Bøker utgitt av Tilbury House,U.S.

At this school, there are some children who push and tease and bully. Sometimes they hurt other kids by just ignoring them.

Salamanders and children alike hear the rhythms and song of the seasons as winter gives way to spring. Salamanders begin to squirm and stretch in the early spring sun, while the children and their teacher plan. They meet on a night of salamander rain (the first warm rain of spring), when the children and their teacher work to help the salamanders cross a busy road to the vernal pool on the other side. This lyrical, parallel narrative story reinforces the idea that kids can make a big difference. The author's note includes information about amphibian migrations and descriptions of citizen science activities that kids can participate in to help keep the world wild and beautiful.

When Paloma arrives at the big building with so many other children living there, she stays silent and watches. But soon the cozy red carpet beckons--a place for her to draw and make friends, learn the language and learn to read. More change looms, however, and the children learn they'll have to leave their beloved carpet behind, so Paloma and her friends get creative and imagine a fitting farewell for their magic carpet. This is a touching story of refuge, change, and friendship from the talented author/illustrator Carme Lemniscates.

Willy and Stone Fox is the thrilling sequel to the bestselling Stone Fox. It has been two years since Willy competed in that fateful National Dogsled Race. Two years since he lost his dog, Searchlight. Two years since Stone Fox stood up and made sure Willy won the race, Willy carrying Searchlight over the finish line while Stone Fox held the other racers at bay. And now, Stone Fox needs Willy's help to save his land and his family. But can Willy race again? And without Searchlight?

An enchanting picture book about the joyful, mysterious, awe-inspiring messages of light, whether emanating from a firefly or the sun, fireworks or the Big Bang, boats at sea or a bolt of lightning, a movie projector or a rainbow. Luciana Navarro Powell's illustrations follow a group of kids through a magical day and evening in a seacoast town, while Christine Layton's lyrical text explores the naturalhistory of light. Backmatter provides further adventures in the science of light.

David Antenborough narrates this picture-book send-up of a nature documentary, sounding just like the real-life David but with more gesticulations, since he has six limbs at his disposal. Director Stephen Spielbug tries to keep the cast of characters on task, but it's worse than herding cats: The orb-weaving spider would like to eat one or two other actors; the grasshopper is a diva; the worm is too busy munching dirt to emerge from the ground on cue; the robin has joined a union and declines to show up for the predation scene; and the slug is too embarrassed by his slime to perform. As David and Stephen near the wrap-up, filming is interrupted by a whuffling noise and then a foul-smelling hurricane, and Fido the dog sniffs his way through the grass and onto their set. The panicked actors flee at top speed (which is not very fast in the slug's case), but the intrepid Antenborough continues narrating, Spielbug keeps directing, and they bring the film to a dramatic conclusion. Despite the chaos-or maybe because of it-we learn some things about these animals, and backmatter nature facts give us more.

From the author-illustrator of The Eye of the Whale (Tilbury House, 2013), this nonfiction picture book tells the story of Lawrence Anthony and the deep bond he forged with the matriarch of the herd he saved at his animal reserve in South Africa. When Lawrence died, the matriarch led all the elephants from remote parts of the reserve in a procession to his home, where they gathered to mourn him. They returned on the same day at the same time for the next two years -- because elephants remember. This moving story of human-elephant mutual love and respect will inspire readers of all ages.

Youniverse aims to inspire a reverence for our fragile blue planet voyaging through space. The lyrical text and simple, childlike illustrations linger on one object at a time, building a mind-liberating journey from electrons and photos through atoms, molecules, cells, and the human body; outward to the solar system, the Milky Way, and the universe; and backward to the beginning of time in the Big Bang. Light weaves through the pages as it weaves the universe together, showing us that we have almost everything in common with a quivering aspen leaf and the dust of a distant nebula. "Your imagination is the greatest of miracles," van der Merwe writes, "a consciousness that contemplates the atoms and the stars from which it was made."A child sees a world in a tidepool and an enchanted forest in a copse of trees. Songbirds speak messages. Moonlight whispers through an open window. The inner and outer worlds flow together without boundaries. Does growing up have to mean leaving that magic kingdom behind? Lizelle van der Merwe believes that a child's sense of wonder should instead be encouraged, expanded, and immortalized with the real-life magic of science. The more we know about the quantum worlds within and outside us, the more wisdom is evident in a child's view of the world.

Big lies are told by governments, politicians, and corporations to avoid responsibility, cast blame on the innocent, win elections, disguise intent, create chaos, and gain power and wealth. Big lies are as old as civilization. They corrupt public understanding and discourse, turn science upside down, and reinvent history. They prevent humanity from addressing critical challenges. They perpetuate injustices. They destabilize the world. The modern age has provided ever-more-effective ways of spreading lies, but it has also given us the scientific method, which is the most effective tool for finding what is true. In the book's final chapter, Kurlansky reveals ways to deconstruct an allegation. A scientific theory has to be testable, and so does an allegation.BIG LIES soars across history: alighting on the "noble lies" of Socrates and Plato; Nero blaming Christians for the burning of Rome; the great injustices of the Middle Ages; the big lies of Stalin and Hitler and their terrible consequences; the reckless lies of contemporary demagogues, which are amplified through social media; lies against women and Jews are two examples in the long history of "othering" the vulnerable for personal gain; up to  the equal-opportunity spotlight in America. "Belief is a choice," Kurlansky writes, "and honesty begins in each of us. A lack of caring what is true or false is the undoing of democracy. The alternative to truth is a corrupt state in which the loudest voices and most seductive lies confer power and wealth on grifters and oligarchs. We cannot achieve a healthy planet for all the world's people if we do not keep asking what is true."

