Bøker utgitt av University of Alberta Press

Maylor's The Bad Wife is an intimate, first-hand account of how to ruin a marriage.

This textbook outlines what is expected of Canadian psychologists and how to practice ethically.

This collection invites us to think about how African-descended men are seen as both appealing and appalling, and exposed to eroticized hatred and violence and how some resist, accommodate, and capitalize on their eroticization. Drawing on James Baldwin and Frantz Fanon, the contributors examine the contradictions, paradoxes, and politico-psychosexual implications of Black men as objects of sexual desire, fear, and loathing. Kitossa and the contributing authors use Baldwin's and Fanon's cultural and psychoanalytic interpretations of Black masculinities to demonstrate their neglected contributions to thinking about and beyond colonialist and Western gender and masculinity studies. This innovative and sophisticated work will be of interest to scholars and students of cultural and media studies, gender and masculinities studies, sociology, political science, history, and critical race and racialization.Contributors: Katerina Deliovsky, Delroy Hall, Dennis O. Howard, Elishma Khokhar, Tamari Kitossa, Kemar McIntosh, Leroy F. Moore Jr., Watufani M. Poe, Satwinder Rehal, John G. Russell, Mohan Siddi

"Sahbaa Al-Barbari's story provides a unique perspective on Palestinian experience before and after the 1948 Nakba. Born in Gaza, Al-Barbari began her career as a school teacher and was an activist in her community. When Israel occupied the Gaza Strip in 1967, Al-Barbari was exiled from Palestine, continuing her activism as she lived in Egypt, Syria, Lebanon, Cyprus, Kuwait, Tunis, Libya, and Europe. Al-Barbari returned to Gaza in 1996. This is the second book in the Women's Voices from Gaza series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. The books in this series will benefit Middle East scholars, social justice and human rights advocates, and all who want to know more about the modern history of Palestine."--

A poet's struggle for identity and salvation in the face of religious dogma and alcoholism.

"You Look Good for Your Age is a collection of fiction, non-fiction, and poetry about ageism by 29 women writers ranging in age from forties to nineties. The anthology responds to a culture that values youth and that positions aging in women as a failure. Questions arise. What effects do negative social assumptions have on women as they age? What messages about aging do we pass on to our daughters? Through essays, short stories, and poetry, the contributing writers explore these questions with thoughtfulness, satire, and fury. Contributors: Rona Altrows, Debbie Bateman, Moni Brar, Maureen Bush, Sharon Butala, Jane Cawthorne, Joan Crate, Dora Dueck, Cecelia Frey, Ariel Gordon, Elizabeth Greene, Vivian Hansen, Joyce Harries, Elizabeth Haynes, Paula Kirman, Joy Kogawa, Laurie MacFayden, JoAnn McCaig, Wendy McGrath, E.D. Morin, Lisa Murphy Lamb, Lorri Neilsen Glenn, Olyn Ozbick, Roberta Rees, Julie Sedivy, Madelaine Shaw-Wong, Anne Sorbie, Aritha van Herk, Laura Wershler."--

"In A Short History of the Blockade, award-winning writer Leanne Betasamosake Simpson uses Michi Saagiig Nishnaabeg stories, storytelling aesthetics, and practices to explore the generative nature of Indigenous blockades through our relative, the beaver--or in Nishnaabemowin, Amik. Moving through genres, shifting through time, amikwag stories become a lens for the life-giving possibilities of dams and the world-building possibilities of blockades, deepening our understanding of Indigenous resistance, as both a negation and an affirmation. Widely recognized as one of the most compelling Indigenous voices of her generation, Simpson's work breaks open the intersections between politics, story, and song, bringing audiences into a rich and layered world of sound, light, and sovereign creativity. A Short History of the Blockade reveals how the practice of telling stories is also a culture of listening, "a thinking through together," and ultimately, like the dam or the blockade, an affirmation of life."--

Memory and reality, homeland and settlement, life and death-uncovering sacrifices, secrets, and forgiveness.

