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  • av Jane Austen
    171,-

    Lady Susan Vernon is a calculating coquette, encouraging the attentions of several men at once; but this time she goes too far and has to accept the fate that she has prepared for her own daughter. Emma Watson returns from Ireland to rural Surrey, denied the inheritance that she has been brought up to expect and facing a future of the genteel poverty that Jane Austen herself knew well. Austen may have abandoned The Watsons for that very reason; it may have been a little too close to home. Will her Emma do better? We shall never know. In Sanditon Jane Austen struck out in an entirely new direction, taking a wry look at a developing seaside resort on the Sussex coast populated by a colourful cast of hypochondriacs and speculators. Sadly, she died before she could complete it.If you have ever expected Jane Austen's novels to be dif¿cult to read, the Line Clear Edition is the one for you. Here are Jane Austen's stories in Jane Austen's words, made approachable by clear type and a clear layout, modern spelling and modern typography. The innovative chapter titles and contents list, derived from the text, will quickly guide the familiar reader back to favourite passages.The cover image is taken from a Cassini Old Series map, using mapping ¿rst published by the Ordnance Survey in 1813 (while Jane Austen was still writing), and is reproduced by kind permission of Cassini Publishing Ltd. The front cover is centred on Eastbourne in Sussex. Austen tells us that Sanditon is 'one complete, measured mile' nearer to London than is Eastbourne. Another of the places mentioned in the story is Willingden; it may be signi¿cant that 'Willingdon Mill' appears on the map only about two miles northwest of Eastbourne.

  • av Jane Austen & George Timcke
    171,-

  • av Jane Austen
    171,-

    Emma Woodhouse, at the age of twenty, has little to distress or vex her. Handsome, clever and rich, she believes that she has no need of marriage or love and is therefore free to manipulate the love-lives of those around her. As early as chapter 1 her father begs her, 'Do not make any more matches,' but that does not deter her from picking up little Harriet Smith, 'the natural daughter of somebody', and giving her ideas above her station. It takes an old family friend, Mr George Knightley, to put a stop to all this, and in the way that Emma least expects. In the background a classic detective story is working itself out, enacted by perhaps the most memorable cast of characters that Jane Austen was ever to create. If you have ever expected Jane Austen's novels to be dif¿cult to read, the line clear edition is the one for you. Here is Jane Austen's classic novel in Jane Austen's words, made approachable by clear type and a clear layout, modern spelling and modern typography. The innovative chapter titles and contents list, derived from the text, will guide the familiar reader back to favourite passages without revealing the plot to a new reader. The cover image is taken from a Cassini Old Series map, using mapping ¿rst published by the Ordnance Survey between 1816 and 1819 (Jane Austen died in 1817), and is reproduced by kind permission of Cassini Publishing Ltd. The front cover is centred on the famous Surrey beauty spot of Box Hill, which is the setting for one of the most significant episodes in the novel. The town of Leatherhead, four miles north of Box Hill, is believed to have been Austen's model for Highbury.

  • av Jane Austen
    171,-

    Ten-year-old Fanny Price is adopted by her wealthy uncle, Sir Thomas Bertram, and is brought up alongside, rather than with, his own four children. She soon learns her place in the hierarchy of Mans¿eld Park, and is ¿rmly kept there by her spiteful and interfering Aunt Norris, who is one of Jane Austen's most memorable creations. While Sir Thomas is away attending to his business interests in Antigua, the arrival of the sophisticated Mary and Henry Crawford becomes the catalyst for change. Soon, amateur theatricals turn into a real-life drama that shakes the family to its foundations. Throughout it all, Fanny's high moral principles remain as ¿rm as a rock. When the dust has settled, those who remain standing realize that Fanny means more to them than they - or she -had ever expected.If you have ever expected Jane Austen's novels to be dif¿cult to read, the Line Clear Edition is the one for you. Here is Jane Austen's classic novel in Jane Austen's words, made approachable by clear type and a clear layout, modern spelling and modern typography. The innovative chapter titles and contents list, derived from the text, will guide the familiar reader back to favourite passages without revealing the plot to a new reader.The cover image is taken from a Cassini Old Series map, using mapping ¿rst published by the Ordnance Survey between 1833 and 1835 (only a few years after Jane Austen's death), and is reproduced by kind permission of Cassini Publishing Ltd. The front cover is centred on Northampton, it being implied in the novel that Mans¿eld Park lies only four or ¿ve miles north of there.

