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Moving beyond a biting indictment of American popular culture, Jameka Williams captures the reader's gaze and stares right back: "I'm sorry, America, but I'm rich in baby oil & paperback novels only these days. So finish paying for me with what is mint. No conditions." In this stunning debut collection, Williams offers a deeply personal investigation into how Americans (herself included) have been duped, buying into classism, sexism, and racist beauty ideals, while sacrificing the freedom of self-love and self-determination. With whip-fast profanity and fiery humor, she charts a tender, exalting, and vibrant path to freedom from mirrors, stages, and screens. Fiercely feminist, Black, American, and powerful, Williams speaks for a generation of obsessive social media influencers and consumers, revealing the complex ways in which we are all actors, witnesses, and victims in our public and private performances. Though we may be permanent residents of this soulless cultural landscape, this stunning collection refuses to let it define us. I am not the same machine which came rambling off the conveyor belt, hugging the bolts & wires spilling from her vivisection. I'm last year's model with a sleeker, softer system of cool disdain for my Internet addictions. --Excerpt from "I Intend to Outlast"

Plain tells the story of Mary Alice Hostetter's journey to define an authentic self amid a rigid religious upbringing in a Mennonite farm family. Although endowed with a personality "prone toward questioning and challenging," the young Mary Alice at first wants nothing more than to be a good girl, to do her share, and-alongside her eleven siblings-to work her family's Lancaster County, Pennsylvania, farm. She feels fortunate to have been born into a religion where, as the familiar hymn states, she is "safe in the arms of Jesus." As an adolescent, that keen desire for belonging becomes focused on her worldly peers, even though she knows that Mennonites consider themselves a people apart. Eventually she leaves behind the fields and fences of her youth, thinking she will finally be able to grow beyond the prohibitions of her church. Discovering and accepting her sexuality, she once again finds herself apart, on the outside of family, community, and societal norms. This quietly powerful memoir of longing and acceptance casts a humanizing eye on a little-understood American religious tradition and a woman's striving to grow within and beyond it.

Ripple Effects will be a go-to source for all who love lakes and who advocate for their protection; its driving question is summed up by one of Rulseh's interviewees: We love this lake. What can we do to keep it healthy?

Orville, Illinois, is bucolic, charming, and almost Norman Rockwellesque-if you're white. But like many midwestern cities in the 1960s, it is a "sundown" town-a place where Black Americans are prohibited from entering or remaining after dark. The town's most adventurous woman, Cassie Zeul, is an outcast because she has no husband and takes an occasional lover. Her son, Gus, guided by Sister Damien, aspires to be a priest, but he is increasingly overwhelmed by his infatuation with Pat Lemkey-who is herself drawn to Jenny Biel, considered by many to be the most beautiful girl in town. Gus's best friend, Fenza Ryzchik Jr., a somewhat notorious bully desperate for his father's attention, hates "colored people," doesn't think he knows any, and is certain he can convince Jenny to marry him one day-without realizing that her devout mother has been passing for white her entire life. Events come to a head when a visiting nun from the South brings an African American friend with her to Midnight Mass one Christmas Eve. The dreams and desires of these characters collide and intersect as they navigate life and coming of age in the rural Midwest. In Janko's masterful hands, the darkness-of prejudice, privilege, and power-that they don't even recognize threatens to overwhelm their lives and their plans for the future. This novel forces us, as well as its characters, to acknowledge the cost of hiding our true selves, and of judging others based on the color of their skin or the longing of their hearts.