written account, which includes voices of the teenagers and young adults who have joined the Tamil Tigers, brings alive a region where childhood, warfare, and play have become commingled in a world of continuous uncertainty.

Leading Chinese journalist Sang Ye follows his successful book Chinese Lives with this collection of absorbing interviews with twenty-six men, women, and children taking the reader into the complex realities of the People's Republic of China today. Through intimate conversations conducted over many years, China Candid provides an alternative history of the nation from its founding as a socialist state in 1949 up to the present. The voices of people who have lived under-and often despite-the Communist Party's rule give a compelling account of life in the maelstrom of China's economic reforms-reforms that are being pursued by a system that remains politically rigid and authoritarian. Artists, politicians, businessmen and -women, former Red Guards, migrant workers, prostitutes, teachers, computer geeks, hustlers, and other citizens of contemporary China all speak with frankness and candor about the realities of the burgeoning power of East Asia, the China that will host the 2008 Olympics. Some discuss the corrosive changes that have been wrought on the professional ethics and attitudes of men and women long nurtured by the socialist state. Others recall chilling encounters with the police, the law courts, labor camps, and the army. Providing unique insight into the minds and hearts of people who have firsthand experience of China's tumultuous history, this book adds invaluable depth and dimension to our understanding of this rapidly changing country.

Wide-Open Town traces the history of gay men and lesbians in San Francisco from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball changed the course of queer history. Bringing to life the striking personalities and vibrant milieu that fueled this era, Nan Alamilla Boyd examines the culture that developed around the bar scene and homophile activism. She argues that the communities forged inside bars and taverns functioned politically and, ultimately, offered practical and ideological responses to the policing of San Francisco's queer and transgender communities. Using police and court records, oral histories, tourist literature, and manuscript collections from local and state archives, Nan Alamilla Boyd explains the phenomenal growth of San Francisco as a "e;wide-open town"e;-a town where anything goes. She also relates the early history of the gay and lesbian civil rights movement that took place in San Francisco prior to 1965. Wide-Open Town argues that police persecution forged debates about rights and justice that transformed San Francisco's queer communities into the identity-based groups we see today. In its vivid re-creation of bar and drag life, its absorbing portrait of central figures in the communities, and its provocative chronicling of this period in the country's most transgressive city, Wide-Open Town offers a fascinating and lively new chapter of American queer history.

To all those who witnessed his extraordinary conquests, from Albania to India, Alexander the Great appeared invincible. How Alexander himself promoted this appearance-how he abetted the belief that he enjoyed divine favor and commanded even the forces of nature against his enemies-is the subject of Frank L. Holt's absorbing book. Solid evidence for the "e;supernaturalized"e; Alexander lies in a rare series of medallions that depict the triumphant young king at war against the elephants, archers, and chariots of Rajah Porus of India at the Battle of the Hydaspes River. Recovered from Afghanistan and Iraq in sensational and sometimes perilous circumstances, these ancient artifacts have long animated the modern historical debate about Alexander. Holt's book, the first devoted to the mystery of these ancient medallions, takes us into the history of their discovery and interpretation, into the knowable facts of their manufacture and meaning, and, ultimately, into the king's own psyche and his frightening theology of war. The result is a valuable analysis of Alexander history and myth, a vivid account of numismatics, and a spellbinding look into the age-old mechanics of megalomania.

Land-locked between its giant neighbors, Russia and China, Mongolia was the first Asian country to adopt communism and the first to abandon it. When the Soviet Union collapsed in the early 1990s, Mongolia turned to international financial agencies-including the International Monetary Fund, the World Bank, and the Asian Development Bank-for help in compensating for the economic changes caused by disruptions in the communist world. Modern Mongolia is the best-informed and most thorough account to date of the political economy of Mongolia during the past decade. In it, Morris Rossabi explores the effects of the withdrawal of Soviet assistance, the role of international financial agencies in supporting a pure market economy, and the ways that new policies have led to greater political freedom but also to unemployment, poverty, increasingly inequitable distribution of income, and deterioration in the education, health, and well-being of Mongolian society. Rossabi demonstrates that the agencies providing grants and loans insisted on Mongolia's adherence to a set of policies that did not generally take into account the country's unique heritage and society. Though the sale of state assets, minimalist government, liberalization of trade and prices, a balanced budget, and austerity were supposed to yield marked economic growth, Mongolia-the world's fifth-largest per capita recipient of foreign aid-did not recover as expected. As he details this painful transition from a collective to a capitalist economy, Rossabi also analyzes the cultural effects of the sudden opening of Mongolia to democracy. He looks at the broader implications of Mongolia's international situation and considers its future, particularly in relation to China.

Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Cafe Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching-a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come.

Social drinking is an accepted aspect of working life in Japan, and women are left to manage their drunken husbands when the men return home, restoring them to sobriety for the next day of work. In attempting to cope with their husbands' alcoholism, the women face a profound cultural dilemma: when does the nurturing behavior expected of a good wife and mother become part of a pattern of behavior that is actually destructive? How does the celebration of nurturance and dependency mask the exploitative aspects not just of family life but also of public life in Japan? The Too-Good Wife follows the experiences of a group of middle-class women in Tokyo who participated in a weekly support meeting for families of substance abusers at a public mental-health clinic. Amy Borovoy deftly analyzes the dilemmas of being female in modern Japan and the grace with which women struggle within a system that supports wives and mothers but thwarts their attempts to find fulfillment outside the family. The central concerns of the book reach beyond the problem of alcoholism to examine the women's own processes of self-reflection and criticism and the deeper fissures and asymmetries that undergird Japanese productivity and social order.

Throughout the history of the United States, images of China have populated the American imagination. Always in flux, these images shift rapidly, as they did during the early decades of the twentieth century. In this erudite and original study, Karen J. Leong explores the gendering of American orientalism during the 1930s and 1940s. Focusing on three women who were popularly and publicly associated with China-Pearl S. Buck, Anna May Wong, and Mayling Soong-Leong shows how each negotiated what it meant to be American, Chinese American, and Chinese against the backdrop of changes in the United States as a national community and as an international power. The China Mystique illustrates how each of these women encountered the possibilities as well as the limitations of transnational status in attempting to shape her own opportunities. During these two decades, each woman enjoyed expanding visibility due to an increasingly global mass culture, rising nationalism in Asia, the emergence of the United States from the shadows of imperialism to world power, and the more assertive participation of women in civic and consumer culture.

China is the only major world power to have entered the twenty-first century with a thriving prison camp network-a frightening, mostly hidden realm known since 1951 as the laogai system. This book, the most comprehensive study of China's prison camps to date, draws from a wide range of primary sources, including many compelling literary documents, to illuminate life inside China's prison camps. Focusing mainly on the second half of the twentieth century, Philip F. Williams and Yenna Wu outline the evolution of the laogai system, construct a vivid picture of prisoners' lives from arrest and interrogation to release, and provide a troubling new perspective on the human rights issues plaguing China.

Drawing on more than fifteen years of research, Mexican New York offers an intimate view of globalization as it is lived by Mexican immigrants and their children in New York and in Mexico. Robert Courtney Smith's groundbreaking study sheds new light on transnationalism, vividly illustrating how immigrants move back and forth between New York and their home village in Puebla with considerable ease, borrowing from and contributing to both communities as they forge new gender roles; new strategies of social mobility, race, and even adolescence; and new brands of politics and egalitarianism. Smith's deeply informed narrative describes how first-generation men who have lived in New York for decades become important political leaders in their home villages in Mexico. Smith explains how relations between immigrant men and women and their U.S.-born children are renegotiated in the context of migration to New York and temporary return visits to Mexico. He illustrates how U.S.-born youth keep their attachments to Mexico, and how changes in migration and assimilation have combined to transnationalize both U.S.-born adolescents and Mexican gangs between New York and Puebla. Mexican New York profoundly deepens our knowledge of immigration as a social process, convincingly showing how some immigrants live and function in two worlds at the same time and how transnationalization and assimilation are not opposing, but related, phenomena.

In this closely integrated collection of essays on colonialism in world history, Frederick Cooper raises crucial questions about concepts relevant to a wide range of issues in the social sciences and humanities, including identity, globalization, and modernity. Rather than portray the past two centuries as the inevitable movement from empire to nation-state, Cooper places nationalism within a much wider range of imperial and diasporic imaginations, of rulers and ruled alike, well into the twentieth century. He addresses both the insights and the blind spots of colonial studies in an effort to get beyond the tendency in the field to focus on a generic colonialism located sometime between 1492 and the 1960s and somewhere in the "e;West."e; Broad-ranging, cogently argued, and with a historical focus that moves from Africa to South Asia to Europe, these essays, most published here for the first time, propose a fuller engagement in the give-and-take of history, not least in the ways in which concepts usually attributed to Western universalism-including citizenship and equality-were defined and reconfigured by political mobilizations in colonial contexts.