  • av Jane Austen
    171,-

    'The person, be it gentleman or lady, who has not pleasure in a good novel must be intolerably stupid.' For Catherine Morland, young and ingenuous, the only good novel is a Gothic novel, and the more 'horrid' it is, the better it fuels her imagination. So when Henry Tilney and his family take her from fashionable Bath on a visit to their ancestral home in Gloucestershire, she is all too ready to ¿nd Northanger Abbey redolent of dark deeds, some of them committed, she believes, not so very long ago. She is persuaded to look at things in another light, but it is not until she returns to her native village in rural Wiltshire that she learns that one at least of those whom she has met in Bath really is what he seems. Short but packed with incident, Northanger Abbey is full of Jane Austen's characteristic comedy. Watch out for her reference to baseball - thought to be the ¿rst ever printed.If you have ever expected Jane Austen's novels to be dif¿cult to read, the Line Clear Edition is the one for you. Here is Jane Austen's classic novel in Jane Austen's words, made approachable by clear type and a clear layout, modern spelling and modern typography. The innovative chapter titles and contents list, derived from the text, will guide the familiar reader back to favourite passages without revealing the plot to a new reader.The cover image is taken from a Cassini Old Series map, using mapping ¿rst published by the Ordnance Survey between 1817 (the year of Jane Austen's death) and 1830, and is reproduced by kind permission of Cassini Publishing Ltd. The front cover is centred on Bath, then and now once more in Somerset, and the scene of many entertaining episodes in the novel

  • av Jane Austen
    171,-

    With ¿ve unmarried daughters to dispose of, Mrs Bennet, always a martyr to her nerves, is becoming increasingly concerned. Beautiful Jane at twenty-two shows little sign of doing anything about it in time. Pretty, feisty Lizzy, not yet one-and-twenty, is determined to marry for love. Kitty and the coltish Lydia are content to ¿irt with any man who will look their way. Mary would in¿nitely prefer a book. The arrival of Mr Bingley and his family, the saturnine Mr Darcy and a whole regiment of militia brings changes for them all; and pride, prejudice and sheer animal spirits have much to answer for along the way. The sparkling comedy of manners that results is the vehicle for Jane Austen's most acute social observation and dry humour.If you have ever expected Jane Austen's novels to be dif¿cult to read, the Line Clear Edition is the one for you. Here is Jane Austen's classic novel in Jane Austen's words, made approachable by clear type and a clear layout, modern spelling and modern typography. The innovative chapter titles and contents list, derived from the text, will guide the familiar reader back to favourite passages without revealing the plot to a new reader.The cover image is taken from a Cassini Old Series map, using mapping ¿rst published by the Ordnance Survey between 1805 and 1834 (Jane Austen died in 1817), and is reproduced by kind permission of Cassini Publishing Ltd. The front cover is centred on Hertford and Ware in Hertfordshire, which are thought to have been Austen's models for Meryton and the unnamed small town where Mr Bennet's carriage meets Elizabeth and Maria on their return from Kent. Although Hertford is the county town, it was Ware, not Hertford, that was on the main road from the south.

  • av Jane Austen
    171,-

    Elinor Dashwood at nineteen has more common sense than is good for her. Marianne, not yet seventeen, wears her heart on her sleeve. When Marianne is swept off her feet by a young man with a gun, only to be let down with a bump, the violence of her reaction lays the family open to ridicule. Elinor, facing an emotional crisis of her own, must suffer in silence. But quiet Colonel Brandon has in his gift something that is more useful than he can possibly know, and he becomes instrumental in the fate of both girls as Elinor ¿nally has reason to rejoice and Marianne is induced to put aside her rooted antipathy to second attachments.If you have ever expected Jane Austen's novels to be dif¿cult to read, the Line Clear Edition is the one for you. Here is Jane Austen's classic novel in Jane Austen's words, made approachable by clear type and a clear layout, modern spelling and modern typography. The innovative chapter titles and contents list, derived from the text, will guide the familiar reader back to favourite passages without revealing the plot to a new reader.The cover image is taken from a Cassini Old Series map, using mapping ¿rst published by the Ordnance Survey between 1828 and 1831 (only a few years after Jane Austen's death), and is reproduced by kind permission of Cassini Publishing Ltd. The front cover is centred on Exeter, the county town of Devon. Barton, where the Dashwoods make their home after quitting Sussex, is stated in the novel to lie four miles north-east of Exeter. One of the eight or more real Bartons in Devon is to be seen to the left of the title block.

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