Bøker utgitt av University of Alberta Press

Explores efforts of rural citizens to counter intolerance, build inclusive communities, and become better neighbours.

This collection brings together ten studies by scholars from various countries on a wide array of topics related to the history, culture, and ritual practice of Eastern Christians in the Habsburg Empire from the eighteenth to early twentieth century. This book represents a contribution to the development of newer perspectives on the Habsburg Monarchy emerging in recent years. These newer tendencies seek to understand the dynamics of the Monarchy's pluralism by marrying local and transnational analyses and examining shared experiences across crown lands within the context of the empire. This approach proves to be valid for the religious pluralism of the Habsburg Empire, where self-professed confessional identity could not be delimited either within a crown land or within a specific ethnic milieu. The studies in this volume explore just such shared practices and experiences encompassing a larger collection of territories within the Monarchy by focusing on those areas that contained large numbers of Christians whose faith and rituals derived from Byzantium rather than Rome, that is, Eastern Orthodox and Greek Catholics (Uniates). The volume also aims to provide a corrective in Eastern Christian studies by looking outside Russia and Greece at the often hybrid practices and cultural and religious experiences of Europe's westernmost Orthodox and Byzantine Catholic faithful. Several chapters deal with the sacral art of the Habsburg Monarchy's Ukrainians and Rusyns.- Ten studies on the history, culture, and ritual practice of Eastern Christians in the Habsburg Empire.- The contributing scholars are from various countries and the chapters cover a wide array of topics in the period from the eighteenth to early twentieth century. - This book represents a contribution to the development of newer perspectives on the Habsburg Monarchy. The contributors seek to understand the dynamics of the Monarchy's pluralism through local and transnational analyses as well as across different ethnic groups.- The studies in this volume focus on areas that contained large numbers of Christians whose faith and rituals derived from Byzantium rather than Rome, that is, Eastern Orthodox and Greek Catholics (Uniates). - The volume also aims to provide a corrective in Eastern Christian studies by looking outside Russia and Greece at the often hybrid practices and cultural and religious experiences of Europe's westernmost Orthodox and Byzantine Catholic faithful. - As well, several chapters deal with the sacral art of the Habsburg Monarchy's Ukrainians and Rusyns.

A critical edition of a Norwegian free trader's account of the fur trade in Manitoba.

Offers a series of critical perspectives concerning reconciliation and reconciliatory efforts between Canadian and Indigenous peoples in the field of education.

Documents how the West came to have an ideology that has promoted environmentally destructive economic expansion.

Interrogates nationalism in the context of literary production across several geo-cultural contexts.

Scholars suggest innovations in sustainability in higher education designed to empower students to address global environmental challenges.

Based on over thirty years of working with children and adults dying from cancer, LeBaron's memoir contains stories of longing, confusion, love, and humility, helping readers find solace and confidence.

Four centuries of playscripts and archival material challenge us to rethink Canadian theatre and performance.

Explores the challenges and opportunities for advancing human, Indigenous, housing, property, and various other forms of rights in the neoliberal city.

A perfect guide for those curious about recent forces and events that have shaped modern Canada.

This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, academic scholars, and artists to work on an interdisciplinary and collaborative research-creation project tackling complex issues related to the use and distribution of vaccines in the world today. The project launched at the Trondheim Academy of Fine Art's Galeri KiT (2017), moved to the Joint United Nations Programme on HIV/AIDS (UNAIDS) headquarters building in Geneva, Switzerland (2017), and concluded at the McMaster Museum of Art at McMaster University (2021).Contributors: Jesper Alvær, Sean Caulfield, Timothy Caulfield, Susan Colberg, Patrick Fafard, Caitlin Fisher, Steven Hoffman, Johan Holst, Annemarie Hou, Alison Humphrey, Jude Kang Hwirin, Rachelle Viader Knowles, Kaisu Koski, Vicki Sung-yeon Kwon, Natalie Loveless, Patrick Mahon, Tegan Moore, Carol Podedworny, Sergio Serrano, Florian Schneider, Lathika Sritharan, Mkrtich Tonoyan, Lalaine Ulit-Destajo, Susan Rogers Van Katwyk, Morgan Wedderspoon, Arman Yeritsyan

"During my first post-lockdown massage, I willingly engaged in the requisite chit chat about lockdown experiences with my therapist. He gushed behind his mask: 'Oh man. It was so great. Every day I woke up, drank coffee, read, rode my bike'My therapist's description did sound pretty great. But it was nothing like my own anxiety-ridden ordealHad I done the lockdown wrong?"In Next Time There's a Pandemic, artist Vivek Shraya reflects on how she might have approached 2020 and the COVID-19 pandemic differently, and how challenging and changing pervasive expressions, attitudes, and behaviours might transform our experiences of life in--and after--the pandemic. What might happen if, rather than urging one another to "stay safe," we focused instead on being caring? What if, instead of striving to "make the best of it" by doing something, we sometimes chose to do nothing? With generosity, Shraya captures the dissonances of this moment, urging us to keep showing up for each other so we are better prepared for the next time...and for all times.