Cholera, although it can kill an adult through dehydration in half a day, is easily treated. Yet in 1992-93, some five hundred people died from cholera in the Orinoco Delta of eastern Venezuela. In some communities, a third of the adults died in a single night, as anthropologist Charles Briggs and Clara Mantini-Briggs, a Venezuelan public health physician, reveal in their frontline report. Why, they ask in this moving and thought-provoking account, did so many die near the end of the twentieth century from a bacterial infection associated with the premodern past?It was evident that the number of deaths resulted not only from inadequacies in medical services but also from the failure of public health officials to inform residents that cholera was likely to arrive. Less evident were the ways that scientists, officials, and politicians connected representations of infectious diseases with images of social inequality. In Venezuela, cholera was racialized as officials used anthropological notions of "e;culture"e; in deflecting blame away from their institutions and onto the victims themselves. The disease, the space of the Orinoco Delta, and the "e;indigenous ethnic group"e; who suffered cholera all came to seem somehow synonymous.One of the major threats to people's health worldwide is this deadly cycle of passing the blame. Carefully documenting how stigma, stories, and statistics circulate across borders, this first-rate ethnography demonstrates that the process undermines all the efforts of physicians and public health officials and at the same time contributes catastrophically to epidemics not only of cholera but also of tuberculosis, malaria, AIDS, and other killers. The authors have harnessed their own outrage over what took place during the epidemic and its aftermath in order to make clear the political and human stakes involved in the circulation of narratives, resources, and germs.

This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism. Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct-possessing its own conventions, performance practices, and formal qualities-each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.

Eating Apes is an eloquent book about a disturbing secret: the looming extinction of humanity's closest relatives, the African great apes-chimpanzees, bonobos, and gorillas. Dale Peterson's impassioned expose details how, with the unprecedented opening of African forests by European and Asian logging companies, the traditional consumption of wild animal meat in Central Africa has suddenly exploded in scope and impact, moving from what was recently a subsistence activity to an enormous and completely unsustainable commercial enterprise. Although the three African great apes account for only about one percent of the commercial bush meat trade, today's rate of slaughter could bring about their extinction in the next few decades. Supported by compelling color photographs by award-winning photographer Karl Ammann, Eating Apes documents the when, where, how, and why of this rapidly accelerating disaster. Eating Apes persuasively argues that the American conservation media have failed to report the ongoing collapse of the ape population. In bringing the facts of this crisis and these impending extinctions into a single, accessible book, Peterson takes us one step closer to averting one of the most disturbing threats to our closest relatives.

This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism.A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "e;good with their hands"e; to one that depends on the intellectual and social skills fostered by formal education and service work.Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "e;truth and beauty in the Rust Belt."e;

In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time-how it's felt, remembered, and recounted. These free-form talk pieces-sometimes called talk poems or simply talks-began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960s onward.

Lawsuits over coffee burns, playground injuries, even bad teaching: litigation "e;horror stories"e; create the impression that Americans are greedy, quarrelsome, and sue-happy. The truth, as this book makes clear, is quite different. What Thomas Burke describes in Lawyers, Lawsuits, and Legal Rights is a nation not of litigious citizens, but of litigious policies-laws that promote the use of litigation in resolving disputes and implementing public policies. This book is a cogent account of how such policies have come to shape public life and everyday practices in the United States.As litigious policies have proliferated, so have struggles to limit litigation-and these struggles offer insight into the nation's court-centered public policy style. Burke focuses on three cases: the effort to block the Americans with Disabilities Act; an attempt to reduce accident litigation by creating a no-fault auto insurance system in California; and the enactment of the Vaccine Injury Compensation Act. These cases suggest that litigious policies are deeply rooted in the American constitutional tradition. Burke shows how the diffuse, divided structure of American government, together with the anti-statist ethos of American political culture, creates incentives for political actors to use the courts to address their concerns. The first clear and comprehensive account of the national politics of litigation, his work provides a new way to understand and address the "e;litigiousness"e; of American society.