Strong, voice-driven poetry explores the broader experience of the African Diaspora, and taboos within taboos.

"The poems in Ghosts Still Linger explore the past and present of the prairies, juxtaposing contemporary responses to grief and environmental issues with musings about iconic historical figures such as Buffalo Bill Cody and Annie Oakley. Kat Cameron's engaging and lyrical voice illuminates the unsung perspectives of the women of the West, creating a compelling narrative that reflects on her own struggles with sorrow. She conjures ghosts, weaves together insights on notable individuals with wit and irony, and interrogates prairie sensibilities, loss, memory, and the impacts of boom and bust."--

"Internationally acclaimed poet and novelist Dionne Brand reflects on her early reading of colonial literature and how it makes Black being inanimate. She explores her encounters with colonial, imperialist, and racist tropes; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and its own consciousness."--

"Palestinian refugees in Gaza have lived in camps for five generations, experiencing hardship and uncertainty. In the absence of voice or official histories, oral narratives handed down from generation to generation bear witness to life in Gaza since Nakba--the catastrophe of dispossession. These histories maintain traditions, keep names of destroyed villages alive, and record stories of fighting for dignity and freedom. The Women's Voices from Gaza series honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. In A White Lie, the first volume in this series, Madeeha Hafez Albatta chronicles her life. Among her remarkable achievements was establishing some of the first schools for refugee children in Gaza. Her story will benefit Middle East scholars, social justice and human rights advocates, and all who want to know more about the modern history of Palestine."--

Identifying and understanding camouflaged aggression and the characteristics of organizations that foster and enable it.

"Dissonant Methods is an innovative collection that probes how, by teaching inventively, postsecondary instructors can resist the constrictions of neoliberalism. Taking up the call in the Scholarship of Teaching and Learning to understand teaching as scholarship, these essays offer concrete and practical meditations on resistant and sustainable teaching. The contributors seek to undermine forms of oppression frequently practised in higher education, and instead advance a vision of the university that upholds ideals such as critical thinking, creativity, and inclusivity. Essential reading for faculty and graduate students in the humanities, Dissonant Methods offers urgent, galvanizing ideas for anyone currently teaching in a college or university. Contributors: Kathy Cawsey, Kit Dobson, Ada S. Jaarsma, Rachel Jones, Kyle Kinaschuk, Namrata Mitra, Guy Obrecht, Katja Pettinen, Kaitlin Rothberger, Ely Shipley, Martin Shuster"--

A comprehensive, thematically-organized compilation of constitutional documents relating to Canada, its provinces, and territories.

Essays in French or English use affect as a lens for reading contemporary Canadian literatures.

"When the Rogers Place arena opened in downtown Edmonton in September 2016, no amount of buzz could drown out the rumours of manipulation, secret deals, and corporate greed undergirding the project. Working with documentary evidence and original interviews, the authors present an absorbing account of the machinations that got the arena and the adjacent Ice District built, with a price tag of more than

A provocative discussion of knowledge-making, ways of knowing, and what counts as legitimate knowledge transmission.

"Malcolm Forsyth (1936-2011) was a musical legend: a much-loved composer, performer, teacher, and mentor. Reflections on Malcolm Forsyth presents a captivating and approachable portrait of one of Canada's finest modern composers. Readers will discover both public and private sides to the man and gain fresh insights from critical assessments of a broad range of Forsyth's compositions, his continuing popular appreciation, and his lasting influence on the next generation of musicians and music scholars. Drawing from the perspectives of leading scholars, composers, and musicians, as well as on those of family, friends, students, and colleagues, Reflections on Malcolm Forsyth honours the rich life and cultural significance of this exceptional creative mind. It is important reading for music students and researchers, professional performers, and anyone who loves contemporary music."--

