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Blue Rooms, Morri Creech's long awaited fourth collection, explores the uncertain terrain between conscious perception and the objective world, and includes powerful lyric sequences that examine Magritte¿s surreal investigations of the elusive self, Cezanne¿s attempts to limn the dynamic nature of reality, and Goyäs unflinching depictions of cosmic and historical horrors¿all while balancing rich language with an exacting formal control.

The Self-Styled No-Child, Cody Walker's second book of poems, offers an unlikely array of characters: Edward Lear, Mitt Romney, Amy Clampitt, and Andy Kaufman share the stage.Walker himself is ever-present, with his shrugs, his heartbreak, his "way-out rhymes" "I'd like to write some lines about the snow, / but--I dunno, / the snow seems so / fleeting: / a flock of gulls, late for a meeting." Full of comic interruptions and grave forecasts, these poems surprise, delight, and terrify.

In the aftermath of an unforeseen and tragic turn of events, young Mel Seuchar strides along Longniddry Beach outside Edinburgh, trying to make sense of it all. What really happened? How did it it come to this?He pictures himself and his friend Yehune; he reflects on their flight from New Zealand, the long and eventful journey which took them across Asia all the way to Europe; and he thinks about Mairi, the young woman they met on their travels and then followed to Edinburgh Still the story refuses to come into focus. Until in a moment of wild insight, the threads connect, the story builds itself again, and the stage is set for an absorbing, bewildering and deeply touching narrative - the narrative of The Blinding Walk.