With a subtle yet penetrating understanding of the intricate interplay of gender, race, and class, Sheba George examines an unusual immigration pattern to analyze what happens when women who migrate before men become the breadwinners in the family. Focusing on a group of female nurses who moved from India to the United States before their husbands, she shows that this story of economic mobility and professional achievement conceals underlying conditions of upheaval not only in the families and immigrant community but also in the sending community in India. This richly textured and impeccably researched study deftly illustrates the complex reconfigurations of gender and class relations concealed behind a quintessential American success story. When Women Come First explains how men who lost social status in the immigration process attempted to reclaim ground by creating new roles for themselves in their church. Ironically, they were stigmatized by other upper class immigrants as men who needed to "e;play in the church"e; because the "e;nurses were the bosses"e; in their homes. At the same time, the nurses were stigmatized as lower class, sexually loose women with too much independence. George's absorbing story of how these women and men negotiate this complicated network provides a groundbreaking perspective on the shifting interactions of two nations and two cultures.

The sights, sounds, and smells of life on the streets and in the houses of eighteenth-century Paris rise from the pages of this marvelously anecdotal chronicle of a perpetually alluring city during one hundred years of extraordinary social and cultural change. An excellent general history as well as an innovative synthesis of new research, The Making of Revolutionary Paris combines vivid portraits of individual lives, accounts of social trends, and analyses of significant events as it explores the evolution of Parisian society during the eighteenth century and reveals the city's pivotal role in shaping the French Revolution.David Garrioch rewrites the origins of the Parisian Revolution as the story of an urban metamorphosis stimulated by factors such as the spread of the Enlightenment, the growth of consumerism, and new ideas about urban space. With an eye on the broad social trends emerging during the century, he focuses his narrative on such humble but fascinating aspects of daily life as traffic congestion, a controversy over the renumbering of houses, and the ever-present dilemma of where to bury the dead. He describes changes in family life and women's social status, in religion, in the literary imagination, and in politics.Paris played a significant role in sparking the French Revolution, and in turn, the Revolution changed the city, not only its political structures but also its social organization, gender ideologies, and cultural practices. This book is the first to look comprehensively at the effect of the Revolution on city life. Based on the author's own research in Paris and on the most current scholarship, this absorbing book takes French history in new directions, providing a new understanding of the Parisian and the European past.

The windmill's labor is contingent upon the weather, upon what air masses, at any given time, overlie its landscape. Anticipatory in mood, Weather Eye Open adopts the emblem of the windmill, seeking what Merleau-Ponty calls the "e;inspiration and expiration of Being."e; The windmill serves as analogue to the perceiving subject, to the poet, whose consciousness, though rooted and partial, is yet always receptive to being energized, turned. Like open sails, the perceiver ushers the weather indoors, converting one motion, the wind, to another, the grinding burrstones. The poems in this collection pursue a similar transmutation through language, a staying open to its various weather (and whether) systems. For Sarah Gridley, language strikes at the "e;X"e; of experience: part presence and part absence, part spirit and part matter, part home and part homesickness, part harnessed and part wild. In the face of such weather, the stance of the poet is both rapacious and passive, searching and struck still.

Part planetary love poem, part 24/7 news flash, the hypnotic poems of This Connection of Everyone with Lungs wrap with equal, angular grace around lovers and battleships. These poems hear the tracer fire in a bird's song and capture cell division and troop deployments in the same expansive thought. They move through concentric levels of association and embrace -from the space between the hands to the mesosphere and back again-touching everything in between. The book's focus shifts between local and global, public and private, individual and social. Everything gets in: through all five senses, through windows, between your sheets, under your skin.

This is the moving and improbable story of Claire Ferchaud, a young French shepherdess who had visions of Jesus and gained national fame as a modern-day Joan of Arc at the height of World War I. Claire experienced her first vision after a childhood trauma in which her mother locked her in a closet to break her stubborn willfulness. She developed her visionary gifts with the aid of spiritual directors and, by the age of twenty, she had come to believe that Jesus wanted France consecrated to the Sacred Heart. Claire believed that if France undertook this devotion, symbolized by adding the image of the Sacred Heart to the French flag, it would enjoy rapid victory in the war. From her modest origins to her spectacular ascent, Claire's life and times are deftly related with literary verve and insight in a book that gives a rare view of the French countryside during the Great War.