"With Masters and Servants, Scott P. Stephen has revealed startling truths about the men of the Hudson's Bay Company. Rather than dedicating themselves body and soul to the Company's interests, these workers hired out like domestic servants, joining a 'household' with its attendant norms of duty and loyalty. Through painstaking documentary research, Stephen shines welcome light on the lives of these largely overlooked historical actors. The household system produced a remarkably stable political-economic entity, connecting early Canadian resource extraction to larger trends in British imperialism and its emerging social relations. An essential book for labour historians, Masters and Servants will appeal to scholars of early modern Britain, the North American fur trade, Western social history, or business history, and anyone intrigued by the reach of the HBC."--

This book makes available a unique set of little known hide paintings that offer valuable insights into one of the lesser-studied Plains Indian societies.

Is there a limit to the liberties a writer can take with the real world?

"The poems in E. Alex Pierce's new collection invite readers to meditate upon language embedded in landscape, and trace the formation of a young artist who begins in music, arrives at theatre, and ends in poetry. From striking individual poems such as "The fetch of the wind" and "The sky full of empty rooms" to the stunning stretched sonnet sequence "The Stanzas. Rooms."--Which searches a passionate relationship with a photographer for the beginnings of a poet's voice--the collection moves from the fragmented textures of childhood memory in an East Coast village to the complex juxtaposition of art museums, performance, opera, and string quartets. These fiercely poised poems are layered and rich, with a sensuous attention to line and breath; a major new volume from an accomplished poet."--

Delicate, authentic poems that oscillate between grief and joy as they explore parenthood and loss.

Four years after Therese Greenwood and her husband moved to Fort McMurray, Alberta, their new community was shattered by one of the worst wildfires in Canadian history. As the flames approached, they had only minutes to pack, narrowly escaping a fire that would rage for weeks, burn more than 85,000 hectares and force 80,000 people to flee.

Why couldn''t I occupy the world as those model-looking women did, with their flowing hair, pulling their tiny bright suitcases as if to say, I just arrived from elsewhere, and I already belong here, and this sidewalk belongs to me? When her marriage suddenly ends, and a diary documenting her beloved Opa''s escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi Lewis decides to retrace his journey to freedom. Travelling alone from Amsterdam to Lyon, she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis''s memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations.

Through a fusion of personal experience and art, the contributors help us understand the lived realities of individuals with head and neck cancer. Featuring original art from Ingrid Bachmann, Sean Caulfield, Jude Griebel, Jill Ho-You, Heather Huston, and Bradley Necyk, this collaborative, interdisciplinary exploration draws together the voices of patients, health care practitioners, researchers, and artists to offer a more holistic--more human--understanding of cancer treatment and its aftermath. Art-Medicine Collaborative Practice will resonate with people with head or neck cancer as well as medical practitioners who aid in their healing process. It is an important book for all those in the health professions and medical humanities, as well as artists, arts-based researchers, and those interested in the areas of health and visual communication and knowledge translation. Contributors: Ingrid Bachmann, Pamela Brett-MacLean, Sean Caulfield, Kimberly Flowers, Jude Griebel, Bahaa Harmouche, Jill Ho-You, Heather Huston, Bernie Krewski, Lianne McTavish, Suresh Nayar, Bradley Necyk, Leslie O''Connor-Parsons, Kyle Terrence, Helen Vallianatos, Minn N. Yoon

Collaboration between traditional knowledge and Western bio-medicine aims to improve health care in Northern communities.

A vital book of cultural storytelling for Dene readers and anyone invested in Indigenous knowledge-keeping.

This exhibition catalogue features over 100 highlights of a large and extraordinary collection of Canadian little magazines and Canadian small press and micro-press imprints assembled by David McKnight. As a determined collector/librarian imbued with remarkable passion and resolve, McKnight invested 30 years developing a private collection that has considerable potential for literary research in the areas of Canadian Modernist poetry, avant-garde literature, and the production of small magazines in Canada. McKnight generously donated the collection to the University of Alberta Libraries in 2012, and this publication unveils the collection publicly for the first time.