Bøker utgitt av University of Arkansas Press

Men of No Reputation is the first account to explore the life of Robert Boatright, one of Middle America's most gifted, but forgotten, confidence men. Boatright's story provides a rare window into the secret world of Missouri's criminal past, which influenced the methods of confidence men across the country. Boatright took the preexisting big-store confidence scheme and perfected it. With the assistance of a talented coterie of confederates known as the Buckfoot Gang, this "dean of modern confidence men" fleeced the gentry of the Midwest on fixed athletic contests in the turn-of-the-century Ozarks. Working in concert with a local bank and an influential Democratic boss, Boatright seemed untouchable. A series of missteps, however, led to a string of court cases across the country that brought his criminal enterprise to an end. And yet, the con continued. Boatright's successor, John C. Mabray, and his cronies, many of whom had been in the Buckfoot Gang, preyed upon victims across North America in one of the largest Midwestern criminal syndicates in history before they were brought to heel. Like the works of Sinclair Lewis, Boatright's story exposes a rift in the wholesome Midwestern stereotype and furthers our understanding of nineteenth- and twentieth-century American society.

"Finalist for the 2024 Miller Williams poetry prize selected by Patricia Smith"--Cover.

In the search for a true home, what does it mean to be confronted instead by an insurmountable sense of otherness? This question dwells at the center of Saba Keramati's Self-Mythology, which explores multiraciality and the legacy of exile alongside the poet's uniquely American origin as the only child of political refugees from China and Iran. Keramati navigates her ancestral past while asking what language and poetry can offer to those who exist on the margins of contemporary society. Constantly scanning her world for some likeness that would help her feel less of an outsider, the poet writes, "You could cut me in half. Send the left side with my mother, / right with my father. Shape what's missing out of clay // from their lands and still I would not belong." Blending the personal and the political, Self-Mythology considers the futurity of diaspora in America while revealing its possibilities.

"In 'The Trouble with Light,' Jeremy Michael Clark reflects on the legacy of familial trauma as he delves into questions about belonging, survival, knowledge, and self-discovery in unflinching lyrical poems. Largely set in the poet's hometown of Louisville, Kentucky, Clark's portraits of interiority gracefully juxtapose the sorrows of alienation and self-neglect with the restorative power of human connection"

"'When he died, my brother became the architect of the rest of my life,' writes Alison Thumel in Architect, which interweaves poems, lyric essays, and visual art to great emotional effect. In this debut collection, the buildings of Frank Lloyd Wright become a blueprint for elegy, as Thumel overlays the language of architecture with the language of grief to raze and reconstruct memories, metaphors, and myths. With obsessive and exacting focus, the poet leads us through room after room in a search to answer whether it is possible to rebuild in the wake of loss"--Provided by publishe

"In 1962, James Meredith famously desegregated the University of Mississippi. Drawing upon historical research and creative inspiration, this graphic history depicts the civil rights icon's relentless pursuit of justice"--

Haunted as much by place and people, landscapes and distant figures, as by the possibilities of image-making itself, Eternal Sentences is a song for the hidden depots of rural America.

Traces the explosion of white nationalism in Arkansas in the 1920s and its impact on the state's development. In documenting this history, Kenneth Barnes shows how the Klan's early success still casts a long shadow on the state to this day.

Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over Arkansas.

More than a retelling of the origin story of a democracy born from an intimate connection with the land, this book wagers that socially responsible agrarian mythmaking should be a vital part of a food ethic of resistance if we are to rectify the destructive tendencies in our contemporary food system.

Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over Arkansas.

Once considered a kind of delinquent activity, skateboarding is on track to join soccer, baseball, and basketball as an approved way for American children to pass the after-school hours. With family skateboarding in the San Francisco Bay Area as its focus, Moving Boarders explores this switch in stance.

Winner of the 2017 Etel Adnan Poetry Prize. Rizkallah's the magic my body becomes is an exciting new book from an exciting young poet, a love letter to a people as well as a fist in the air.

In 1980, photographer Geoff Winningham and architect Cyrus Sutherland traveled extensively throughout Arkansas to locate and photograph examples of southern American vernacular architecture. They were working on a commission from the First Federal Savings and Loan of Arkansas, and after a year they had finished their project. But, with their interest piqued and enjoying their collaboration, they continued on with the project in hopes of amassing a collection of photographs of vernacular architecture from every region of the state. For two more years, Sutherland continued helping Winningham find every possible "dogtrot house, wood frame church, octagonal barn, and one-of-a-kind hog house" in the state. By 1983 Winningham had photographed over three thousand structures, and the architect and photographer put the collection aside and moved on to other projects. Three decades later, after Sutherland had died, Winningham reopened his archive of Arkansas photographs, found his interest rekindled, and decided to return to the sites of the structures he had photographed. Most of the buildings, he discovered, had disappeared due to fires, storms, or neglect. But while Winningham was unable to find many of the structures he had photographed, what he did find were local people who remembered them. The stories of these local people join the original photographs in Of the Soil in a remarkable fusion that shows us much about the culture of the American South.

Set in an Iraqi village during the Iran-Iraq war, Scattered Crumbs critiques a totalitarian dictatorship through the stories of an impoverished peasant family. Scattered Crumbs was first published in Arabic in Cairo in 2000. This translation captures the subtle sarcasm of the original text and its elliptical rhythms.

Captures a remarkable year in boxing - 2008. This work exposes the inner workings of HBO sports, goes behind the scenes at boxing's biggest fights, revisits historical figures like John L Sullivan, and offers revealing portraits of Don King, Oscar De La Hoya, Manny Pacquiao, Ricky Hatton and Bernard Hopkins.