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Bob Boltz's nighttime photographs of car crashes have a richness similar to that of 1930s black-and-white crime films. I like to think he may have been an admirer of movies like Scarface, with Paul Muni, and The Public Enemy, starring James Cagney. Each car is lit with a nightmarish, chiaroscuro quality. His framing matches the technique of horror and suspense films in which shadows provide gloomy details of the surroundings. The photographs remind me of genres where light and dark represent good and evil. This book is a hymn to unsolved mysteries discovered in the dead of night. -Diane Keaton

In the spring of 2020, Aaron Stern and Lucy Helton began exchanging images via a thermal fax machine in an attempt to navigate isolation by engaging in virtual conversation. As the pandemic continued throughout 2020 and into 2021 - two strange years marked by global disruption - they began inviting other artists to submit work to the fax machine. OK, NO RESPONSE presents 140 of the resulting facsimiles drawn from the work of twenty contributing artists.

John Langmore began cowboying in 1975 at the age of twelve, after his father photographed the seminal book, "The Cowboy." John spent twelve summers cowboying across the West before pursuing a professional career. In 2012, after thirty years away from his time in the saddle, John began a six-year project photographing fourteen of the nation's largest and most famous ranches. Of all those who have photographed the cowboy, John is one of the few who came to it first as a cowboy and only later as a photographer. John's photographs and writings reflect this deep connection to the cowboy world and offer an unrivaled chance to witness a way of life that many dream of but few experience.

Northern New Mexico is a complex weave of pride and history. In this region of ancient traditions and striking environmental and ethnic diversity, Norman Mauskopf has spent the last decade photographing the Hispanic people and their culture. The photographs that emerged depict the intersection of religion, injustice, community, and transcendence. Included is a poem, commissioned for the book, by the celebrated New Mexican poet, Jimmy Santiago Baca.