We celebrate firemen and soldiers-and rightly so. But let's also celebrate teachers, bus drivers, shop keepers, postmen and the others who keep the world spinning around every day. And let's give a nod to children, too-children who are kind and brave and help each other. They're heroes too. In structure, flow and pitch, very much like Pat Brisson's Before We Eat (ISBN 978 0 88448 652 7).

This is Richard Turere's own story: Richard grew up in Kenya as a Maasai boy, herding his family's cattle, which represented their wealth and livelihood. Richard's challenge was to protect their cattle from the lions who prowled the night just outside the barrier of acacia branches that surrounded the farm's boma or stockade. Though not well-educated, 12-year-old Richard loved tinkering with electronics. Using salvaged components, spending $10, he surrounded the boma with blinking lights, and the system works; it keeps lions away. His invention, Lion Lights, is now used in Africa, Asia and South America to protect farm animals from predators.

Lailah solves her problem with help from the school librarian and her teacher and in doing so learns that she can make new friends who respect her beliefs. This gentle, moving story from first-time author Reem Faruqi comes to life in Lea Lyon's vibrant illustrations. Lyon uses decorative arabesque borders on intermittent spreads to contrast the ordered patterns of Islamic observances with the unbounded rhythms of American school days.Fountas & Pinnell Level N

I Begin with Spring weaves natural history around Thoreau's life and times in a richly illustrated field notebook format that can be opened anywhere and invites browsing on every page. Beginning each season with quotes from Thoreau's schoolboy essay about the changing seasons, Early Bloomer follows him through the fields and woods of Concord, the joys and challenges of growing up, his experiment with simple living on Walden Pond, and his participation in the abolition movement, self-reliance, science, and literature.The book's two organizing themes-the chronology of Thoreau's life and the seasonal cycle beginning with spring-interact seamlessly on every spread, suggesting the correspondence of human seasons with nature's. Thoreau's annual records of blooms, bird migrations, and other natural events scroll in a timeline across the page bottoms, and the backmatter includes a summary of how those dates have changed from his day to ours and what that tells us about the science of phenology and climate change.Megan Baratta's watercolors are augmented with historical images and reproductions of Thoreau's own sketches to create a high-interest visual experience. The book includes a foreword from Thoreau scholar Jeffrey Cramer, Curator of Collections for the Walden Woods Project.

A funny, instructive story about making decisions

A funny, expansive, affirming story with a powerful message of self-determination for young kids: No one can label us if we do not allow ourselves to be labeled. Our identities are ours to choose and to live.

The Acadia Files series uses real-world scenarios to make scientific inquiry relatable.

Spectacular nature photography: Weird and wonderful, as only nature can be!

The seasons change, but Acadia Greene's curiosity doesn't. Winter brings new mysteries just as summer and fall did.

Feelings come and go like the weather and crying is like the rain.

Acadia Greene is at it again.

Tamen longs to see the stars, but none are visible in the light-polluted sky above the fire escape of his urban apartment building. Even in the neighbourhood park, the stars are hidden by city lights.

Smoke itself acts as narrator, telling us how it has served humankind since prehistoric times in signaling, beekeeping, curing and flavouring food, religious rites, fumigating insects and myriad other ways.

A beautifully realised city inhabited by musical instruments

Acadia Greene wants answers. Who keeps stealing her blueberries just as they ripen on the bushes? Why is her hair curly? Why does the sun wake her up so early in the summer? Why does the tide submerge her sandcastles? How do rocks become sand? Acadia doesn't set out to do science, but she has these important questions and her scientist parents refuse to simply feed her the answers. "Conduct an experiment," they tell her. "Use the scientific method." So Acadia gathers evidence, makes hypotheses, designs experiments, uses the results to test her hypotheses, and draws conclusions. Acadia does science.The author, Katie Coppens writes a recurring column for NSTA's middle school magazine Science Scope on science and literacy called "The Integrated Classroom."

Jonathan isn't as strong or physical as his brother and can't seem to please his beekeeper dad when he tries to help on the farm.

There's a monster under my bed who changes like a chameleon. He can be motionless, like a rock with a tail, or he can strike with blinding speed, like a lightning bolt with claws. My monster's name is Moofy. His ears are as pointy as tortilla chips and hi

The tree recounts its visits over the years by a special human who was born in the same year. As a boy, this human climbs the cottonwood's branches to watch the river and dream. As a father, he brings his daughter to visit. As an old man he grieves to see the tree knocked down but rejoices when he sees new sprouts emerging from the stump. He knows the tree is not done yet! Captions throughout the book relate the natural histories of animals in and around the tree, and the backmatter offers further resources.

A tender and powerful affirmation that Black lives have always mattered.

Good things happen in the ordinary minutes of an ordinary day.