Bøker utgitt av Trapart Books

The Fenris Wolf is a research journal focussed on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume, which is an anthology of the first three issues (originally published 1989-1993), contains material by Anton LaVey, Genesis Breyer P-Orridge, William Burroughs, Austin Osman Spare, Hymenæus Beta, Ben Kadosh, Freya Aswynn, Rodney Orpheus, ONA, William Heidrick, Terence Sellers, Zbigniew Karkowski, Carl Michael von Hausswolff and Leif Elggren (KREV), Lionel Snell, Stein Jarving, John Alexander, Tim O'Neill, Peter Gilmore, Phauss, Frater Nigris, Jack Stevenson, TOPYUS, Nemo, Philip Marsh, Beatrice Eggers, Andrew McKenzie, Fetish 23, and Carl Abrahamsson, on topics as diverse as dreams, Christian right-wing conspiracies, ritual aspects of performance art, Aleister Crowley's roots and his philosophy of Thelema, Thee Temple Ov Psychick Youth (TOPY), Jayne Mansfield, Kenneth Anger, Harry Smith, Satanism, Pythagoras, Plato, the Hellenes, demonic aspects of cinema, the Ordo Templi Orientis (O.T.O.), psychedelics as agents of creativity, Acid House as a liberating subculture, the inauguration of the Kingdoms of Elgaland-Vargaland, the technology of consciousness, pornography, the esotericism of the left-hand path, Northern magic, and much more... Trapart Books 2020, 6x9" paperback, 322 pages.

Katrina Makkouk's study of modernist poet Ezra Pound's Pisan Cantos is a great introduction to the work of the poet in general, and to his masterpiece The Cantos specifically. Written in incarceration right after WW2, Pound's Pisan Cantos show his desire to penetrate deeper into the mysteries of history, memory, and mythology. Drawing from the occult inspiration from his early mentor, W.B. Yeats, Pound went into an inner exile to retrieve whatever he needed to banish the restraining outer circumstances, and to finish his epic poem. The how and why of magic can so often be mysterious and enigmatic. For some, it does not provide entrance into an unseen world such as those sought out by Yeats. Rather, it enables the user to link themselves to the past, present, and future, and to fully connect oneself to what is beyond the ordinary reality in which we find ourselves. These threads of memory and magic that are woven throughout The Pisans makes this set of cantos the most unique amongst the other stars of Pound's epic writing.

New York based artist Jason Haaf cuts up your preconceived reality, and reassembles it in unimaginable, fun, and revealing ways. Driven by dark desires, esthetic ecstasies, and a sardonic sense of queer wit, Haaf's collages and textual cut-ups grab you by your most sensitive parts. And when he eventually lets you go, you will definitely see the world in a new way... Are you ready?Trapart Books, 2024. 66 pages, full color, 8,5 x 11".

Welcome to a miasmic world of passion and play, in which humans and dolls interact to the ecstatic point of blurring the boundaries between waking reality and dark dreams; between philosophy and madness; between gender and identity; between lust and violence... Who is human and who is not in this erotic rollercoaster of intense and hallucinogenic twists and turns? When all is said and done, aren't we all someone else's plaything...? "This cruelty to those with small lights in their eyes has fed us from the top down. From a corrupt god, it drains into the culture. From the imperfect being who birthed us. Small himself, no doubt, with the illusion that he is an ambivalent giant. I see it in the superstores utilizing child labor, I see it in our sexual fixations, all of us. It's a collective sickness, all of us. No, this view I had of the world didn't give me nihilism, but it did give me the privilege to view myself as separate." (Ad Vat) "This novel is sure to become the QUEER and NAKED LUNCH of a generation brought up on fake news, pharmaceutical comforts, and harsh self-effacing in the artificial light of compensatory illusions." (Vanessa Sinclair, psychoanalyst & author)

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This issue contains material presented at the Psychoanalysis, Art & the Occult conference "Re-writing the Future: 100 Years of Esoteric Modernism and Psychoanalysis" (Merano, 2019). Presenters were Kadmus, Charlotte Rodgers, Kasper Opstrup, Elisabeth Punzi & Per Magnus Johansson, Hans-Peter Söder, Haukur Jonasson, Carlos Abler, Stephanie Moran & Anna Sebastian, Katy Bohinc, Tom Banger & Koshka, Simon Magus, Ugo Dossi, Siegfried de Rachewiltz, Katrina Makkouk, Vanessa Sinclair, Blanche Barton, and Carl Abrahamsson, presenting topics as diverse as Greek Paganism, spiritual evolution, Cosmism's inherent longing to go into space, Hilda Doolittle, the power of myth, Christianity's influence in medieval Pagan Iceland, hypno-mimesis and working with body, the esoteric methods of Ithell Colquhoun, poetry as magic, the aesthetics and methods of Austin Osman Spare, automatic drawing, Joseph Ennemoser, Ezra Pound's occultism, the crusade against magical thinking, the roots of modern Satanism, and the relationship between Ezra Pound and his publisher James Laughlin.

