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Better known as 'Lizzie Siddal', the model who posed for John Everett Millais's painting Ophelia, Elizabeth Eleanor Rossetti is now finally recognised as a Pre-Raphaelite artist in her own right, working alongside her male colleagues on equal terms. Elizabeth's designs were truly original, the creation of her own imagination. They embodied the essence of Pre-Raphaelitism that her husband Gabriel and other members of the circle were striving to achieve. The male members of the group shamelessly copied the ideas from Elizabeth's small sketches to create their own large masterpieces which have since become the epitome of Pre-Raphaelite art. The exclusion of women from the narrative has had a major impact in creating the perception of the Pre-Raphaelites as a predominantly male artistic movement; in Beyond Ophelia Dr Glenda Youde shows Elizabeth not to be a pathetic drowning figure, but as the initiator of a directional change in the visual development of Pre-Raphaelite art. Featuring a unique collection of photographs of Elizabeth's work commissioned by her husband after her death, this book highlights the critical importance of her role within the Pre-Raphaelite circle, and one which ultimately led to the evolution of the Aesthetic Movement.

The Ghurids have their origins in the mountainous region of modern central Afghanistan, from where they established the first Islamic state in India. Some of their ghulams, primarily nomadic Turks from Central Asia, were to become independent rulers, leading to the foundation of the Delhi Sultanate. At its height, in the late-twelfth and early-thirteenth centuries, their domain extended from the shores of the Caspian Sea to the Bay of Bengal and from the Straits of Hormuz to the River Oxus. Mamluks, Conquest and Culture covers both the military and political history of the dynasty and the Persianate cultural world they inhabited and propagated on the subcontinent. The collapse of the Great Seljuk Empire allowed them to expand westwards into Iran. Extensive use of ghulams played a crucial role in their success, and this cavalry was to prove decisive in the campaigns against the Indian dynasties. Their conquests reunited territories to create a transregional empire for the first time in a millennium.

A remarkable painting by the Antwerp painter Maerten de Vos, 'Moses Showing the Tablets of the Law to the Israelites', shows wealthy merchants, artists and poets, a ground-breaking botanist, a pioneer in women's education, and the greatest publisher of the age gathered around a portrayal of Moses and Aaron with the stone tablets of the law engraved with the Ten Commandments in Dutch. In searching for an answer to the question of what brought together this diverse group of influential people in sixteenth-century Antwerp, Richard Willmott turns to their letters, diaries, friendship albums and poetry to write a group biography. As he finds out more about each life and explores the links that brought them together, he shows how a network of friendship and exchange of scholarly ideas that crossed the Channel and Europe's borders lay behind the rich civilisation of sixteenth-century Antwerp, until it was destroyed by the struggle for political and religious power in the Eighty Years War when the Dutch fought the Spanish for independence.

This is a biography lightened with the intimate tone of a social memoir, about a woman who was both a bystander and protagonist through some fifty years of twentieth-century British history. Pamela Berry was the daughter of the famous and brilliant self-made politician and lawyer, F.E.Smith, the first Earl of Birkenhead, and married the son of another self-made buccaneer, William Berry from south Wales, who became Viscount Camrose and the owner of a group of national newspapers, including the Daily Telegraph. She had an unusually glamorous and precocious upbringing, spoiled by her adoring father and much photographed by Cecil Beaton, and in her prime used her position as a newspaper proprietor's wife to become the most famous political and press hostess of her generation, harnessing her beauty and wit to influence the successive governments of the day.

In Real Vanilla, Nature's Unsung Hero LittlePod's founder Janet Sawyer tells of her company's mission over the last fifteen years to save real vanilla which was under threat of being lost within a generation. They have made a huge difference, encouraging the development of vanilla paste in a tube, supporting farming communities in the world's equatorial regions and educating consumers all around the world about the importance and value of vanilla to the planet. Through LittlePod supporting a pioneering polyculture orchard in Indonesia, it has helped educate future generations about a precious plant that is the essence of sustainability. This is a fascinating story of how a determined woman used the 'empty nest' time in her life to build a company whilst learning about biodiversity, supporting farmers' livelihoods and creating a family of human relationships - fondly known as 'LittlePodders'.