You Might Be Sorry You Read This is a stunning debut, revealing how breaking silences and reconciling identity can refine anger into something both useful and beautiful. A poetic memoir that looks unflinchingly at childhood trauma (both incestuous rape and surviving exposure in extreme cold), it also tells the story of coming to terms with a hidden Indigenous identity when the poet discovered her Métis heritage at age 38. This collection is a journey of pain, belonging, hope, and resilience. The confessional poems are polished yet unpretentious, often edgy but humorous; they explore trauma yet prioritize the poet's story. Honouring the complexities of Indigenous identity and the raw experiences of womanhood, mental illness, and queer selfhood, these narratives carry weight. They tell us "You need / only be the simple / expression of the divine / intent / that is your life." There is a lifetime in these poems.

Arborophobia, the latest collection by award-winning poet Nancy Holmes, is a poetic spiritual reckoning. Its elegies, litanies, and indictments concern wonder, guilt, and grief about the journey of human life and the state of the natural world. When a child attempts suicide and western North America burns and the creep of mortality closes in, is spiritual and emotional solace possible or even desirable? Answers abound in measured, texturally intimate, and often surprising ways. The title sequence, named for a word that means "hatred of trees," sassily blurs the boundaries between human beings and Ponderosa pines, reminding us how fragile our conceptual frameworks really are. Another sequence responds to Julian of Norwich's writing and call "to practise the art / of letting things happen." Saints' lives interlace with our quotidian experience, smudging connections between the spiritual and the earthly. Taking a hard look at what we have done to this beautiful planet and to those we love, Arborophobia is a companion for all who grapple with the problem of hope in times of crisis.

This poignant debut by Gavin Bradley explores the emotional toll of different kinds of separation: from a partner, a previously held sense of self, or a home and the people left behind. The main narrative describes the deterioration of a long-term relationship, interweaving poems dealing with the loneliness of immigration and the anxiety of separation from Northern Ireland, the poet's homeland. These personal poems enter their stories through a variety of characters and places, from dock builders to dogs, from shorelines to volcanoes, to "mouths soft and humming like beehives." Other sections of the collection examine a post-Troubles' experience in Northern Ireland (evoking the lived-experience of growing up with bombs and domineering Catholicism), tell grandfather stories, and show a lasting love for the people, the language, and the land. Separation Anxiety ultimately conveys a message of hope, reminding us that "we'll be remembered for / ourselves, and not the spaces we / leave behind."

Balancing an ambivalent relationship to the past, and fear and hope for the future, Kasia Van Schaik's portraits of female interiority, immigrant identity, dislocation, and desire trace the transitions from girlhood to adulthood, grappling with the struggle to understand what it means to live on earth.

Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, colour theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming readers to share her intellectual and emotional preoccupations. With an intimate awareness of place and time, a deep sensitivity to family, and a poetic delight in travel, local food and wine, and dogs, Blue Portugal and Other Essays offers up a sense of wonder at the interconnectedness of all things.

Amy Kaler explores the changing consciousness and confusion of life during the COVID-19 pandemic's first year. Reflexive and relatable, she captures fine-grained, everyday experiences from an extraordinary year.

Indigenous Elders, healers, Western physicians, and scholars seek complementarities between Indigenous practices and Western biomedicine.

The provocative concept of a "right to be rural" illuminates challenges facing rural communities worldwide.

A diverse collection of scholarly and practical perspectives on the field of design in Alberta.

Agents of change interrogate, challenge, and reconceptualize North American hockey's cultural norms.

"In Impact, 21 women writers consider the ramifications of concussion on their personal and professional lives. The anthology bears witness to the painstaking work that goes into redefining identity and regaining creative practice after a traumatic event. By sharing their complex, non-linear, and sometimes incomplete healing journeys, these women convey the magnitude of a disability which is often doubted, overlooked, and trivialized, in part because of its invisibility. Showcasing a diversity of women's stories, Impact offers compassion and empathy to all readers and families healing from concussion and other types of trauma. Contributors: Adáele Barclay, Jane Cawthorne, Tracy Wai de Boer, Stephanie Everett, Mary-Jo Fetterly, Rayanne Haines, Jane Harris, Kyla Jamieson, Alexis Kienlen, Claire Lacey, E. D. Morin, Julia Nunes, Shelley Pacholok, Chiedza Pasipanodya, Judy Rebick, Julie Sedivy, Dianah Smith, Carrie Snyder, Kinnie Starr, Amy Stuart, Anna Swanson."--

Thirteen contributors examine Indigenous peoples' negotiations with different cosmologies in today's globalized world.

"Setting off on foot from Winchester, Ken Haigh hikes across southern England, retracing one of the traditional routes that medieval pilgrims followed to the shrine of Saint Thomas Becket at Canterbury Cathedral. Walking in honour of his father, a staunch Anglican who passed away before they could begin their trip together, Haigh wonders: Is there a place in the modern secular world for pilgrimage? On his journey, he sorts through his own spiritual aimlessness while crossing paths with writers like Anthony Trollope, John Keats, Jane Austen, Jonathan Swift, Charles Dickens, and, of course, Geoffrey Chaucer. On Foot to Canterbury is part travelogue, part memoir, part literary history, and all heart."--

Six Indigenous women demonstrate survivance through photos and narratives about street gangs and street lifestyle.

Deriving explores infertility, motherhood, and family, while troubling colonial legacies of language and Canadian identity.