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume contains material from the conference Psychoanalysis, Art & the Occult (London, 2016), with contributions from Gary Lachman, Vanessa Sinclair, Katelan Foisy, Sharron Kraus, Demetrius Lacroix, Graham Duff, Ken Henson, Peter Grey, Val Denham, Claire-Madeline Culkin, Steven Reisner, Katy Bohinc, Olga Cox Cameron, Ingo Lambrecht, Elliott Edge, Charlotte Rodgers, Alkistis Dimech, Fred Yee, Robert Ansell, Ray O Neill, Derek M Elmore, Julio Mendes Rodrigo, Eve Watson, and Carl Abrahamsson. Topics include Sigmund Freud and the Occult, Art as Alchemy, the art of John Balance, Cut-Ups as a magical and psychoanalytic tool, Maori shamanism within therapy, Animistic art, Dance as ritual, Androgynous aspects in Austin Osman Spare's art, Salvador Dali's meeting with Jacques Lacan, Rebis: the Double Being, David Bowie's Non-Human Effect, similarities between ritual magic and psychoanalysis, and much more. Trapart Books, 2022. 6 x 9", 234 pages.

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume contains material by Genesis Breyer P-Orridge, Nina Antonia, Gary Lachman, Erik Davis, Vanessa Sinclair, Carl Abrahamsson, Charles Stansfeld Jones (Frater Achad), Kendell Geers, Jason Louv, Timothy O'Neill, Derek Seagrief, Alexander Nym, Stephen Sennitt, Henrik Dahl, Kasper Opstrup, Antti Balk, Aki Cederberg, Michael Moynihan, Friedrich Hielscher, Orryelle Defenestrate Bascule, Zbigniew Lagosz, Bishop T Omphalos, Johan Nilsson, Gordan Djurdjevic, Carey Hodges, Chad Hensley, Zaheer Gulamhusein, Ingo Lambrecht, Hagen von Tulien, N, Kadmus, Stojan Nikolic, Miguel Marques and Renata Wieczorek on topics as diverse as polymorphous perversity and pandrogeny, Alchemy, Lord Alfred Douglas & Aleister Crowley, Indian erotic art, Polish magicians, rejected knowledge, Intuition, the Ecclesia Gnostica Catholica, Crowley & Daoism, H.P Lovecraft, Robert Anton Wilson, August Derleth, Greek mysteries, psychedelic art, New Orleans Voodoo, Kabbalah in contemporary culture, Ritual & Analytical spaces, religious Scientism, death/exit horoscopes, new poetry and much more... A smorgasbord of occulture & delightenment! Trapart Books 2021. 6 x 9" paperback, 334 pages. Cover painting by Andreas Kalliaridis.

The Fenris Wolf is a research journal focussed on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study.This volume, the fifth, contains material by Jason Louv, Patrick Lundborg, Gary Lachman, Timothy O'Neill, Dianus del Bosco Sacro, David Griffin, Philip Farber, Aki Cederberg, Renata Wieczorek, Genesis Breyer P-Orridge, Ezra Pound, Gary Dickinson, Robert Podgurski, Stephen Ellis, Mel Lyman, Hiram Corso, Frater Nagasiva, Peter Grey, Vera Mladenovska Nikolich, Kevin Slaughter, Lionel Snell, Phanes Apollonius, Lana Krieg and Carl Abrahamsson, on topics as diverse as the psychedelic William Shakespeare, secret societies, Rosicrucians, Illuminati, neurological interpretations of magic, the esoteric gardens of Quinta da Regaleira in Portugal, Italian witchcraft, Pierre Molinier, Derek Jarman, the I Ching, Geomancy, the logic of evil and vice versa, Remy de Gourmont, Aleister Crowley, Liber AL vel Legis, Macedonian vampires, Satanism, Goethe's Faust, and the creation of a "mega Golem" within the context of developing a contemporary yet timeless terminology of magic.Trapart Books 2020, 6x9" paperback, 330 pages