Joshua Hagler's Nihil explores in an absolutely unique way the realisation and consummation of the mind, process and application of an artist's life and work. Hagler defi ned for himself nine key tenets to guide his artistic vision and then utilised and inhabited nine spaces in New Mexico to articulate this vision. His site-specific installations and interventions in lost and forgotten buildings, schools, churches and post offices create ghostly imaginative spaces that integrate many times and places hovering within a single moment. This extraordinary and unique sequence of work is documented and recorded in this important publication of a singular artistic vision. 'The law of the conservation of mass states that nothing is lost, nothing is created, everything is transformed. Here lies the pathos to Joshua Hagler's convoluted mental and pictorial universe.' - David Anfam, Art Historian & Curator

Pedlars, Poseurs and Performers is a compelling insight into the world of the Portobello Street market. Fifty years of photographs, which go beyond the stalls, shops and cafes normally associated with it. Each picture features, where possible, the subject's name and the date the picture was taken. Some of the characters shared their stories with Brian Jaquest while being photographed in his studio. The non-conformist approach to the layout of the book represents the chaotic experience of a street market. The photographs and texts describe each category in the book's title: pedlars, poseurs and performers. This book is not only a visual record of the characters who have made the Portobello Street market famous over generations but is also a collection of fascinating photographs taken from the point of view of an insider. Pedlars, Poseurs and Performers is an in-depth photographic history which takes the reader into the ticking heart of the Portobello Road.

The beautiful Anglo-Italian artist Maria Cosway was one of the most talented and dynamic women active in Regency England, but one whose achievements have been largely overlooked. Born in Florence in 1760, she was acclaimed at an early age as both a painter and a musician. She exhibited forty-one paintings at the Royal Academy summer exhibition between 1781 and 1801, and hosted regular musical soirees at the Pall Mall house she shared with her husband, Richard Cosway. They were attended by the political and cultural elite of London. Maria's extraordinary network of connections to the great and the good of the late-eighteenth and early-nineteenth centuries, included friendships with, among others, Thomas Jefferson, the Prince of Wales, Pasquale Paoli, the artist Jacques-Louis David, the opera singer Luigi Marchesi, the Duchess of Devonshire, the actress and writer Mary Robinson, and members of the Bonaparte family. Estranged from her husband by 1801, Maria Cosway largely gave up painting and reinvented herself as a progressive educator, founding schools for young women: first in Lyon, later in Lodi, Italy. In recognition of her achievements at Lodi, the Emperor of Austria made her a baroness.

This is the almost incredible but well-documented story of the author's 40-year-long hard-fought battle with naval authorities and government.

Celebrating over 60 years of Interior and Garden Design Education.

From the human truths, brutalist architecture and packed tube trains of 1970s London to the vineyards, Renaissance châteaux and riotous festivals of Gascon France, Michael Fell (1939 - 2023) chronicled the world he saw. His exuberant paintings and prints explore the sadnesses, humour and joys of ordinary people in work combining technical freedom with visual wit, compassion and delight. Fell's visions of city, town and landscape raise intriguing questions about the relationship between perception and feeling. Motifs and images of day to day life, captured with Fell's fine draftsmanship, appear alongside literary, religious and aesthetic allusion. The Art of Michael Fell, edited by art historian Andrew Wilton, explores the artist's life, work and influences, with perspectives from leading figures in the world of art criticism, painting and print making. This richly illustrated study will bring a new appreciation and understanding of the original, technically inventive and wide ranging oeuvre of a notably private artist.

Often overshadowed by its more famous counterpart, the Spitfire, the Hawker Hurricane proved to be the unsung hero of the Second World War. Over half of every enemy aeroplane destroyed in the Battle of Britain was by a Hurricane, not a Spitfire. While the Hurricane is known for being the reliable workhorse of the Battle of Britain, it also went on to serve in nearly every major theatre of the war, even as a bomber. Using rare archival footage from IWM's unique collection, this flip book recreates the impressive manoeuvres of the legendary Hurricane in flight. Watch Hurricane Mk I fighters of No. 73 Squadron take off on a sortie, showcasing the daring skills of their pilots.

Published to mark the 150th anniversary of the birth of the man voted 'the Greatest Briton', Churchill: A Visual History tells the incredible story of Winston Churchill's long life and lasting legacy. With particular focus on Churchill's pivotal role during the Second World War, the book features artefacts, interviews, documents, art and photographs from IWM's unparalleled collections - some of them never previously published. Featuring compelling personal testimony from the man himself alongside the accounts of those who worked closely with him, this richly illustrated history brings Churchill's story to life like never before.

Drawing on the depth of IWM's art collection, this book takes a look at some of the most iconic and easily identifiable images of the Second World War: the posters. Reproduced in full colour with an introduction and explanatory text, the book explores the British government's use of propaganda throughout the war years, ranging from the well-known 'Dig For Victory' to more obscure campaigns.

IWM holds approximately 11 million photographs in its archives, covering the causes, course and consequences of modern conflict from the First World War to the present day. Drawing on this unique collection, Winston Churchill showcases 50 iconic images of Britain's wartime prime minister. Marking 150 years since his birth, these poignant images document some of the most important and defining moments of Churchill's long life and career as a politician, soldier and war leader.