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This issue contains material by Peter H Gilmore, Peter Grey, John Duncan, Ramsey Dukes, Tim O'Neill, Thomas Karlsson, David Beth, Payam Nabarz, Hiram Corso, Jean-Pierre Turmel, Kendell Geers, Z'EV, Robert Taylor, Phil Farber, Thomas Bey William Bailey, Ernst Jünger, Baba Rampuri, Aki Cederberg, and Carl Abrahamsson, on topics as diverse as Thelema, Kenneth Anger, Satanism, democracy, the astral technology of "Civilization X", the blood mysteries of the Blutleuchte, The Process Church of the Final Judgement, an interview with Timoth Wyllie, the power of profane language and cursing, the cabalistic calls, the pantheon of Genesis Breyer P-Orridge, magical uses of the Dreamachine, the esoteric order Dragon Rouge, Terence McKenna, psychedelics, LSD, psilocybin, Indian spirituality, Naga Babas, magical pilgrimages, a unique series of evocative ink images by Swedish artist Fredrik Söderberg, and much more.Trapart Books 2020. Originally published by Edda Publishing 2011. 256 pages, 6 x 9". Cover art by Fredrik Söderberg."From the smallest genome to the loftiest vision, man's totality is an unsurpassed vessel of potential. One of the reasons being the ability to transcend immediate communication. In every use of communication by proxy lies individual will ingrained. Love charms and jewellery, cave paintings and sympathetic tribal hopes, Luther's German translation of the Bible as an act of monocultural defiance, fairytales as moral education, Picasso's "Guernica" as an act of war against war itself... This desire to formulate emotion and will through generalised expressions, along with the capacity for suicide, may be the most fundamentally human trait. If we, for some reason, are incapable of expressing ourselves, we actively seek out resonance with those who are capable. Their works arouse the spirit of Gemeinschaft, of being a part of the human community rather than a single solitaire grain of sand in a scorchingly hot desert."- Carl Abrahamsson, from the chapter "Someone is messing with the Big Picture."

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume, the tenth, contains material by Ludwig Klages, David Beth, Henrik Dahl, Peter Sjöstedt-H, Jesse Bransford, Max Razdow, Christopher Webster, Kendell Geers, Kadmus, Billie Steigerwald, Fred Andersson, Zaheer Gulamhusein, Charlotte Rodgers, Craig Slee, Damien Patrick Williams, Philip H. Farber, Thomas Bey William Bailey, Mitch Horowitz, Ramsey Dukes, Anders Lundgren, Peggy Nadramia, Nina Antonia, Jack Stevenson, Andrea Kundry, Joan Pope, Genesis Breyer P-Orridge, Vanessa Sinclair, Claire-Madeline Corso, and Carl Abrahamsson, on topics as diverse as magico-anthropology, sexual magic, eroto-psychedelic art, Friedrich Nietzsche's use of psychoactive drugs, the occult meaning of the Fenris Wolf in Scandinavian Asatro, joint dreaming, mytho-historical traces within Völkish photography, the magic and influence of African art, disease as magical incentive, Cripkult, daoism, buddhism and machine consciousness, memetic entities, memetic magick, the transformative power of causative thinking, an interview with author Gary Lachman about Colin Wilson and his magical writings, dark Hollywood, Mike "Hellboy" Mignola and the Lovecraft connection, the full story of Benjamin Christensen's cinematic masterpiece "Witchcraft Through the Ages (1922), the full story of Anton LaVey's Satanic Bible, the gnostic-alchemical eroticism in the art of Joan Pope, Genesis P-Orridge's memories of a life of occultural experimentation, and much more..."Wherever we look in and into time and space, there is that one fundamental phenomenon which seems more ingrained and integrated in the human psyche than anything else. Soundly embedded inside the survival instinct, the human being's relationship to magic has never really disappeared."- Carl Abrahamsson, from the chapter "Onwards to the Source!"

The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume contains material by Genesis Breyer P-Orridge, Frater Achad, Timothy O'Neill, Philip Farber, Kendell Geers, Sasha Chaitow, Derek Seagrief, Vera Nikolich, Alexander Nym, Vanessa Sinclair, Stephen Sennitt, Antony Hequet, Patrick Lundborg, Henrik Dahl, Angela Edwards, Jason Louv, Kasper Opstrup, Peter Grey, Antti Balk, Kjetil Fjell, Sandy Robertson, Adam Rostoker, Emory Cranston, Manon Hedenborg-White, Sara George and Carl Abrahamsson, on topics as diverse as Aleister Crowley, Rudolf Steiner, Anton LaVey, Sar Peladan, Fernand Khnopff, Marcel Duchamp, Robert Heinlein, William Burroughs, Brion Gysin, Wilhelm Reich, Thelema, Satanism, Symbolism, psychoanalysis, Dada, apocalyptic witchcraft, psychedelic philosophy, visionary book covers, Cannabis, artificial human companions, sacred prostitution, German Expressionist cinema, slam poetry, independent universities, extraterrestrial influences, astrology, sexual magic, science fiction and more...