Janet Leach's childhood in Texas through the Roaring Twenties and the Depression imbued her with resilience and numerous practical skills, initially acquired on her grandparents' self-sufficient farmstead. At nineteen she took a Greyhound bus to cosmopolitan New York and soon found work as a sculptor's assistant. During the war she worked on Staten Island, welding the hulls of US-Navy destroyers. After discovering pottery, she met Bernard Leach and Shoji Hamada at Black Mountain College in North Carolina, before spending two years potting in Japan, where her love of pottery was sealed. Bernard and Janet planned to marry and build a pottery near Kyoto, but two years absence from St Ives obliged Bernard to return to Cornwall. A year later in 1956, Janet reluctantly left Japan, persuaded to join Bernard in a country completely unknown to her, England. There she stayed, becoming manager of the world-famous Leach Pottery for the next 40 years. This biography uses previously unpublished letters, notebooks and diaries and is a richly-informed portrayal of a pioneering potter.

An authoritative guide to what is needed for AI governance and regulation from expert authors internationally involved in the practical world of AI. This book tackles the question of why AI is a distinct challenge from other technologies and how we should seek to implement innovation-friendly approaches to regulation. It sets out many of the risks to be considered, why regulation is needed, and the form this should take to promote international convergence on AI governance and the responsible deployment of AI. This is a highly readable prescription for AI governance and regulation designed to encourage the technological goals of humanity whilst ensuring that potential risks are mitigated or prevented and, most importantly, that AI remains our servant and does not become our master.

Tristan/Yseult is a narrative poem about the yearning for erotic oneness in a fragmented world

The remarkable story of a brilliant research scientist and key member of a Nobel Prize-winning team who moved on to recreate, with her husband Jim, the fabled OrientExpress train, played a major role in the creation of a £3 billion five-star hotel company, and built the Shirley Sherwood Collection of Contemporary Botanical Art, the biggest and most important in the world.

100 Theatres showcases an eclectic range of paintings of theatres, from ancient to modern and from the smallest travelling theatre in Rome to one of the largest in New York. We are lucky to still have some of them; it is surprising how many of these world-famous theatres were scheduled for demolition in the second half of the twentieth century: Carnegie Hall in the 1950s and several London West End Theatres in the 1960s. Some of course did not survive, demolished to make way for yet another modern office block. In this book Paul Tracey has painted some of our most attractive survivors and even a couple that are no longer with us. There is a broad mix of the familiar and lesser-known but equally important buildings. Many of the paintings are accompanied by notes, old postcards of the buildings and programmes featuring some of the actors who performed there. The introduction is written by the bestselling author Tracy Bains, who worked in the theatre as a young woman

May 11th 1941 - Berchtesgaden. The day after Rudolf Hess took off from Augsburg and hadn't yet returned or sent any signal, Adolf Hitler had to say something to justify Hess' so far unexplained disappearance. Not least for the benefit of the German nation and his then trading ally, Soviet Russia. Consequently he authorised a statement saying that Hess was suffering from a mental derangement and had succeeded in obtaining an aeroplane against the strict orders of the Fuehrer. Of course, nothing could be further from the truth, but an explanation had at least been proffered before British propaganda commenced. The unlikely explanation has however proven durable, some still believing it to be true 80 years later. In this, their eighth book on the affair, Harris and Wilbourn demonstrate that far from being a random act, the flight had been meticulously planned, using state of the art German radio technology. Using contemporary equipment, maps and charts they demonstrate the true nature and character of the flight and explain what went wrong, leading to the sensational and very public arrival of Rudolf Hess in Scotland at 23.09hrs on May 10th 1941

Meet the greatest artist of the 18th-century you have never heard of; come face to face with the society he encountered and defined through unforgettable portraits.

This monograph follows the life and work of Ronald Rae, born 1946 in Ayr, an artist who is totally absorbed in creativity, and is acutely aware of suffering and cruelty, but above all of the transcendent power of the human spirit.

, Henri Matisse described the Chapel of the Rosary, the chief labour of his final years, as the 'gathering together' of his lifetime's work. Although widely known as 'Matisse's Chapel', the building's remarkable 'modern' design and decoration emerged from a surprising friendship and artistic engagement with a group of Dominican sisters and brothers keen to see the Church embrace 'Modern Art' and modern artists. With the advantage of hitherto unexplored archive and printed materials this study highlights that mutual encounter and explores how their shared artistic adventure became for Matisse himself an opportunity to express his 'religious' vision of art and to rediscover his natal Catholic Faith in its post-war avant-garde form.,